
Restricted View
Olivia Cole(Author)
Salt Publishing
Will be published approx. on 1. May 2010
Book
Paperback/Softback
80 pages
978-1-84471-805-4 (ISBN)
Description
Like craning your neck from a seat in a theatre, looking at the glittering night city from a skyscraper, or watching Woody Allen filming across the street, Restricted View, sees every glimpse of a life as partial, as though the reader has just stumbled on a diary entry still being written, or a lovers' scene, mid-conversation. In the messy chaos and tantalizing beauty of the city from London to Russia, Italy and New York, emotionally charged encounters replay, held in poetry's present tense, or turned over and examined as closely as cheap jewels: the 'remembered strings of amber beads/glinting from long passed market stalls.'
The poet picks her way around a tightrope temptation to use poetry like a diary (as she hints in the Writer's Dairy) but the intensity of memories is matched, too, in the empathy found for vividly realised couplings in history, whether it be the child bride of a Medici tyrant in Florence, Mussolini's long suffering mistress, Bernini's angel statues in Rome or the Venetian art collector Peggy Guggenheim.
Always the 'view', like the tricksy cover portrait by contemporary artist Natasha Archdale constructed entirely of words, remains 'restricted'. If at times, Cole seems far more figuratively naked than in her portrait, the book's epigraph, about Evelyn Waugh's famous gossip columnist Mr Chatterbox (who invented people to write about) hints too at the element of fiction there even in journalist Cole's most seemingly autobiographical writing.
From Grazia to tell-all interviews and autobiographies of politicians and stars, in an age obsessed with candid details, Restricted View maintains the impossibility of knowing anyone's 'true' story. The past and the present are improvised and improved, the moment that the poet picks up her pen, or, as in 'The Writer', is drawn back to her computer, its stand-by lights blinking in the night, like waiting land across the bay.
The poet picks her way around a tightrope temptation to use poetry like a diary (as she hints in the Writer's Dairy) but the intensity of memories is matched, too, in the empathy found for vividly realised couplings in history, whether it be the child bride of a Medici tyrant in Florence, Mussolini's long suffering mistress, Bernini's angel statues in Rome or the Venetian art collector Peggy Guggenheim.
Always the 'view', like the tricksy cover portrait by contemporary artist Natasha Archdale constructed entirely of words, remains 'restricted'. If at times, Cole seems far more figuratively naked than in her portrait, the book's epigraph, about Evelyn Waugh's famous gossip columnist Mr Chatterbox (who invented people to write about) hints too at the element of fiction there even in journalist Cole's most seemingly autobiographical writing.
From Grazia to tell-all interviews and autobiographies of politicians and stars, in an age obsessed with candid details, Restricted View maintains the impossibility of knowing anyone's 'true' story. The past and the present are improvised and improved, the moment that the poet picks up her pen, or, as in 'The Writer', is drawn back to her computer, its stand-by lights blinking in the night, like waiting land across the bay.
Reviews / Votes
Olivia Cole's is an intense, haunting voice, perfectly capturing psychical and physical states in some astonishing imagery; breaking the ice, taking a shower, blood seeping through a black and white world. -- Anita Sethi * The Guardian * Open the anthology Tower Poets, edited by Peter McDonald (Tower Poetry, GBP5 from towerpoetry.org.uk), and there again, in Olivia Cole's poems, the resolutely strong note rings straight out:I stood in your shower, how many times?
Well, so many times ...
Olivia Cole is one of seven poets here, all associated with Tower Poetry, which emanates from Christ Church, Oxford, with the help of a legacy to the college. Everyday spoken rhythms, deftly used, are characteristic of most of these poets. -- Derwent May * The Times * ?This impressive first book is concerned with the tentative nature of perspective. -- Charles Bainbridge * The Guardian * Olivia Cole's is an intense, haunting voice, perfectly capturing psychical and physical states in some astonishing imagery; breaking the ice, taking a shower, blood seeping through a black and white world. -- Anita Sethi * The Guardian * Open the anthology Tower Poets, edited by Peter McDonald (Tower Poetry, GBP5 from towerpoetry.org.uk), and there again, in Olivia Cole's poems, the resolutely strong note rings straight out:
I stood in your shower, how many times?
Well, so many times ...
Olivia Cole is one of seven poets here, all associated with Tower Poetry, which emanates from Christ Church, Oxford, with the help of a legacy to the college. Everyday spoken rhythms, deftly used, are characteristic of most of these poets. -- Derwent May * The Times * ?This impressive first book is concerned with the tentative nature of perspective. -- Charles Bainbridge * The Guardian *
More details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Illustrations
Not illustrated
Dimensions
Height: 216 mm
Width: 140 mm
Thickness: 5 mm
ISBN-13
978-1-84471-805-4 (9781844718054)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Olivia Cole is an award-winning poet and journalist, writing for the Spectator and the London Evening Standard. She specialises in the arts, literature and London's party scene. Olivia was born in 1981 in Kent, and read English at Christ Church, Oxford. Restricted View is her first poetry collection. In 2003 she won an Eric Gregory award, the Society of Authors' awards for poets under the age of 30.
Content
Breaking the Ice
Between Some Acts
Balcony Scene
Common Ground
Restricted View
Bathers At Asnieres
Flight Paths
Matinee Idol
Persistence
A to Z
The Cure for Love
Ponte Sant'Angelo
The Bridal Suite
Il Duce's Match
Gossip Column
I Can Wait
Children's Hour
If Winter Comes
An Arrival
Winter Palace
Arabesque
The Understudy
Casablanca
The Writer's Dairy
In the British Museum
The Deep End
Thanksgiving
Moon Man
Matins
Five Elements
The Writer
The Bedhead
The Fall Project
Dress Not Taken
Cuba Libre
Notes
Between Some Acts
Balcony Scene
Common Ground
Restricted View
Bathers At Asnieres
Flight Paths
Matinee Idol
Persistence
A to Z
The Cure for Love
Ponte Sant'Angelo
The Bridal Suite
Il Duce's Match
Gossip Column
I Can Wait
Children's Hour
If Winter Comes
An Arrival
Winter Palace
Arabesque
The Understudy
Casablanca
The Writer's Dairy
In the British Museum
The Deep End
Thanksgiving
Moon Man
Matins
Five Elements
The Writer
The Bedhead
The Fall Project
Dress Not Taken
Cuba Libre
Notes