
Still Life
Suspended Development in the Victorian Novel
Elisha Cohn(Author)
Oxford University Press Inc
Published on 7. January 2016
Book
Hardback
274 pages
978-0-19-025004-1 (ISBN)
Description
Still Life: Suspended Development in the Victorian Novel rethinks the nineteenth-century aesthetics of agency through the Victorian novel's fascination with states of reverie, trance, and sleep. These states challenge contemporary scientific and philosophical accounts of the perfectibility of the self, which privileged reflective self-awareness. In dialogue with the field of literature and science studies and affect studies, this book shows how Victorian writers used narrative form to respond to the analytical practices and knowledge production of those other disciplines. Drawing upon canonical texts--by Charlotte Bronte, George Eliot, George Meredith, and Thomas Hardy--Still Life contends that depictions of non-purposive perceptual experience suspend the processes of self-cultivation (Bildung) central to Victorian aesthetics, science, psychology, and political theory, as well as most critical accounts of the novel form. Departing from the values of individual cultivation and moral revelation associated with the genre, these writers offer an affective framework for understanding the subtly non-instrumental powers of narrative. Victorian novels ostensibly working within the parameters of the Bildungsroman are suspended by moments of "still life": a decentered lyricism associated with states of diminished consciousness. They use this style to narrate what should be unnarratable: experiences not dependent on reflective consciousness, which express a distinctive ambivalence toward dominant developmental frameworks of individual self-culture.
Reviews / Votes
In her original and fascinating new book, Still Life: Suspended development in the Victorian novel ... Elisha Cohn traces the afterlife of Romantic and Wordsworthian ideals of dreamy passiveness in the context of later nineteenth-century Bildungsromane ... Elisha Cohn's book might itself come to embody a form of criticism which attempts both to describe and enact a wise passiveness. * Jonathan Taylor, Times Literary Supplement *More details
Language
English
Place of publication
New York
United States
Target group
College/higher education
Illustrations
2 halftones
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 19 mm
Weight
578 gr
ISBN-13
978-0-19-025004-1 (9780190250041)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
12/2015
1st Edition
OUP eBook
€32.99
Available for download

E-Book
11/2015
1st Edition
OUP eBook
€46.99
Available for download
Person
Elisha Cohn is Assistant Professor of English at Cornell University.
Content
INTRODUCTION ; CHAPTER ONE: First Person ; Charlotte Bronte's Suspended Animation ; CHAPTER TWO: Omniscience ; Unknowing George Eliot ; CHAPTER THREE: The Long Poem ; George Meredith's Sleep ; CHAPTER FOUR: From Novel to Poem ; Thomas Hardy's Ethical Turn ; CODA ; BIBLIOGRAPHY