
Playing to the Camera - Musicians and Musical Performance in Documentary Cinema
Musicians and Musical Performance in Documentary Cinema
Thomas Cohen(Author)
Wallflower Press
Published on 23. March 2012
Book
Hardback
224 pages
978-1-906660-23-9 (ISBN)
Description
Playing to the Camera is the first full-length study devoted to the musical performance documentary. Its scope ranges from rock concert films to experimental video art featuring modernist music. Unlike the 'music under' produced for films by unseen musicians, on-screen 'live' performances show us the bodies that produce the sounds we hear. Exploring the link between moving images and musical movement as physical gesture, this volume asks why performance is so often derided as mere skill whereas composition is afforded the status of art, a question that opens onto a broader critique of attitudes regarding mental and physical labor in Western culture.
More details
Language
English
Place of publication
London
United Kingdom
Target group
Professional and scholarly
Illustrations
12
Dimensions
Height: 231 mm
Width: 164 mm
Thickness: 17 mm
Weight
363 gr
ISBN-13
978-1-906660-23-9 (9781906660239)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
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Thomas Cohen
Playing to the Camera - Musicians and Musical Performance in Documentary Cinema
Musicians and Musical Performance in Documentary Cinema
Book
03/2012
Wallflower Press
€42.27
Article not available at the moment
Person
Thomas F. Cohen teaches in the Communication Department at the University of Tampa. He has published on broadcasting and film, documentary cinema, and audiovisual technology.
Content
PrefaceIntroduction: In Praise of Performance1. Cool Jazz, Hot Jazz and Hard Bop on a Summer's Day2. Wild Guitarists and Spastic Singers: Virtuosic Performance on Film3. Direct Cinema, Rock's Public Persona and the Emergence of the Rock Star4. Instrumental Technique and Facial Expression On Screen5. Free Jazz Meets Independent Film: Shirley Clarke's Ornette: Made in America6. 'I'm Looking at Them and They're Looking at Me': Observation and Communication in Sex Pistols: Live at the LonghornConclusion: Simple Gestures and Smooth Spaces in Robert Cahen's Boulez-ReponsBibliographyIndex