
Music in Time
Phenomenology, Perception, Performance
Harvard University, Department of Music,U.S. (Publisher)
Published on 6. January 2020
Book
Paperback/Softback
352 pages
978-0-9640317-7-7 (ISBN)
Description
Music exists in time. All musicians know this fundamental truth-but what does it actually mean? Thirteen scholars probe the temporality of music from a great variety of perspectives, in response to challenges that Christopher F. Hasty, Walter Naumburg Professor of Music at Harvard University, laid out in his groundbreaking Meter as Rhythm.
The essays included here bridge the conventional divides between theory, history, ethnomusicology, aesthetics, performance practice, cognitive psychology, and dance studies. In these investigations, music emerges as an art form that has an important lesson to teach. Not only can music be understood as sounds shaped in time but-more radically-as time shaped in sounds.
The essays included here bridge the conventional divides between theory, history, ethnomusicology, aesthetics, performance practice, cognitive psychology, and dance studies. In these investigations, music emerges as an art form that has an important lesson to teach. Not only can music be understood as sounds shaped in time but-more radically-as time shaped in sounds.
More details
Series
Language
English
Place of publication
Cambridge
United States
Target group
Professional and scholarly
Illustrations
43 illus., 5 tables
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 20 mm
Weight
567 gr
ISBN-13
978-0-9640317-7-7 (9780964031777)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Suzannah Clark is Professor of Music, Harvard University. Alexander Rehding is Fanny Peabody Professor of Music, Harvard University.