Kaiso!
Writings by and About Katherine Dunham
Will be published approx. on 24. January 2006
Book
Hardback
718 pages
978-0-299-21270-4 (ISBN)
Description
"Kaiso," a term of praise that is the calypso equivalent of "bravo," is a fitting title for this definitive and celebratory collection of writings by and about Katherine Dunham, the legendary African American dancer, choreographer, anthropologist, and social activist. Originally produced in the 1970s, this is a newly revised and much expanded edition that includes recent scholarly articles, Dunham's essays on dance and anthropology, press reviews, interviews, and chapters from Dunham's unpublished volume of memoirs, "Minefields". With nearly a hundred selections by dozens of authors, "Kaiso!" provides invaluable insight into the life and work of this pioneering anthropologist and performer and is certain to become an essential resource for scholars and general readers interested in social anthropology, dance history, African American studies, or Katherine Dunham herself. Katherine Dunham numbers among the most influential dance artists and scholars of the twentieth century. Trained as an anthropologist at the University of Chicago, Dunham combined her interest in dance and anthropology by linking the form and function of Caribbean dance and ritual to their African sources.
Her research provided the core for what would become known as the Katherine Dunham Technique of Dance, which integrated African and Caribbean styles of movement with ballet and modern dance. Her career as a dancer and choreographer encompassed Broadway reviews, appearances in several films, and choreography for the New York Metropolitan Opera. Also a recognized social activist, Dunham staged several highly publicized hunger strikes, and often incorporated speeches against discrimination into her stage performances.
Her research provided the core for what would become known as the Katherine Dunham Technique of Dance, which integrated African and Caribbean styles of movement with ballet and modern dance. Her career as a dancer and choreographer encompassed Broadway reviews, appearances in several films, and choreography for the New York Metropolitan Opera. Also a recognized social activist, Dunham staged several highly publicized hunger strikes, and often incorporated speeches against discrimination into her stage performances.
Reviews / Votes
"The revision of Kaiso!, a unique compendium devoted to the work of Katherine Dunham, fills a significant lacuna in dance scholarship by providing a multifaceted portrait of a major figure in American and world dance."-Richard A. Long, author of The Black Tradition in American Dance "Kaiso! will stand alone as a document of Dunham's achievements over many years."-Thomas F. DeFrantz, editor of Dancing Many Drums: Excavations in African American DanceMore details
Series
Language
English
Place of publication
Wisconsin
United States
Product notice
sewn/stitched
Cloth over boards
Illustrations
26 b-w photos
Dimensions
Height: 236 mm
Width: 163 mm
Thickness: 45 mm
Weight
1048 gr
ISBN-13
978-0-299-21270-4 (9780299212704)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
VEVE A. Clark (1944-2007) was associate professor of African American Studies at the University of California, Berkeley. Sara E. Johnson is assistant professor of comparative literature at the University of California, San Diego.
Katherine Dunham numbers among the most influential dance artists and scholars of the twentieth century. Trained as an anthropologist at the University of Chicago, she combined her interest in dance and anthropology by linking the form and function of Caribbean dance and ritual to their African sources. Her research provided the core for what would become known as the Katherine Dunham Technique of dance, which integrated African and Caribbean styles of movement with ballet and modern dance. Dunham's career as a dancer and choreographer encompassed Broadway revues, appearances in several films, and choreography for the New York Metropolitan Opera. Also a recognized social activist, she staged several highly publicized hunger strikes and often incorporated speeches against discrimination into her stage performances.
Katherine Dunham numbers among the most influential dance artists and scholars of the twentieth century. Trained as an anthropologist at the University of Chicago, she combined her interest in dance and anthropology by linking the form and function of Caribbean dance and ritual to their African sources. Her research provided the core for what would become known as the Katherine Dunham Technique of dance, which integrated African and Caribbean styles of movement with ballet and modern dance. Dunham's career as a dancer and choreographer encompassed Broadway revues, appearances in several films, and choreography for the New York Metropolitan Opera. Also a recognized social activist, she staged several highly publicized hunger strikes and often incorporated speeches against discrimination into her stage performances.