
Rock in the Musical Theatre
A Guide for Singers
Joseph Church(Author)
Oxford University Press Inc
Published on 26. November 2019
Book
Paperback/Softback
216 pages
978-0-19-094347-9 (ISBN)
Description
Today's musical theatre world rocks. Now that rock 'n' roll music and its offshoots, including pop, hard rock, rap, r&b, funk, folk, and world-pop music, are the standard language of musical theatre, theatre singers need a source of information on these styles, their origins, and their performance practices. Rock in the Musical Theatre: A Guide for Singers fills this need. Today's musical theatre training programs are now including rock music in their coursework and rock songs and musicals in their repertoires. This is a text for those trainees, courses, and productions. It will also be of great value to working professionals, teachers, music directors, and coaches less familiar with rock styles, or who want to improve their rock-related skills. The author, an experienced music director, vocal coach, and university professor, and an acknowledged expert on rock music in the theatre, examines the many aspects of performing rock music in the theatre and offers practical advice through a combination of aesthetic and theoretical study, extensive discussions of musical, vocal, and acting techniques, and chronicles of coaching sessions. The book also includes advice from working actors, casting directors, and music directors who specialize in rock music for the stage.
Reviews / Votes
Joe Church's wide-ranging analysis of what songs and music actually do in modern music theatre is essential reading for anyone setting out to write or perform in a modern musical. Reading this book also reminded me that the way we sing on stage in a musical is very different to the way we might sing in other settings. That might seem obvious, but the differences are not so much subtle as mysterious. Joe has shared his long experience of intensive coaching of solo singers and chorus ensembles in music theatre projects. In so doing he unlocks a cask of information that has otherwise been hard to find. * Pete Townshend * An enjoyable book, both academically precise, yet practical and approachable. Joe Church covers all the bases here! You've probably never analyzed rock songs the way he does, but he also gives real hard core advice about taking care of your voice; about how to approach a rock song for an audition or maintain it for a long running musical. His knowledge of the history of musicals is impressive, yet completely up to date. I can't wait to have my own copy with me on tour. * Suzanne Vega * More than an indispensable how-to manual for young performers, Joe Church defines in this book the important ways rock music has transformed today's musical theatre. When it comes to rocking out onstage, Mr. Church is the most authoritative voice of our time, with an uncanny way of explaining exactly what makes rock powerful, and precisely how to achieve that power theatrically. A must-read for anyone working in musical theatre today. * Dan Riddle, Music Director of the School of Theatre, The Pennsylvania State University *More details
Language
English
Place of publication
New York
United States
Target group
Professional and scholarly
Illustrations
13 exercises and 9 examples
Dimensions
Height: 254 mm
Width: 178 mm
Thickness: 12 mm
Weight
416 gr
ISBN-13
978-0-19-094347-9 (9780190943479)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Book
11/2019
Oxford University Press Inc
€168.60
Shipment within 15-20 days

E-Book
10/2019
1st Edition
OUP eBook
€19.99
Available for download

E-Book
10/2019
OUP eBook
€19.99
Available for download
Person
Joseph Church is best known for his work as music director and supervisor of two groundbreaking Broadway musicals, The Who's Tommy and The Lion King. He has worked on countless other productions as music director, conductor, keyboardist, and/or arranger, on and Off-Broadway, nationwide, and worldwide, among them, In The Heights, Sister Act, Les Miserables, Little Shop Of Horrors, Randy Newman's Faust, and Radio City's Christmas Spectacular. Also an active composer, he has written for film, television, the concert stage, and over thirty plays and musicals. He is the author of Music Direction for the Stage: A View from the Podium (OUP, 2015).
Author
Instructor in Music CompositionInstructor in Music Composition, New York University
Content
Foreword by Alex Lacamoire
Author's Note and Acknowledgements
Introduction
PART 1: HISTORY, AESTHETICS, AND LITERATURE
Chapter 1: Background and Rock Aesthetics
Chapter 2: Popular Song vs. Theatre Song
PART 2: THEORY AND TECHNIQUE
Chapter 3: Acting Values in Rock Theatre Songs
Chapter 4: Musical Values in Rock Theatre Songs
Chapter 5: Singing Rock: Vocal Production and Vocalism
Chapter 6: Rock Songs: A Selective, Annotated Survey
PART 3: PROCESS: COACHING SESSIONS
Little Shop of Horrors: "Suddenly, Seymour"
Rent: "Take Me or Leave Me"
School of Rock: "When I Climb to the Top of Mount Rock"
Dreamgirls: "I Am Changing"
The Lion King: "Endless Night"
Beautiful: "Will You Love Me Tomorrow"
Kinky Boots: "The History of Wrong Guys"
Tommy: "Pinball Wizard" and Spring Awakening: "The Bitch of Living"
Bare: A Pop Opera: "Plain Jane Fat Ass" and "All Grown Up"
Appendix: Rock Songs for Musical Theatre Singers
Bibliography and Suggested Additional Reading
Index
Author's Note and Acknowledgements
Introduction
PART 1: HISTORY, AESTHETICS, AND LITERATURE
Chapter 1: Background and Rock Aesthetics
Chapter 2: Popular Song vs. Theatre Song
PART 2: THEORY AND TECHNIQUE
Chapter 3: Acting Values in Rock Theatre Songs
Chapter 4: Musical Values in Rock Theatre Songs
Chapter 5: Singing Rock: Vocal Production and Vocalism
Chapter 6: Rock Songs: A Selective, Annotated Survey
PART 3: PROCESS: COACHING SESSIONS
Little Shop of Horrors: "Suddenly, Seymour"
Rent: "Take Me or Leave Me"
School of Rock: "When I Climb to the Top of Mount Rock"
Dreamgirls: "I Am Changing"
The Lion King: "Endless Night"
Beautiful: "Will You Love Me Tomorrow"
Kinky Boots: "The History of Wrong Guys"
Tommy: "Pinball Wizard" and Spring Awakening: "The Bitch of Living"
Bare: A Pop Opera: "Plain Jane Fat Ass" and "All Grown Up"
Appendix: Rock Songs for Musical Theatre Singers
Bibliography and Suggested Additional Reading
Index