
Chila Burman
Tate Publishing
Published on 5. September 2024
Book
Hardback
256 pages
978-1-84976-855-9 (ISBN)
Description
A feast of colour and texture, Chila Burman's new major monograph - presented here in a stunning neon Perspex slipcase, etched front and back with Burman's own designs - celebrates one of Britain's most exciting contemporary artists and her extraordinary body of work from across four decades. Each copy signed by the artist in this exclusive limited Collector's Edition.
Chila Burman is known for her radical feminist practice, her joyful neon light installations and her use of kaleidoscopic colours. Exploring the experiences and aesthetics of Asian femininity and female empowerment, and drawing on popular culture, her work has consistently strived to challenge stereotypes and to champion equality.
This new major monograph on the artist brings together Burman's extraordinary body of work from across four decades. Featuring paintings, prints, neons, installation and video works, and a range of perspectives, it explores the ideas central to Burman's practice, as well as her unique style.
Chila Burman is known for her radical feminist practice, her joyful neon light installations and her use of kaleidoscopic colours. Exploring the experiences and aesthetics of Asian femininity and female empowerment, and drawing on popular culture, her work has consistently strived to challenge stereotypes and to champion equality.
This new major monograph on the artist brings together Burman's extraordinary body of work from across four decades. Featuring paintings, prints, neons, installation and video works, and a range of perspectives, it explores the ideas central to Burman's practice, as well as her unique style.
More details
Language
English
Place of publication
London
United Kingdom
Product notice
sewn/stitched
Illustrations
Available rights to be determined (check with editor)
Dimensions
Height: 275 mm
Width: 232 mm
Thickness: 29 mm
Weight
1528 gr
ISBN-13
978-1-84976-855-9 (9781849768559)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Louisa Buck is a writer and broadcaster on contemporary art.
Deborah Cherry is Professor Emerita of Art History at Central Saint Martins, University of the Arts London.
Bidisha Mamata is a British broadcaster, critic, and an artist making films and stills.
Bakul Patki is an independent arts and culture curator, creative producer, brand consultant, writer and PR specialist.
Nicole Polonsky is a multidisciplinary visual artist, curator and writer.
Dorothy Price is an art historian and Professor of Modern and Contemporary Art and Critical Race Art History at the Courtauld, and a Fellow of the British Academy.
Ashwani Sharma is a Senior Lecturer in Film and Screen Studies at London College of Communication, University of the Arts London.
Frances Spalding is an art historian, critic and biographer.
Linder Sterling, known as Linder, is a renowned artist, acclaimed for her photomontages, radical feminism and performances.
Deborah Cherry is Professor Emerita of Art History at Central Saint Martins, University of the Arts London.
Bidisha Mamata is a British broadcaster, critic, and an artist making films and stills.
Bakul Patki is an independent arts and culture curator, creative producer, brand consultant, writer and PR specialist.
Nicole Polonsky is a multidisciplinary visual artist, curator and writer.
Dorothy Price is an art historian and Professor of Modern and Contemporary Art and Critical Race Art History at the Courtauld, and a Fellow of the British Academy.
Ashwani Sharma is a Senior Lecturer in Film and Screen Studies at London College of Communication, University of the Arts London.
Frances Spalding is an art historian, critic and biographer.
Linder Sterling, known as Linder, is a renowned artist, acclaimed for her photomontages, radical feminism and performances.
Contributions
Professor of Modern and Contemporary Art and Critical Race Art HistoryThe Courtauld
Lecturer on Film and Screen StudiesLondon College of Communication