The Poetry of Bob Dylan
Description
Through short essays, leading poetry critics and Bob Dylan experts analyze songs from a range of perspectives to illuminate the songs' poetic and literary character.
An innovative resource for Bob Dylan fans and scholars alike, these thirty essays by leading scholars of poetry, music, and literature illustrate how and why the work of the 2016 Nobel Literature Laureate is in fact so literary. Examining how Dylan's lyrics shape or get shaped by vocalization, performance, instrumentation, film, recording technologies, and the forces of history unfolding around him, this collection models a range of ways to understand the songs as poetical phenomena by answering questions like: How can we read and understand Dylan's lyrics as poetry? How do those lyrics build on, dialogue with, and expand the poetic tradition? How does Dylan's style change over time while both pushing and responding to changes in the world of popular music? Collecting archival research, close reading, musical analysis, and various modes of cultural criticism under one cover, The Poetry of Bob Dylan: Thirty Essays on Thirty Songs stakes a claim to Dylan's central place in the history of American poetry.
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Introduction: The Poetry of Bob Dylan by Mike Chasar (Willamette University, USA)
1. "Talkin' New York" (1962) by Lesley Wheeler (W&L University, USA)
2. "A Hard Rain's A-Gonna Fall" (1963) byPeter Miller (Reed College, USA)
3. "The Lonesome Death of Hattie Carroll" (1964) by Joanna Davis-McElligatt (University of North Texas, USA)
4. "My Back Pages" (1964) by Matthew Kilbane (Notre Dame University, USA)
5. "It Ain't Me, Babe" (1964) by Marsha Bryant (University of Florida, USA)
6. "Subterranean Homesick Blues" (1965) by Angela Sorby (Marquette University, USA)
7. "She Belongs to Me" (1965) by Jeremy Yudkin (Boston University, USA)
8. "Like a Rolling Stone" (1965) by Linda Kinnahan (Duquesne University, USA)
9. "Just Like Tom Thumb's Blues" (1965) by T. Urayoán Noel (New York University, USA)
10. "Rainy Day Women #12 and 35" (1966) by Loren Glass (University of Iowa, USA)
11. "Visions of Johanna" (1966) by Melissa Girard (Loyola University Maryland, USA)
12. "Stuck Inside of Mobile with the Memphis Blues Again" (1966) by Chip Tucker (University of Virginia, USA)
13. "Lay, Lady, Lay" (1969) by Virginia Jackson (University of California Irvine, USA)
14. "Sign on the Window" (1970) by Steven Rings (University of Chicago, USA)
15. "Tomorrow Is a Long Time" (1971) by Stephanie Burt (Harvard University, USA)
16. "Tangled Up in Blue" (1975) by Anne Margaret Daniel (The New School University, USA)
17. "Lily, Rosemary and the Jack of Hearts" (1975) bu Bartholomew Brinkman (Framingham State University, USA)
18. "Hurricane" (1975) by William J. Maxwell (Washington University in St. Louis, USA)
19. "Joey" (1976) by Sean Latham (University of Tulsa, USA)
20. "Man Gave Names to All the Animals" (1979) by Ryan Topper (Western Oregon University, USA)
21. "Jokerman" (1983) by Michael Thurston (Smith College, USA)
22. "I and I" (1983) by David Caplan (Southern Methodist University, USA)
23. "Brownsville Girl" (1986) by Ryan Hibbett (Northern Illinois University, USA)
24. "Man in the Long Black Coat" (1989) by Taylor Black (Duke University, USA)
25. "Stack a Lee" (1993) by Kirsten Bartholomew Ortega (University of Colorado Colorado Springs, US)
26. "Not Dark Yet" (1997) by Aldon Lynn Nielsen (Independent Scholar)
27. "Highlands" (1997) by Marit J. Macarthur (University of California, Davis, USA)
28. "Tin Angel" (2012) by Richard F. Thomas (Harvard University, USA)
29. "My Own Version of You" (2020) by Adam Bradley (University of California, Los Angeles, USA)
30. "Murder Most Foul" (2020) by Thomas Palaima (University of Texas at Austin, USA)
Bonus Track: "Knockin' on Heaven's Door" (1973) by Mike Chasar (Willamette University, USA)
Index