
Florence
Visions of a City
Edward Chaney(Editor)
I.B. Tauris (Publisher)
Book
Paperback/Softback
368 pages
978-1-78453-525-4 (ISBN)
Description
Of all the Italian cities, Florence is one of the best loved and most visited. In this book, Florence's rich and glorious past is vividly brought to life through the medium of letters, diaries, memoirs and commentaries written by travellers from past centuries and by the Florentines themselves. The extracts chosen by Edward Chaney are as rich in variety and colour as the city itself Boccaccio on the Black Death; Vasari on the building of Giotto's Campanile; an eyewitness account of the installation of Michelangelo's 'David'; the death of Elizabeth Barrett Browning at the Casa Guidi; D.H. Lawrence and Dylan Thomas on twentieth-century Florentine society and many more. With its contemporary illustrations, this book is indispensable for any discerning traveller who wishes not merely to see what is still there but to imagine what was once there; who wants the pleasure of recapturing the drama of the past as vividly as these great writers could hand it down to us; and who above all seeks that indefinable the true spirit of the place."
More details
Language
English
Place of publication
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Illustrations
illustrations
Dimensions
Height: 216 mm
Width: 138 mm
Thickness: 25 mm
ISBN-13
978-1-78453-525-4 (9781784535254)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Edward Chaney is Professor of Fine and Decorative Arts and Chair of the History of Collecting Research Centre at Southampton Solent University. His books include The Jacobean Grand Tour: Early Stuart Travellers in Europe (with Timothy Wilkes, I.B.Tauris); The Grand Tour and the Great Rebellion; The Evolution of the Grand Tour: Anglo-Italian Cultural Relations since the Renaissance and The Evolution of English Collecting: Receptions of Italian Art during the Tudor and Stuart Periods.