Medieval and Renaissance Drama in England
Volume 37
Published on 15. October 2024
Book
Hardback
240 pages
978-1-68393-429-5 (ISBN)
Description
Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theater history to 1642. An internationally recognized board of scholars oversees the publication of MaRDiE. Readers who wish to deepen their understanding of early drama will find that the journal publishes wide-ranging discussions not only of plays and early performance history, but of topics pertaining to cultural history, as well as manuscript studies and the history of printing.
More details
Series
Language
English
Place of publication
Cranbury
United States
Publishing group
Associated University Presses
Target group
Professional and scholarly
Dimensions
Height: 235 mm
Width: 157 mm
Thickness: 19 mm
Weight
549 gr
ISBN-13
978-1-68393-429-5 (9781683934295)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
10/2024
1st Edition
Fairleigh Dickinson University Press,U.S.
€94.99
Available for download
E-Book
10/2024
1st Edition
Fairleigh Dickinson University Press,U.S.
€94.99
Available for download
Persons
S. P. Cerasano is the Edgar W. B. Fairchild Professor of Literature at Colgate University.
Heather Anne Hirschfeld is distinguished professor of the humanities in the Department of English at the University of Tennessee.
Edward Gieskes is professor of English at the University of South Carolina.
Heather Anne Hirschfeld is distinguished professor of the humanities in the Department of English at the University of Tennessee.
Edward Gieskes is professor of English at the University of South Carolina.
Content
Articles
Thierry and Theodoret: Censorship, Allegory and Plausible Deniability
Richard Dutton
"In rugged verse vile matters to contain": The Devil's Charter as Antipasquinade
James Mardock
The Origins of Repertory in English Drama, or, How to Find Needles in Haystacks
Laurie Johnson
Not like the Others: The Three Lords and Ladies of London and the Queen's Men Repertory
Erin Kelly
Was Christopher Marlowe a Capitalist?: The Croxton Play of the Sacrament, The Jew of Malta, and Stories of Economic Change
Bradley Ryner
The Wars of Cyrus: Date and Authorship, and Why They Matter
Michael J. Hirrel
"Gone and Loste": Tracing Philip Henslowe's 1598 Theatrical Inventories
Anouska Lester
Q1 Hamlet and its Compilers
Brian Vickers
Authorship Attributions in the Fletcher Canon
Darren Freebury-Jones
Reviews
Harry R. McCarthy, Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre, New York: Cambridge University Press, 2022.
Valerie Billing
Noemie Ndiaye, Scripts of Blackness: Early Modern Performance Culture and the Making of Race, RaceB4Race: Critical Race Studies of the Premodern, Philadelphia: University of Pennsylvania Press, 2022.
Dennis Britton
Darren Freebury-Jones, Shakespeare's Tutor: The influence of Thomas Kyd, Manchester: Manchester University Press, 2022.
Christopher Crosbie
Mark Kaethler, Thomas Middleton and the Plural Politics of Jacobean Drama, Berlin: De Gruyter, 2021.
David Nicol
Caroline Bicks, Cognition and Girlhood in Shakespeare's World: Rethinking Female Adolescence, Cambridge: Cambridge University Press, 2021.
Bethany Packard
Urvashi Chakravarty, Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England, Philadelphia: University of Pennsylvania Press, 2022.
Elizabeth Rivlin
Emma Lipton, Cultures of Witnessing: Law and the York Plays, Philadelphia: University of Pennsylvania Press, 2022.
Jeffrey G. Stoyanoff
Thierry and Theodoret: Censorship, Allegory and Plausible Deniability
Richard Dutton
"In rugged verse vile matters to contain": The Devil's Charter as Antipasquinade
James Mardock
The Origins of Repertory in English Drama, or, How to Find Needles in Haystacks
Laurie Johnson
Not like the Others: The Three Lords and Ladies of London and the Queen's Men Repertory
Erin Kelly
Was Christopher Marlowe a Capitalist?: The Croxton Play of the Sacrament, The Jew of Malta, and Stories of Economic Change
Bradley Ryner
The Wars of Cyrus: Date and Authorship, and Why They Matter
Michael J. Hirrel
"Gone and Loste": Tracing Philip Henslowe's 1598 Theatrical Inventories
Anouska Lester
Q1 Hamlet and its Compilers
Brian Vickers
Authorship Attributions in the Fletcher Canon
Darren Freebury-Jones
Reviews
Harry R. McCarthy, Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre, New York: Cambridge University Press, 2022.
Valerie Billing
Noemie Ndiaye, Scripts of Blackness: Early Modern Performance Culture and the Making of Race, RaceB4Race: Critical Race Studies of the Premodern, Philadelphia: University of Pennsylvania Press, 2022.
Dennis Britton
Darren Freebury-Jones, Shakespeare's Tutor: The influence of Thomas Kyd, Manchester: Manchester University Press, 2022.
Christopher Crosbie
Mark Kaethler, Thomas Middleton and the Plural Politics of Jacobean Drama, Berlin: De Gruyter, 2021.
David Nicol
Caroline Bicks, Cognition and Girlhood in Shakespeare's World: Rethinking Female Adolescence, Cambridge: Cambridge University Press, 2021.
Bethany Packard
Urvashi Chakravarty, Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England, Philadelphia: University of Pennsylvania Press, 2022.
Elizabeth Rivlin
Emma Lipton, Cultures of Witnessing: Law and the York Plays, Philadelphia: University of Pennsylvania Press, 2022.
Jeffrey G. Stoyanoff