
Gillo Pontecorvo
From Resistance to Terrorism
Carlo Celli(Author)
Scarecrow Press
Published on 20. October 2005
Book
Paperback/Softback
176 pages
978-0-8108-5440-6 (ISBN)
Description
Italian filmmaker Gillo Pontecorvo is best known for his films about anti-colonial insurgency and terrorism. In this book, containing several black and white photos, author Carlo Celli examines Pontecorvo's entire career, from his days as a leader in the anti-Nazi/fascist resistance during World War II to his 1992 short documentary about Algeria's struggle with Islamic fundamentalism. This is the first book-length study in English of Pontecorvo's entire career, and features in-depth examinations and re-readings of his major films Kapo (1959), The Battle of Algiers (1965), Burn! (1969), and Ogro (1979). The book also addresses Pontecorvo's largely unknown early documentaries and features, such as Giovanna (1956) and The Wide Blue Road (1957). Celli concludes with an examination of the documentary films that Pontecorvo made in the 1990s including Return to Algiers (1992). This work will be of interest to academics and students of film, but it will also have an appeal to readers concerned with issues regarding the political use of violence in the 20th century-whether it be defined as terrorism, counter-insurgency, or freedom fighting.
Reviews / Votes
...a detailed biography and filmography of Gillo Pontecorvo and his work....highly informative.... * Italian Culture * The name of Italian filmmaker Gillo Pontecorvo recently made the newspapers as it was revealed that his most famous work, 1966's The Battle of Algiers-depicting the doomed French colonial anti-insurgency campaign against the Algerian National Liberation Front, whose brutal but effective tactics would be denounced as "terrorism" by the French-was being afforded a special showing at the Pentagon, newly interested in the film's themes for the obvious reasons. In this work, Celli (Bowling Green State U.) surveys the entire career of the filmmaker, providing readings of Pontecorvo's early and late documentaries, as well as fictional major works such as The Battle of Algiers, Kapo, Burn!, and Ogro. While traditional concerns of film studies occasionally make their appearance in his treatment, Celli's main concern, as it was with Pontecorvo, are political themes, especially Pontecorvo's unresolved themes of justification of violence and terrorism for reasons of national liberation. * Reference and Research Book News *More details
Language
English
Place of publication
Lanham, MD
United States
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 9 mm
Weight
256 gr
ISBN-13
978-0-8108-5440-6 (9780810854406)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Carlo Celli is an Associate Professor at Bowling Green State University. He has written extensively on Italian cinema, and is the author of The Divine Comic: The Cinema of Roberto Benigni (Scarecrow, 2001).
Content
Part 1 Preface
Part 2 Acknowledgments
Part 3 Introduction
Chapter 4 1. Pontecorvo and Aldo Vergano's Il sole sorge ancora/Outcry (1946)
Chapter 5 2. The Neorealist Tradition and Pontecorvo's Early Documentaries, 1953-1956
Chapter 6 3. First Features: Giovanna (1956) and La grande strada azzurra/The Wide Blue Road (1957)
Chapter 7 4. Kapo (1960) and the Pitfalls of Holocaust Re-creation
Chapter 8 5. The Two Endings of La battaglia di Algeri/The Battle of Algiers (1966)
Chapter 9 6. The Colonial, Postcolonial Parable of Queimada!/Burn! (1969)
Chapter 10 7. The "Guilty Conscience" of Ogro (1979)
Chapter 11 8. Pontecorvo's Retreat: Ritorno ad Algeri/Return to Algiers (1992) and Nostalgia di protezione/Protection Nostalgia (1997)
Part 12 Filmography
Part 13 Bibliography
Part 14 Index
Part 15 About the Author
Part 2 Acknowledgments
Part 3 Introduction
Chapter 4 1. Pontecorvo and Aldo Vergano's Il sole sorge ancora/Outcry (1946)
Chapter 5 2. The Neorealist Tradition and Pontecorvo's Early Documentaries, 1953-1956
Chapter 6 3. First Features: Giovanna (1956) and La grande strada azzurra/The Wide Blue Road (1957)
Chapter 7 4. Kapo (1960) and the Pitfalls of Holocaust Re-creation
Chapter 8 5. The Two Endings of La battaglia di Algeri/The Battle of Algiers (1966)
Chapter 9 6. The Colonial, Postcolonial Parable of Queimada!/Burn! (1969)
Chapter 10 7. The "Guilty Conscience" of Ogro (1979)
Chapter 11 8. Pontecorvo's Retreat: Ritorno ad Algeri/Return to Algiers (1992) and Nostalgia di protezione/Protection Nostalgia (1997)
Part 12 Filmography
Part 13 Bibliography
Part 14 Index
Part 15 About the Author