
Medialogies
Reading Reality in the Age of Inflationary Media
Bloomsbury Academic USA (Publisher)
Published on 17. November 2016
Book
Paperback/Softback
288 pages
978-1-62892-359-9 (ISBN)
Description
We are living in a time of inflationary media. While technological change has periodically altered and advanced the ways humans process and transmit knowledge, for the last 100 years the media with which we produce, transmit, and record ideas have multiplied in kind, speed, and power. Saturation in media is provoking a crisis in how we perceive and understand reality. Media become inflationary when the scope of their representation of the world outgrows the confines of their culture's prior grasp of reality. We call the resulting concept of reality that emerges the culture's medialogy.
Medialogies offers a highly innovative approach to the contemporary construction of reality in cultural, political, and economic domains. Castillo and Egginton, both luminary scholars, combine a very accessible style with profound theoretical analysis, relying not only on works of philosophy and political theory but also on novels, Hollywood films, and mass media phenomena. The book invites us to reconsider the way reality is constructed, and how truth, sovereignty, agency, and authority are understood from the everyday, philosophical, and political points of view. A powerful analysis of actuality, with its roots in early modernity, this work is crucial to understanding reality in the information age.
Medialogies offers a highly innovative approach to the contemporary construction of reality in cultural, political, and economic domains. Castillo and Egginton, both luminary scholars, combine a very accessible style with profound theoretical analysis, relying not only on works of philosophy and political theory but also on novels, Hollywood films, and mass media phenomena. The book invites us to reconsider the way reality is constructed, and how truth, sovereignty, agency, and authority are understood from the everyday, philosophical, and political points of view. A powerful analysis of actuality, with its roots in early modernity, this work is crucial to understanding reality in the information age.
Reviews / Votes
Following the views of postmodern theorists that the media now represent a hyperreal world, one that is constructed/configured by media impressions of reality, the authors see the media as arbiters and editors of a world presented as a commodity to a public. They wed such perspectives to the growth of modernism, individualism, science's power to render things objectively, and the agency of artists to render the world subjectively ... Extending into today's politics, politicians like Trump copy images of America's past to apply to America's future. Media participate in acts of transformative reality, a series of codes parsing the world for personal consumption, making the real world I-world. * CHOICE * Every epoch demands, expresses, and is determined by a book. Most of the time these texts are noticed years after the fact, as it takes generations of scholars and readers to acknowledge the extent to which they capture that epoch. But Medialogies, like Deleuze and Guattari's A Thousand Plateaus or Hardt and Negri's Empire, will have an immediate impact. The argument that humanities are not a luxury is in itself not new; but this book shows that they have become vital to our very survival as a species precisely because of how media frame, politically and culturally, our conception of reality. If Castillo and Egginton manage to express these theses with examples from TV series like True Blood, political events like the Occupy movement, or such writers as Borges, it is not only because they are brilliant academics, but most of all because they are true intellectuals, something that has become rare in the 21st century. * Santiago Zabala, ICREA Research Professor of Philosophy at the Pompeu Fabra University, Spain * This volume pushes the boundaries of scholarship across an impressive subject range. Castillo and Egginton have constructed an adventurous set of ideas that provide challenging new insights into the ways the various media plays a key role in the formation of our contemporary reality. * Anthony J. Cascardi, Professor and Dean of Arts and Humanities, University of California Berkeley, USA *More details
Series
Language
English
Place of publication
New York
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
College/higher education
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 16 mm
Weight
421 gr
ISBN-13
978-1-62892-359-9 (9781628923599)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
11/2016
1st Edition
Bloomsbury Academic USA
€33.99
Available for download

E-Book
11/2016
1st Edition
Bloomsbury Academic USA
€33.99
Available for download
Persons
David R. Castillo is Professor in the Department of Romance Languages and Literatures at the State University of New York at Buffalo, USA.
William Egginton is Andrew W. Mellon Professor in the Humanities at Johns Hopkins University, USA.
William Egginton is Andrew W. Mellon Professor in the Humanities at Johns Hopkins University, USA.
Author
State University of New York at Buffalo, USA
Johns Hopkins University, USA
Content
Acknowledgments
Introduction: Medialogies
Part I: Inflationary Media
1. Editing Reality
2. A New Perspective
3. Theatricality
4. Commodity-Spectacles
5. How to Turn Things into Copies, and Copies into Things
Part II: Fundamentals
6. Ineffable Me
7. Foundations
8. Freedom for Sale
9. Crime Shows
10. Political Theater
11. Monumental Screens
12. The New Fundamentals
Part III: Exclusions
13. Terrifying Vistas of Reality
14. Dreamboat Vampires and Zombie Capitalists
15. The Global Undead
16. Dark Mirrors
17. Apocalypse Then and Now
Part IV: In Defense of Being
18. Minor Strategies
19. Stranger Than Fiction
20. Truth and Lies in Life and Art
21. Staging the Event
22. The Architecture of Mourning
23. Occupy and Resist
24. New Empires
Epilogue
Introduction: Medialogies
Part I: Inflationary Media
1. Editing Reality
2. A New Perspective
3. Theatricality
4. Commodity-Spectacles
5. How to Turn Things into Copies, and Copies into Things
Part II: Fundamentals
6. Ineffable Me
7. Foundations
8. Freedom for Sale
9. Crime Shows
10. Political Theater
11. Monumental Screens
12. The New Fundamentals
Part III: Exclusions
13. Terrifying Vistas of Reality
14. Dreamboat Vampires and Zombie Capitalists
15. The Global Undead
16. Dark Mirrors
17. Apocalypse Then and Now
Part IV: In Defense of Being
18. Minor Strategies
19. Stranger Than Fiction
20. Truth and Lies in Life and Art
21. Staging the Event
22. The Architecture of Mourning
23. Occupy and Resist
24. New Empires
Epilogue