Adaptations
From Text to Screen, Screen to Text
Published on 24. June 1999
Book
Hardback
268 pages
978-0-415-16737-6 (ISBN)
Description
Adaptations considers the theoretical and practical difficulties surrounding the translation of a text into film, and the reverse process; the novelisation of films. Through three sets of case studies, the contributors examine the key debates surrounding adaptations: whether screen versions of literary classics can be faithful to the text; if something as capsulated as Jane Austens irony can even be captured on film; whether costume dramas always of their own time and do adaptations remake their parent text to reflect contemporary ideas and concerns.
Tracing the complex alterations which texts experience between different media, Adaptations is a unique exploration of the relationship between text and film.
Tracing the complex alterations which texts experience between different media, Adaptations is a unique exploration of the relationship between text and film.
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Undergraduate
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 19 mm
Weight
567 gr
ISBN-13
978-0-415-16737-6 (9780415167376)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
06/2013
Routledge
€52.49
Available for download
E-Book
06/2013
Routledge
€52.49
Available for download
Book
06/1999
Routledge
€60.90
Shipment within 15-20 days
Persons
Deborah Cartmell is Senior Lecturer in the School of Arts and Humanities at De Montfort University, Leicester. Imelda Whelehan is Principal Lecturer in English and Womens Studies at De Montfort University.
Content
Part I Part I AN OVERVIEW; Chapter 1 ADAPTATIONS, ImeldaWhelehtm; Part II Part II FROM TEXT TO SCREEN; Chapter 2 INTRODUCTION, DeborahCartmell; Chapter 3 THE SHAKESPEARE ON SCREEN INDUSTRY, DeborahCartmell; Chapter 4 CONSERVATIVE AUSTEN, RADICAL AUSTEN, JulianNorth; Chapter 5 FROM EMMA TO CLUELESS, EstherSonnet; Chapter 6 IMAGINING THE PURITAN BODY, RogerBromley; Chapter 7 FOUR LITTLE WOMEN, PatKirkham, SarahWarren; Chapter 8 WILL HOLLYWOOD NEVER LEARN?, NicholasZurbrugg; Chapter 9 ADAPTING THE HOLOCAUST, MarkRawlinson; Chapter 10 SPEAKING OUT, DerekPaget; Part III Part III FROM SCREEN TO TEXT AND MULTIPLE ADAPTATIONS; Chapter 11 INTRODUCTION, DeborahCartmell; Chapter 12 ORLANDO, SharonOuditt; Chapter 13 JANE CAMPION AND THE LIMITS OF LITERARY CINEMA, KenGelder; Chapter 14 THE WRATH OF THE ORIGINAL CAST, Ina RaeHark; Chapter 15 BATMAN, WillBrooker; Chapter 16 'THOU ART TRANSLATED', PaulWells; Chapter 17 'A DOGGY FAIRY TALE', ImeldaWhelehan; BIBLIOGRAPHY INDEX;