
Myth of the Western
New Perspectives on Hollywood's Frontier Narrative
Matthew Carter(Author)
Edinburgh University Press
Published on 11. March 2014
Book
Hardback
256 pages
978-0-7486-8558-5 (ISBN)
Description
What is the nature of the relationship between the Hollywood Western and American frontier mythology? How have Western films helped develop cultural and historical perceptions, attitudes and beliefs towards the frontier?
Is there still a place for the genre in light of revisionist histories of the American West?
Myth of the Western re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genre's socio-cultural, historical and political dimensions. Taking a number of critical-theoretical and philosophical approaches, Matthew Carter applies them to prominent forms of frontier historiography. He also considers the historiographic element of the Western by exploring the different ways in which the genre has responded to the issues raised by the frontier.
Carter skilfully argues that the genre has - and continues to reveal - the complexities and contradictions at the heart of US society.
With its clear analyses of and intellectual challenges to the film scholarship that has developed around the Western over a 65-year period, this book adds new depth to our understanding of specific film texts and of the genre as a whole - a welcome resource for students and scholars in both Film Studies and American Studies.
Is there still a place for the genre in light of revisionist histories of the American West?
Myth of the Western re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genre's socio-cultural, historical and political dimensions. Taking a number of critical-theoretical and philosophical approaches, Matthew Carter applies them to prominent forms of frontier historiography. He also considers the historiographic element of the Western by exploring the different ways in which the genre has responded to the issues raised by the frontier.
Carter skilfully argues that the genre has - and continues to reveal - the complexities and contradictions at the heart of US society.
With its clear analyses of and intellectual challenges to the film scholarship that has developed around the Western over a 65-year period, this book adds new depth to our understanding of specific film texts and of the genre as a whole - a welcome resource for students and scholars in both Film Studies and American Studies.
Reviews / Votes
There is critical value in the complexities that Myth of the Western identifies and acknowledges within individual Westerns and the genre as a whole.' -- Pete Falconer * Historical Journal of Film, Radio and Television * Matthew Carter's Myth of the Western provides rich, detailed readings of exemplary Westerns from critical periods of the genre's history. More important, he analyzes the scholarship on the Western, including the perspectives of New Western History, and deconstructs the division of the genre into classical, revisionist, and post Westerns. -- William A. Read Professor of English, Louisiana State University * Patrick McGee * Carter's style is lucid and largely free from jargon...a well-argued and challenging analysis.' -- Philip Kemp * Times Higher Education *More details
Language
English
Place of publication
Edinburgh
United Kingdom
Target group
Professional and scholarly
Product notice
sewn/stitched
Paper over boards
Dimensions
Height: 243 mm
Width: 164 mm
Thickness: 22 mm
Weight
520 gr
ISBN-13
978-0-7486-8558-5 (9780748685585)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
09/2018
1st Edition
Edinburgh University Press
€24.49
Available for download

E-Book
03/2014
Edinburgh University Press
€0.00
Available for download
Person
Matthew Carter is Senior Lecturer in Film, Television, and Cultural Studies at Manchester Metropolitan University.
Author
Senior Lecturer in Film, Television and Cultural StudiesManchester Metropolitan University
Content
Acknowledgements; Introduction; Part I: 1. A Good Man with a Gun; 2. A Fine Good Place to Be; 3. Rethinking Revisionism; Part II: 4. What Counts as History and Whose History is It?; 5. Actors Transcending the Darkness; Conclusion; Notes; Bibliography; Index