
George Smart and Nineteenth-Century London Concert Life
John Carnelley(Author)
Boydell Press
Published on 19. November 2015
Book
Hardback
343 pages
978-1-78327-064-4 (ISBN)
Description
The first full length study of Sir George Thomas Smart (1776-1867), musical animateur and early champion of the music of Beethoven
Sir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure.
JOHN CARNELLEY is Deputy Director of Music and Head of Academic Music, Dulwich College, London. He holds a PhD in Historical Musicology from the University of London (Goldsmiths College) and has previously published research on the eighteenth-century organ manuscripts of John Reading, held in the Dulwich College Archive.
Sir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure.
JOHN CARNELLEY is Deputy Director of Music and Head of Academic Music, Dulwich College, London. He holds a PhD in Historical Musicology from the University of London (Goldsmiths College) and has previously published research on the eighteenth-century organ manuscripts of John Reading, held in the Dulwich College Archive.
Reviews / Votes
This book has been written with warmth and enthusiasm underpinned by exhaustive research. Setting out as a record of the everyday working life of an individual professional musician, it is ultimately and important biography of an exceptional man. * NINETEENTH-CENTURY MUSIC REVIEW * Certainly deserves a place on the shelves of every respectable music library. * BRIO * Sympathetic and intensively researched volume will do much to restore [Sir George Smart's] reputation. * THE MUSICAL TIMES * [A] very rich trove here: the book is an invaluable source of reference for this period and for contemporary research on it. * MUSIC & LETTERS * A fascinating glimpse into a little known but immensely influential era of British musical life. * AMERICAN RECORD GUIDE * Conductor Sir George Smart dominated musical life in London in the 1820s and 1830s. In this biography, Carnelley . . . details Smart's life and his role in the London concert scene. Though events such as Weber's and Mendelssohn's London visits have been previously documented, Carnelley is the first to place those special occasions in the context of routine musical life . . . and Smart's attempts to broaden musical tastes . . . . Summing Up: Recommended. * CHOICE *More details
Series
Language
English
Place of publication
Woodbridge
United Kingdom
Publishing group
Boydell & Brewer Ltd
Target group
Professional and scholarly
Product notice
Cloth over boards
Illustrations
10 s/w Abbildungen
10 b/w illus.
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 23 mm
Weight
681 gr
ISBN-13
978-1-78327-064-4 (9781783270644)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

John Carnelley
George Smart and Nineteenth-Century London Concert Life
E-Book
11/2015
1st Edition
De Gruyter
€48.99
Available for download
Person
John Carnelley
Content
Preface
George Smart and the Musical Profession: 1776-1825
London Concert Life 1800-25
George Smart's Concert Activities 1800-25
Interlude - London and the Continent in 1825
New Musical Directions 1826-30
Change and Conflict 1830-44
Retirement and Old Age 1844-1867
Appendices
Bibliography
George Smart and the Musical Profession: 1776-1825
London Concert Life 1800-25
George Smart's Concert Activities 1800-25
Interlude - London and the Continent in 1825
New Musical Directions 1826-30
Change and Conflict 1830-44
Retirement and Old Age 1844-1867
Appendices
Bibliography