
The Body in Performance
Patrick Campbell(Editor)
Harwood Academic (Performing Arts) (Publisher)
Published on 7. March 2001
Book
Paperback/Softback
120 pages
978-90-5755-145-1 (ISBN)
Description
Lively yet intriguing, The Body in Performance is a varied collection of essays about this much-discussed area.
Posing the question "Why this current preoccupation with the performed body?" the collection of specially commissioned essays from both academics and practitioners - in some cases one and the same person - considers such cutting edge topics as the abject body and performance, censorship and live art, the presentation of violence on stage, carnal art, and the vexed issue of mimesis in the theatre. Drawing variously on the work of Franko B., Orlan, Annie Sprinkle, Karen Finley, and Forced Entertainment, it concludes with a creative piece about a 'Famous New York Performance Artist.' Contributors include Rebecca Schneider whose book The Explicit Body in Performance is a key text in this area, and Joan Lipkin, director and writer.
More details
Language
English
Place of publication
Amsterdam
Netherlands
Publishing group
Gordon and Breach
Target group
College/higher education
Professional and scholarly
Postgraduate
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 7 mm
Weight
187 gr
ISBN-13
978-90-5755-145-1 (9789057551451)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Patrick Campbell
The Body in Performance
Book
07/2016
1st Edition
Routledge
€205.50
Shipment within 10-20 days

Patrick Campbell
The Body in Performance
E-Book
04/2014
1st Edition
Routledge
€59.49
Available for download

Patrick Campbell
The Body in Performance
E-Book
04/2014
1st Edition
Routledge
€59.49
Available for download
Person
Edited by Campbell, Patrick
Content
Introduction, Patrick Campbell; Chapter 1 Minding the Matter of Representation: Staging the Body (Politic), Helen Spackman; Chapter 2 On Taking the Blind in Hand, Rebecca Schneider; Chapter 3 The Use and Abuse of the Female Body in Performance Art, Imogen Ashby; Chapter 4 Censoring the Body: Whores, Goddesses and Annie Sprinkle, Patrick Campbell; Chapter 5 Abject Identities and Fluid Performances: Theorizing the Leaking Body, David Harradine; Chapter 6 Everytime You Go Away ... You Take a Piece of Me with You, Steve Harper; Chapter 7 "The Girl Who Lost Her Voice", Joan Lipkin;