
Howard Hawks
Music as Communication in Film
Gregory Camp(Author)
Routledge (Publisher)
1st Edition
Published on 13. December 2021
Book
Paperback/Softback
126 pages
978-0-367-48975-5 (ISBN)
Description
Known for creating classic films including His Girl Friday, The Big Sleep, Bringing Up Baby, and Gentlemen Prefer Blondes, Howard Hawks is one of the best-known Hollywood 'auteurs', but the important role that music plays in his films has been generally neglected by film critics and scholars. In this concise study, Gregory Camp demonstrates how Hawks' use of music and musical treatment of dialogue articulate the group communication that is central to his films. In five chapters, Camp explores how the notion of 'music' in Hawks' films can be expanded beyond the film score, and the techniques by which Hawks and his collaborators (including actors, screenwriters, composers, and editors) achieve this heightened musicality.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Illustrations
15 s/w Abbildungen, 15 s/w Photographien bzw. Rasterbilder
15 Halftones, black and white; 15 Illustrations, black and white
Dimensions
Height: 216 mm
Width: 140 mm
Thickness: 8 mm
Weight
172 gr
ISBN-13
978-0-367-48975-5 (9780367489755)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
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E-Book
04/2020
1st Edition
Routledge
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E-Book
04/2020
1st Edition
Routledge
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Book
04/2020
1st Edition
Routledge
€76.80
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Person
Gregory Camp is a Senior Lecturer at the University of Auckland School of Music, New Zealand.
Content
List of Figures
Series Foreword
Acknowledgements
Introduction
Chapter One: Arranging an Ensemble
Chapter Two: Speaking a Duet
Chapter Three: Singing a Chorus
Chapter Four: Humming a Tune
Chapter Five: Barking a Quartet
Conclusion
Appendix: Hawks Musico-Filmography
References
Index
Series Foreword
Acknowledgements
Introduction
Chapter One: Arranging an Ensemble
Chapter Two: Speaking a Duet
Chapter Three: Singing a Chorus
Chapter Four: Humming a Tune
Chapter Five: Barking a Quartet
Conclusion
Appendix: Hawks Musico-Filmography
References
Index