
Modernism and Religion
Between Mysticism and Orthodoxy
Jamie Callison(Author)
Edinburgh University Press
Published on 1. May 2025
Book
Paperback/Softback
248 pages
978-1-4744-5723-1 (ISBN)
Description
Modernism and Religion argues that modernism participated in broader processes of religious change in the twentieth century. The new prominence accorded to immanence and immediacy in religious discourse is carried over into the modernist epiphany. Modernism became mystical. The emergence of Catholic theological modernism, human rights, Christian sociology, and philosophical personalism, which are explored here in relation to the work of David Jones, T. S. Eliot, and H.D., represented a strategic attempt on the part of diverse religious authorities to meet the challenge posed by new mysticism. Orthodoxy was itself made new in ways that resisted the secular demand that religion remain a private undertaking. Modernism and Religion presents the mechanical form and clashing registers of long poems by each of the aforementioned writers as an alternative to epiphanic modernism. Their wavering orthodoxy brings matters from which the secular had previously separated religion back once more into its purview.
Reviews / Votes
Callison's study is a valuable resource both for students of literary modernism who have observed the persistence of religious questions and influences in the modernist period and for students of practical theology, particularly those of us who continue to experience and explore the appeal of various forms of retreat in our own time. Indeed, Callison's categories of spilt mysticism and wavering orthodoxy provide helpful frameworks to consider the role of Christian spirituality in the arts and religious practices, not only in historical studies but also in contemporary developments and innovations. -- Kathleen Henderson Staudt * Spiritus: A Journal of Christian Spirituality * Callison's book offers significant original insights into the contested status of both orthodox and mystical religion in the early 20th century. That very historical slipperiness of the term mysticism might raise the question of its utility as an analytical category in the present: does modernist studies' continued deployment of the term-whether referring to given religious traditions, trans-cultural religious phenomena, or secularized forms of either-risk displacing assumptions baked into this category onto literary texts? For religious and literary studies scholars probing such issues, "Modernism and Religion's" attentive, thought-provoking analyses will be essential reading-and to rethink orthodoxies alongside Callison's book is sure to be an illuminating experience. -- Graham Borland * Reading Religion * A perceptive, absorbing, irreplaceable study. In showing how modernist writing was shaped by an interplay between the claims of mysticism as individual experience and the benefits of ecclesiastical frameworks, Callison illuminates a rich seam of innovation and perplexity not just in Jones, Eliot and H.D. but in the broader life of early twentieth-century Christianity. -- Douglas Mao, Johns Hopkins UniversityMore details
Series
Language
English
Place of publication
Edinburgh
United Kingdom
Target group
College/higher education
Illustrations
12 black and white illustrations
Dimensions
Height: 156 mm
Width: 233 mm
Thickness: 17 mm
Weight
396 gr
ISBN-13
978-1-4744-5723-1 (9781474457231)
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Schweitzer Classification
Person
Jamie Callison is Associate Professor of English Literature at University of Agder in Kristiansand, Norway, where he teaches courses on poetry and poetics, modernism and religion and literature. His articles on T. S. Eliot, David Jones and twentieth-century religious culture have appeared in ELH, Literature and Theology and Modernist Cultures. He has published (with Thomas Goldpaugh) a critical edition of a previously unpublished book-length poem by the modernist poet and painter David Jones entitled The Grail Mass (2018). Modernism and Religion: Between Mysticism and Orthodoxy is his first monograph.
Author
Associate Professor of English LiteratureUniversity of Agder in Kristiansand, Norway
Content
List of illustrations
Acknowledgments
Introduction: Wavering Orthodoxy
1. Mass Distraction: Between Rites and Rights in David Jones
2. Spiritual Pathology: Diagnosing T. S. Eliot's Unconscious Christianity
3. Reversion Therapy: The Personalism of H.D.'s Return to Religion
4. Silent Protest: The Retreat Movement, 1920-45
Conclusion: The Distraction of Religious Poetry
Bibliography
Index
Acknowledgments
Introduction: Wavering Orthodoxy
1. Mass Distraction: Between Rites and Rights in David Jones
2. Spiritual Pathology: Diagnosing T. S. Eliot's Unconscious Christianity
3. Reversion Therapy: The Personalism of H.D.'s Return to Religion
4. Silent Protest: The Retreat Movement, 1920-45
Conclusion: The Distraction of Religious Poetry
Bibliography
Index