
Narratives of Greater Mexico
Essays on Chicano Literary History, Genre, and Borders
Hector Calderon(Author)
University of Texas Press
Published on 15. January 2005
Book
Paperback/Softback
304 pages
978-0-292-70582-1 (ISBN)
Description
Once relegated to the borders of literature-neither Mexican nor truly American-Chicana/o writers have always been in the vanguard of change, articulating the multicultural ethnicities, shifting identities, border realities, and even postmodern anxieties and hostilities that already characterize the twenty-first century. Indeed, it is Chicana/o writers' very in-between-ness that makes them authentic spokespersons for an America that is becoming increasingly Mexican/Latin American and for a Mexico that is ever more Americanized.
In this pioneering study, HEctor CalderOn looks at seven Chicana and Chicano writers whose narratives constitute what he terms an American Mexican literature. Drawing on the concept of "Greater Mexican" culture first articulated by AmErico Paredes, CalderOn explores how the works of Paredes, Rudolfo Anaya, TomAs Rivera, Oscar Zeta Acosta, CherrIe Moraga, Rolando Hinojosa, and Sandra Cisneros derive from Mexican literary traditions and genres that reach all the way back to the colonial era. His readings cover a wide span of time (1892-2001), from the invention of the Spanish Southwest in the nineteenth century to the AmErica Mexicana that is currently emerging on both sides of the border. In addition to his own readings of the works, CalderOn also includes the writers' perspectives on their place in American/Mexican literature through excerpts from their personal papers and interviews, correspondence, and e-mail exchanges he conducted with most of them.
In this pioneering study, HEctor CalderOn looks at seven Chicana and Chicano writers whose narratives constitute what he terms an American Mexican literature. Drawing on the concept of "Greater Mexican" culture first articulated by AmErico Paredes, CalderOn explores how the works of Paredes, Rudolfo Anaya, TomAs Rivera, Oscar Zeta Acosta, CherrIe Moraga, Rolando Hinojosa, and Sandra Cisneros derive from Mexican literary traditions and genres that reach all the way back to the colonial era. His readings cover a wide span of time (1892-2001), from the invention of the Spanish Southwest in the nineteenth century to the AmErica Mexicana that is currently emerging on both sides of the border. In addition to his own readings of the works, CalderOn also includes the writers' perspectives on their place in American/Mexican literature through excerpts from their personal papers and interviews, correspondence, and e-mail exchanges he conducted with most of them.
Reviews / Votes
"Hector Calderon's book will be a distinguished contribution to the growing discussion that involves reading America in continental terms, rather than limiting ourselves to monolingual U.S. studies." Debra Castillo, Professor of Romance Studies and Comparative Literature and Stephen H. Weiss Presidential Fellow, Cornell UniversityMore details
Series
Language
English
Place of publication
Austin, TX
United States
Target group
Professional and scholarly
Product notice
Paperback (trade)
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 18 mm
Weight
500 gr
ISBN-13
978-0-292-70582-1 (9780292705821)
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Schweitzer Classification
Other editions
Previous edition
Book
01/2005
University of Texas Press
€75.80
Article exhausted; check for reprint
Person
Hector Calderon is Professor of Spanish American, Mexican, and Chicano Literature at UCLA.
Content
Acknowledgments
Introduction
Redefining the Borderlands: From the Spanish Southwest to Greater Mexico, from Charles F. Lummis to AmErico Paredes
Writing the Dreams of la Nueva MExico: Rudolfo A. Anaya's Bless Me, Ultima and the Southwest Literary Tradition
The Emergence of the Chicano Novel: TomAs Rivera's ". . . y no se lo tragO la tierra" and the Community of Readers
"A Recorder of Events with a Sour Stomach": Oscar Zeta Acosta and The Autobiography of a Brown Buffalo
"Making Familia from Scratch": CherrIe L. Moraga's Self-Portraits
"Mexicanos al Grito de Guerra": Rolando Hinojosa's CronicOn del condado de Belken
"Como MExico No Hay Dos": Sandra Cisneros's Feminist Border Stories
Epilogue: AmErica Mexicana 2001
Notes
Works Cited
Permissions Acknowledgments
Index
Introduction
Redefining the Borderlands: From the Spanish Southwest to Greater Mexico, from Charles F. Lummis to AmErico Paredes
Writing the Dreams of la Nueva MExico: Rudolfo A. Anaya's Bless Me, Ultima and the Southwest Literary Tradition
The Emergence of the Chicano Novel: TomAs Rivera's ". . . y no se lo tragO la tierra" and the Community of Readers
"A Recorder of Events with a Sour Stomach": Oscar Zeta Acosta and The Autobiography of a Brown Buffalo
"Making Familia from Scratch": CherrIe L. Moraga's Self-Portraits
"Mexicanos al Grito de Guerra": Rolando Hinojosa's CronicOn del condado de Belken
"Como MExico No Hay Dos": Sandra Cisneros's Feminist Border Stories
Epilogue: AmErica Mexicana 2001
Notes
Works Cited
Permissions Acknowledgments
Index