
Harmony and Voice Leading
A Concise Sixth Edition
Routledge (Publisher)
6th Edition
Will be published approx. on 2. November 2026
Book
Hardback
450 pages
978-1-032-94404-3 (ISBN)
Description
A clear and accessible volume spanning the entire theory course, Harmony and Voice Leading, 6th Edition, begins with coverage of basic concepts of theory and harmony and moves into coverage of advanced dissonance and chromaticism. It emphasizes the linear aspects of music as much as the harmonic, and introduces large-scale progressions--linear and harmonic--at an early stage. The first textbook to incorporate elements of Schenkerian theory into the core of music theory teaching, this book remains the most serious introduction to the subject for students, while offering a clarity of logic and organization that guides students smoothly through complex concepts, and connects theory to musicality.
In this Sixth Edition:
A revised, streamlined structure offers a more concise edition of this classic text which can work flexibly in courses of all lengths
Additional readings on fundamentals and advanced topics are now provided online resources, keeping the full breadth of the book's coverage available
The accompanying workbook, provided as an online resource, creates a complete course package, available at no additional cost
Combining clarity with depth, while enabling students to grasp the relationship between theory and artistry in the tonal tradition, Harmony and Voice Leading is the essential guide to music theory and harmony.
In this Sixth Edition:
A revised, streamlined structure offers a more concise edition of this classic text which can work flexibly in courses of all lengths
Additional readings on fundamentals and advanced topics are now provided online resources, keeping the full breadth of the book's coverage available
The accompanying workbook, provided as an online resource, creates a complete course package, available at no additional cost
Combining clarity with depth, while enabling students to grasp the relationship between theory and artistry in the tonal tradition, Harmony and Voice Leading is the essential guide to music theory and harmony.
More details
Edition
6th edition
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Undergraduate Core
Illustrations
402 s/w Zeichnungen, 402 s/w Abbildungen
402 Line drawings, black and white; 402 Illustrations, black and white
Dimensions
Height: 280 mm
Width: 210 mm
ISBN-13
978-1-032-94404-3 (9781032944043)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
approx. 11/2026
6th Edition
Routledge
€211.99
Not yet available
E-Book
approx. 11/2026
6th Edition
Routledge
€211.99
Not yet available
Persons
Edward Aldwell (1938-2006) was an American pianist, music theorist, and pedagogue. An expert in Schenkerian analysis, he taught music theory and analysis for more than three decades at the Curtis Institute of Music in Philadelphia and the Mannes College of Music in New York.
Carl Schachter taught music theory and analysis at Mannes College of Music for over fifty years, serving as Chair of the Techniques of Music Division and Dean of the College. In 1996, he retired as Distinguished Professor of Music at Queens College and the CUNY Graduate School, where he had taught since 1971. Following his retirement from Queens College, he joined the faculty of the Juilliard School.
Allen Cadwallader is Professor Emeritus of Music Theory at the Oberlin Conservatory of Music, where he taught counterpoint, tonal harmony, and Schenkerian analysis. He is the coauthor of Analysis of Tonal Music: A Schenkerian Approach.
Frank Samarotto is Professor of Music Theory at Indiana University Bloomington. He was a workshop leader at the Mannes Institute for Advanced Studies in Music Theory, an invited presenter at the first conferences in Germany devoted to Schenkerian theory, has lectured on voice-leading and musical time at the Sibelius Academy in Helsinki.. He contributed to the fourth edition of Analysis of Tonal Music: A Schenkerian Approach by Allen Cadwallader and David Gagne.
Carl Schachter taught music theory and analysis at Mannes College of Music for over fifty years, serving as Chair of the Techniques of Music Division and Dean of the College. In 1996, he retired as Distinguished Professor of Music at Queens College and the CUNY Graduate School, where he had taught since 1971. Following his retirement from Queens College, he joined the faculty of the Juilliard School.
Allen Cadwallader is Professor Emeritus of Music Theory at the Oberlin Conservatory of Music, where he taught counterpoint, tonal harmony, and Schenkerian analysis. He is the coauthor of Analysis of Tonal Music: A Schenkerian Approach.
Frank Samarotto is Professor of Music Theory at Indiana University Bloomington. He was a workshop leader at the Mannes Institute for Advanced Studies in Music Theory, an invited presenter at the first conferences in Germany devoted to Schenkerian theory, has lectured on voice-leading and musical time at the Sibelius Academy in Helsinki.. He contributed to the fourth edition of Analysis of Tonal Music: A Schenkerian Approach by Allen Cadwallader and David Gagne.
Content
Part I: I-V-I AND ITS ELABORATIONS
Unit 1. Harmony and Counterpoint
Unit 2. I, V, and V7 9
Unit 3. I6, V6, viio6
Unit 4. Inversions of V7
Unit 5. Leading to V: The Intermediate Chords
Unit 6. The Cadential 6/4
Part II: FURTHER ELABORATIONS OF THE I-V-I STRUCTURE
Unit 7. vi, IV and IV6
Unit 8. V as a Key Area
Unit 9. III and VII
Unit 10. Embellishing 6/4 Chords
Part III: DIATONIC SEQUENTIAL TECHNIQUES
Unit 11. Diatonic Sequences with Triads
Unit 12. Diatonic Sequences with Seventh Chords
PART IV: LEADING-TONE CHROMATICISM, MIXTURE, AND MODULATION
Unit 13. Leading-Tone Seventh Chords
Unit 14. Mixture
Unit 15. Applied V and VII
Unit 16. Applied Chords in Sequence
Unit 17. Diatonic Modulation
Unit 18. The Phrygian II (Neapolitan)
Unit 19. Augmented Sixth Chords
Unit 20. Chromatic Chords and Chromatic Modulatory Techniques
Unit 1. Harmony and Counterpoint
Unit 2. I, V, and V7 9
Unit 3. I6, V6, viio6
Unit 4. Inversions of V7
Unit 5. Leading to V: The Intermediate Chords
Unit 6. The Cadential 6/4
Part II: FURTHER ELABORATIONS OF THE I-V-I STRUCTURE
Unit 7. vi, IV and IV6
Unit 8. V as a Key Area
Unit 9. III and VII
Unit 10. Embellishing 6/4 Chords
Part III: DIATONIC SEQUENTIAL TECHNIQUES
Unit 11. Diatonic Sequences with Triads
Unit 12. Diatonic Sequences with Seventh Chords
PART IV: LEADING-TONE CHROMATICISM, MIXTURE, AND MODULATION
Unit 13. Leading-Tone Seventh Chords
Unit 14. Mixture
Unit 15. Applied V and VII
Unit 16. Applied Chords in Sequence
Unit 17. Diatonic Modulation
Unit 18. The Phrygian II (Neapolitan)
Unit 19. Augmented Sixth Chords
Unit 20. Chromatic Chords and Chromatic Modulatory Techniques