
Words of Light
Theses on the Photography of History
Eduardo Cadava(Author)
Princeton University Press
Published on 15. December 1996
Book
Hardback
224 pages
978-0-691-03450-8 (ISBN)
Description
This text demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, it argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of Benjamin's writings: the historical and political consequences of technology, the relation between reproduction and mimesis, images and history, remembering and forgetting, allegory and mourning, and visual and linguistic representation. The book establishes the photographic constellation of motifs and themes around which Benjamin organizes his texts, thereby becoming a lens through which we one can begin to view his analysis of the convergence between the new technological media and a revolutionary concept of historical action and understanding.
Reviews / Votes
"Cadava presents a series of sensitive meditations on Benjamin's work, in which, like Benjamin himself, he explores the mass image and its role in the making of popular memory." * The Times Literary Supplement *More details
Language
English
Place of publication
New Jersey
United States
Target group
College/higher education
Professional and scholarly
Product notice
Trade binding
Illustrations
30 halftones
Dimensions
Height: 229 mm
Width: 152 mm
Weight
510 gr
ISBN-13
978-0-691-03450-8 (9780691034508)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
11/2018
1st Edition
Princeton University Press
€45.99
Available for download
Person
Eduardo Cadava is Associate Professor of English at Princeton University. He is the author of Emerson and the Climates of History and coeditor of Who Comes after the Subject?