Puzzle Films
Complex Storytelling in Contemporary Cinema
1st Edition
Published on 19. December 2008
Book
Paperback/Softback
256 pages
978-1-4051-6862-5 (ISBN)
Description
Drawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling--from Memento, Old Boy, and Run Lola Run, to the Infernal Affairs trilogy and In the Mood for Love.
Unites American 'independent' cinema, the European and International Art film, and certain modes of avant-garde filmmaking on the basis of their shared storytelling complexity
Draws upon the expertise of film scholars from North America, Britain, China, Poland, Holland, Italy, Greece, New Zealand, and Australia
Unites American 'independent' cinema, the European and International Art film, and certain modes of avant-garde filmmaking on the basis of their shared storytelling complexity
Draws upon the expertise of film scholars from North America, Britain, China, Poland, Holland, Italy, Greece, New Zealand, and Australia
Reviews / Votes
"Barratt makes excellent use of graphics to help illustrate the strategies employed by Shyamalan to prevent the first-time viewer anticipating the aforementioned twist . . . ultimately though, Buckland's collection does provide a thought-provoking study of what has become an important genre in contemporary cinema." (Scope Book Reviews, 1 February 2011)"A timely and insightful guide to some of the more complex and labyrinthine currents in recent cinema, drawing on an admirable range of examples from around the globe. Geoff King, Professor of Film and TV Studies, Brunel University
More details
Language
English
Place of publication
Hoboken
United Kingdom
Publishing group
John Wiley and Sons Ltd
Target group
College/higher education
Dimensions
Height: 230 mm
Width: 154 mm
Thickness: 16 mm
Weight
381 gr
ISBN-13
978-1-4051-6862-5 (9781405168625)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
02/2009
Wiley-Blackwell
€38.99
Available for download
Book
01/2009
Wiley-Blackwell
€94.71
Article exhausted; check different version
Person
Warren Buckland is Reader in Film Studies at Oxford Brookes University, UK. He is author of Directed by Steven Spielberg and The Cognitive Semiotics of Film, and co-author (with Thomas Elsaesser) of Studying Contemporary American Film.
Content
List of Contributors vii
Introduction: Puzzle Plots 1
Warren Buckland
1 The Mind-Game Film 13
Thomas Elsaesser
2 Making Sense of Lost Highway 42
Warren Buckland
3 "Twist Blindness": The Role of Primacy, Priming, Schemas, and Reconstructive Memory in a First-Time Viewing of The Sixth Sense 62
Daniel Barratt
4 Narrative Comprehension Made Difficult: Film Form and Mnemonic Devices in Memento 87
Stefano Ghislotti
5 "Frustrated Time" Narration: The Screenplays of Charlie Kaufman 107
Chris Dzialo
6 Backbeat and Overlap: Time, Place, and Character Subjectivity in Run Lola Run 129
Michael Wedel
7 Infernal Affairs and the Ethics of Complex Narrative 151
Allan Cameron and Sean Cubitt
8 Happy Together? Generic Hybridity in 2046 and In the Mood for Love 167
Gary Bettinson
9 Revitalizing the Thriller Genre: Lou Ye's Suzhou River and Purple Butterfly 187
Yunda Eddie Feng
10 The Pragmatic Poetics of Hong Sangsoo's The Day a Pig Fell into a Well 203
Marshall Deutelbaum
11 Looking for Access in Narrative Complexity. The New and the Old in Oldboy 217
Eleftheria Thanouli
Index 233
Introduction: Puzzle Plots 1
Warren Buckland
1 The Mind-Game Film 13
Thomas Elsaesser
2 Making Sense of Lost Highway 42
Warren Buckland
3 "Twist Blindness": The Role of Primacy, Priming, Schemas, and Reconstructive Memory in a First-Time Viewing of The Sixth Sense 62
Daniel Barratt
4 Narrative Comprehension Made Difficult: Film Form and Mnemonic Devices in Memento 87
Stefano Ghislotti
5 "Frustrated Time" Narration: The Screenplays of Charlie Kaufman 107
Chris Dzialo
6 Backbeat and Overlap: Time, Place, and Character Subjectivity in Run Lola Run 129
Michael Wedel
7 Infernal Affairs and the Ethics of Complex Narrative 151
Allan Cameron and Sean Cubitt
8 Happy Together? Generic Hybridity in 2046 and In the Mood for Love 167
Gary Bettinson
9 Revitalizing the Thriller Genre: Lou Ye's Suzhou River and Purple Butterfly 187
Yunda Eddie Feng
10 The Pragmatic Poetics of Hong Sangsoo's The Day a Pig Fell into a Well 203
Marshall Deutelbaum
11 Looking for Access in Narrative Complexity. The New and the Old in Oldboy 217
Eleftheria Thanouli
Index 233