
Designing the V&A
The Museum as a Work of Art (1857-1909)
Julius Bryant(Author)
Lund Humphries Publishers Ltd
Published on 30. March 2017
Book
Hardback
176 pages
978-1-84822-233-5 (ISBN)
Description
The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V&A as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum's 19th-century exteriors and interiors. Much of this visual material is previously unpublished and is outside the canon of Victorian art and design.
The V&A's first Director, Henry Cole, conceived the museum's building as a showcase for leading Victorian artists to design and decorate. This book reveals for the first time the ways in which Cole's expressed policy to 'assemble a splendid collection of objects representing the application of Fine Arts to manufacture' was applied to the fabric of the building, as he engaged leading painters such as Frederic Leighton, G.F. Watts and Edward Burne-Jones, as well as specialists in decoration such as Owen Jones and Morris and Company, to decorate and design for a building raised by engineers using innovatory materials and techniques.
This book represents a fascinating, untold chapter in the history of British 19th-century art, design, architecture and museums, and provides an essential key to understanding the evolution of the museum's early collections and identity.
The V&A's first Director, Henry Cole, conceived the museum's building as a showcase for leading Victorian artists to design and decorate. This book reveals for the first time the ways in which Cole's expressed policy to 'assemble a splendid collection of objects representing the application of Fine Arts to manufacture' was applied to the fabric of the building, as he engaged leading painters such as Frederic Leighton, G.F. Watts and Edward Burne-Jones, as well as specialists in decoration such as Owen Jones and Morris and Company, to decorate and design for a building raised by engineers using innovatory materials and techniques.
This book represents a fascinating, untold chapter in the history of British 19th-century art, design, architecture and museums, and provides an essential key to understanding the evolution of the museum's early collections and identity.
More details
Series
Language
English
Place of publication
London
United Kingdom
Illustrations
208 Illustrations, color
Dimensions
Height: 277 mm
Width: 235 mm
Thickness: 25 mm
Weight
1168 gr
ISBN-13
978-1-84822-233-5 (9781848222335)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Julius Bryant is Keeper of Word and Image at the
Victoria and Albert Museum, with responsibility for Paintings, Prints, Drawings
and Photographs, the National Art Library and the Archive of Art and Design.
From 2005 to 2017 he was also the V&A's lead curator for exhibitions on
James 'Athenian' Stuart, on William Kent and on John Lockwood Kipling (all in
collaboration with the Bard Graduate Center, New York City, as co-curator and
senior research fellow). He is author of Alec Cobbe: Designs for
Historic Interiors (V&A, 2014), editor of Art and Design for
All: The Victoria and Albert Museum (V&A, 2011) and co-editor of Word
& Image: Art, Books and Design from the National Art Library (V&A,
2015).
Victoria and Albert Museum, with responsibility for Paintings, Prints, Drawings
and Photographs, the National Art Library and the Archive of Art and Design.
From 2005 to 2017 he was also the V&A's lead curator for exhibitions on
James 'Athenian' Stuart, on William Kent and on John Lockwood Kipling (all in
collaboration with the Bard Graduate Center, New York City, as co-curator and
senior research fellow). He is author of Alec Cobbe: Designs for
Historic Interiors (V&A, 2014), editor of Art and Design for
All: The Victoria and Albert Museum (V&A, 2011) and co-editor of Word
& Image: Art, Books and Design from the National Art Library (V&A,
2015).
Content
Part I: Introduction: 1 Building the Museum; 2 The Museum as a Work of Art; 3 A Summary Timeline; Part II: Designs and Decoration: A Parkland Setting; The South Kensington Museum; The Refreshment Rooms; The Ceramic Stairs and Galleries; The Lecture Theatre; The Paintings Galleries and the North Staircase; The North Court; The South Courts; The 'Kensington Valhalla'; The Oriental Courts; The Prince Consort's Gallery; The National Competition Gallery; Frederic Leighton's Frescoes; The East Staircase; The National Art Library; The Cast Courts; The Grand Entrance and the Long Gallery; The Pantheon of British Art; The Henry Cole Wing; Exhibition Road; Endnotes; Index