
Playing the Changes
Jazz at an African University and on the Road
University of Illinois Press
Published on 9. July 2024
Book
Paperback/Softback
352 pages
978-0-252-08826-1 (ISBN)
Description
Catherine and Darius Brubeck's 1983 move to South Africa launched them on a journey that helped transform jazz education. Blending biography with storytelling, the pair recount their time at the University of KwaZulu-Natal, where they built a pioneering academic program in jazz music and managed and organized bands, concerts, and tours around the world.
The Brubecks and the musicians faced innumerable obstacles, from the intensification of apartheid and a lack of resources to the hardscrabble lives that forced even the most talented artists to the margins. Building a program grounded in multi-culturalism, Catherine and Darius encouraged black and white musicians to explore and expand the landscape of South African jazz together Their story details the sometimes wily, sometimes hilarious problem-solving necessary to move the institution forward while offering insightful portraits of South African jazz players at work, on stage, and providing a soundtrack to the freedom struggle and its aftermath.
Frank and richly detailed, Playing the Changes provides insiders' accounts of how jazz intertwined with struggle and both expressed and resisted the bitter unfairness of apartheid-era South Africa.
The Brubecks and the musicians faced innumerable obstacles, from the intensification of apartheid and a lack of resources to the hardscrabble lives that forced even the most talented artists to the margins. Building a program grounded in multi-culturalism, Catherine and Darius encouraged black and white musicians to explore and expand the landscape of South African jazz together Their story details the sometimes wily, sometimes hilarious problem-solving necessary to move the institution forward while offering insightful portraits of South African jazz players at work, on stage, and providing a soundtrack to the freedom struggle and its aftermath.
Frank and richly detailed, Playing the Changes provides insiders' accounts of how jazz intertwined with struggle and both expressed and resisted the bitter unfairness of apartheid-era South Africa.
Reviews / Votes
"Darius and Cathy Brubeck take turns narrating this engrossing memoir of their experiences teaching and presenting music in South Africa from the 1980s into the 2000s. Their humility makes it appealing--they are intent on telling it like it was, not in making everything sound rosy. What makes the book particularly informative for all readers, musicians and otherwise, is the level of detail that they provide about life and politics in South Africa during these years, both in and out of academia."--Lewis Porter, author of Playback with Lewis Porter! "Playing the Changes is entertaining and profound in equal measure. It tells the story of a remarkable passage in the history of music and the performing arts in higher education, especially at UKZN but in South Africa more widely. Darius and Cathy Brubeck were central to the miraculous chemistry that made it all happen."--David Attwell, author of J. M. Coetzee and the Life of WritingMore details
Edition
New edition
Language
English
Place of publication
Baltimore
United States
Edition type
New edition
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
85 black & white photographs
Dimensions
Height: 251 mm
Width: 176 mm
Thickness: 23 mm
Weight
756 gr
ISBN-13
978-0-252-08826-1 (9780252088261)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Darius Brubeck is an American jazz pianist, bandleader, composer, broadcaster, educator, and former director of the Centre for Jazz and Popular Music at the University of KwaZulu-Natal. He is the son of legendary jazz pianist and composer Dave Brubeck. Catherine Brubeck, a South African, has worked in events organization, publishing, and artist management (specializing in jazz) in America, South Africa, and the UK. She was the Project Manager at the Centre for Jazz and Popular Music, initiating and organizing extra-curricular projects and events throughout Darius's term as director.
Content
Foreword by Christopher Ballantine
Acknowledgements
Abbreviations
Prelude
The Mission
The Scene
Improvising Education
Durban to Detroit
The Jazzanian Effect
The Jazz Centre and Drinks at Five
Some Remarkable People
Off Campus and on the Road
Continuum
Coda
Appendix 1: Out-Takes
Appendix 2: Documents
Discography
Notes
Bibliography
Index
Acknowledgements
Abbreviations
Prelude
The Mission
The Scene
Improvising Education
Durban to Detroit
The Jazzanian Effect
The Jazz Centre and Drinks at Five
Some Remarkable People
Off Campus and on the Road
Continuum
Coda
Appendix 1: Out-Takes
Appendix 2: Documents
Discography
Notes
Bibliography
Index