
Artificial Intelligence and Art History
Looking at Images in an Algorithmic Culture
Kathryn Brown(Editor)
The British Academy (Publisher)
Published on 13. March 2026
Book
Hardback
224 pages
978-1-80596-660-9 (ISBN)
Description
Artificial intelligence is transforming human creativity and the study of art. Yet it is a technology that is difficult to understand from a position outside computer science. This timely volume, Artificial Intelligence and Art History, investigate tensions and opportunities that are arising in human-machine 'dialogues' about visual art. Contributors explore recent developments in machine learning and computer vision and debate whether algorithmic analyses of art open new possibilities for human seeing. Do quantitative methodologies threaten humanistic discourses about cultural artefacts? Alternatively, can working at scale offer fresh perspectives on traditional conceptions of, and approaches to, artistic style, methods, and techniques? The chapters in this volume demonstrate how a range of technologies falling under the umbrella of 'AI' challenge the epistemological ambitions of both humanistic and scientific study while also addressing the consequences of understanding 'vision' as a metaphor for a computational processing. By investigating how AI and computer vision are working - or might work - in partnership with art historical research methods, this volume also interrogates urgent ethical questions that are impacting on research agendas in this interdisciplinary field.
More details
Series
Language
English
Place of publication
United Kingdom
Publishing group
Liverpool University Press
Illustrations
30 Illustrations, color
Dimensions
Height: 234 mm
Width: 156 mm
ISBN-13
978-1-80596-660-9 (9781805966609)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Kathryn Brown is Reader in Art Histories, Markets and Digital Heritage at Loughborough University. Her books include Women Readers in French Painting 1870-1890 (2012), Matisse's Poets (2017), ed. Digital Humanities and Art History (2020), Henri Matisse (2021), Dialogues with Degas (2023), and Art Auctions: Spectacle and Value in the 21st Century (2024). She has held visiting fellowships at the Center for Advanced Studies in the Visual Arts (Washington DC), the Humanities Research Centre of the Australian National University, Tulane University, the Beinecke Library (Yale University), and the Getty Foundation. Brown's research has been funded by the Arts and Humanities Research Council (UK), the British Academy, the Independent Social Research Foundation, and the Terra Foundation for American Art. She is the series editor of Contextualizing Art Markets for Bloomsbury Academic.
Content
List of Figures Notes on Contributors
Introduction KATHRYN BROWN
How to Explain Pictures to a Dead Hare: Computer Vision and the Art Theory of Joseph Beuys AMANDA WASIELEWSKI
A Decade of Bridging Computer Science and Art History EVA CETINIC
Computer Vision: A 'Period Eye' for the 21st Century? KATHRYN BROWN
Digital Art History for Datasets: For an Iconology of AI LEONARDO IMPETT
Ekphrasis Reloaded: Text-to-Image Models and Generative AI NURIA RODRIGUEZ-ORTEGA
Experiments in the Relationship between Art History and Text-to-Image Models AMALIA FOKA
Realism As Style? Leveraging Latent Diffusion Models for Capturing the Style of Realist Images MANAS MEHTA, ZHUOMIN ZHANG, ELIZABETH C. MANSFIELD, JIA LI, JOHN RUSSELL, JAMES Z. WANG
Images of Photography: How Computer Vision Frames the Medium TRACY STUBER
Conclusion: Art and Intelligence KATHRYN BROWN
Index
Introduction KATHRYN BROWN
How to Explain Pictures to a Dead Hare: Computer Vision and the Art Theory of Joseph Beuys AMANDA WASIELEWSKI
A Decade of Bridging Computer Science and Art History EVA CETINIC
Computer Vision: A 'Period Eye' for the 21st Century? KATHRYN BROWN
Digital Art History for Datasets: For an Iconology of AI LEONARDO IMPETT
Ekphrasis Reloaded: Text-to-Image Models and Generative AI NURIA RODRIGUEZ-ORTEGA
Experiments in the Relationship between Art History and Text-to-Image Models AMALIA FOKA
Realism As Style? Leveraging Latent Diffusion Models for Capturing the Style of Realist Images MANAS MEHTA, ZHUOMIN ZHANG, ELIZABETH C. MANSFIELD, JIA LI, JOHN RUSSELL, JAMES Z. WANG
Images of Photography: How Computer Vision Frames the Medium TRACY STUBER
Conclusion: Art and Intelligence KATHRYN BROWN
Index