Studies of Video Practices
Video at Work
1st Edition
Published on 5. February 2018
Book
Paperback/Softback
312 pages
978-1-138-54895-4 (ISBN)
Description
The last two decades have seen a rapid increase in the production and consumption of video by both professionals and amateurs. The near ubiquity of devices with video cameras and the rise of sites like YouTube have lead to the growth and transformation of the practices of producing, circulating, and viewing video, whether it be in households, workplaces, or research laboratories.
This volume builds a foundation for studies of activities based in and around video production and consumption. It contributes to the interdisciplinary field of visual methodology, investigating how video functions as a resource for a variety of actors and professions.
This volume builds a foundation for studies of activities based in and around video production and consumption. It contributes to the interdisciplinary field of visual methodology, investigating how video functions as a resource for a variety of actors and professions.
Reviews / Votes
'A unique and insightful collection of essays, carefully crafted video-based studies of video practice, that reveal how visual media increasingly inform and enable everyday social interaction, be it interaction between friends and family, collaborative video games, or the production of highly complex, organisational activities. This book is an important and original contribution to contemporary studies of technology in action and our understanding of language use and social interaction.'-Christian Heath, King's College LondonMore details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Illustrations
158 s/w Photographien bzw. Rasterbilder, 1 s/w Zeichnung, 9 s/w Tabellen
9 Tables, black and white; 1 Line drawings, black and white; 158 Halftones, black and white
Dimensions
Height: 229 mm
Width: 152 mm
Weight
560 gr
ISBN-13
978-1-138-54895-4 (9781138548954)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
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E-Book
05/2014
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05/2014
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05/2014
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Routledge
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Persons
Mathias Broth is Associate Professor of Language and Culture at Linkoeping University, Sweden.
Eric Laurier, is Senior Lecturer in Geography and Interaction at Edinburgh University, UK.
Lorenza Mondada is Professor in General Linguistics and French Linguistics at the University of Basel, Switzerland.
Eric Laurier, is Senior Lecturer in Geography and Interaction at Edinburgh University, UK.
Lorenza Mondada is Professor in General Linguistics and French Linguistics at the University of Basel, Switzerland.
Content
Introducing Video at Work Mathias Broth, Eric Laurier, and Lorenza Mondada Part 1: Shooting 1. Shooting Video as a Research Activity: Video Making as a Form of Proto-Analysis Lorenza Mondada 2. Pans,Tilts, and Zooms. Conventional Camera Gestures in TV Production Mathias Broth 3. The Surgeon as a Camera Director: Maneuvering Video in the Operating Theatre Lorenza Mondada Part 2: Showing 4. Mundane Video Directors in Interaction. Showing One's Environment in Skype and Mobile Video Calls. Christian Licoppe and Julien Morel 5. The Use of Video in Dental Education: Clinical Reality Addressed as Practical Matters of Production, Interpretation, and Instruction Oskar Lindwall, Elin Johansson, Jonas Ivarsson, Hans Rystedt, and Claes Reit 6. Cameras in Video Games: Comparing Play in Counter- Strike and the Doctor Who Adventures Eric Laurier and Stuart Reeves 7. The Televisual Accountability of Reality TV: The Visual Morality of Musical Performances in Talent Shows Alain Bovet, Philippe Sormani, and Cedric Terzi Part 3: Assembling 8. The Intersubjective Work of Imagination in Film Editing: Proposals, Suggestions, Re-iterations, Directions, and Other Ways of Producing Possible Sequences Eric Laurier and Barry Brown 9. Dealing with Time, Just in Time: Sense-making and Clip Allocation in Mult-Person, Multi-Stream, Live Play TV Production Mark Perry, Oskar Juhlin, and Arvid Engstroem