Howard Hawks
New Perspectives
Published on 22. April 2016
Book
Hardback
296 pages
978-1-84457-542-8 (ISBN)
Description
Leading international scholars consider the films and legacy of Howard Hawks. Diverse contributions consider Hawks' work in relation to issues of gender, genre and relationships between the sexes, discuss key films including Rio Bravo, The Big Sleep and Red River, and address Hawks' visual style and the importance of musicality in his film-making.
More details
Edition
1st ed. 2015
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Illustrations
30 b/w photos
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 21 mm
Weight
611 gr
ISBN-13
978-1-84457-542-8 (9781844575428)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
07/2019
1st Edition
BFI Publishing
€35.49
Available for download
Person
Ian Brookes teaches in the Department of Culture, Film and Media at the University of Nottingham, UK. He is the author of Film Noir: A Critical Introduction (2016).
Content
Acknowledgements.- Notes on Contributors.- Preface; James D'Arc.- Introduction: 'Who the Hell is Howard Hawks?'; Ian Brookes.- 1. 'Ain't There Anyone Here for Love?' Space, Place and Community in the Cinema of Howard Hawks; Adrian Danks.- 2. Hawks, Widescreen and Visual Style; Harper Cossar.- 3. Hawks's 'Unhawksian' Biopic: Sergeant York; Jesse Schlotterbeck.- 4. 'A Poisonous Picture': The Big Sleep, the Hollywood Left and the Postwar Thriller; Mark Jancovich and Robert Manning.- 5. Hawks and the Western; Tom Ryall.- 6. Gestures, Movements and Actions in Rio Bravo; Steve Neale.- 7. 'A Travesty on Sex': Gender and Performance in Gentlemen Prefer Blondes; Ellen Wright.- 8. Adapting to Women: Hawks, Comedy and Gender; Jeffrey Hinkelman.- 9. Scoring the West: Dimitri Tiomkin and Howard Hawks; Kathryn Kalinak.- 10. 'More Than Just Dance Music': Hawks and Jazz in the 1940s; Ian Brookes.- 11. Red Line 7000: Fatal Disharmonies; Joe McElhaney.- 12. Professionalism, the Protestant Ethic, and the New Deal: Hawks in the 1930s; Michael J. Anderson.- 13. The Dawn Patrol: The Once and Future Hawks; Tony Williams.- 14. Irresolvable Circularity: Narrative Closure and Nihilism in Only Angels Have Wings; Doug Dibbern.- Notes.- Bibliography.- Filmography.- Index.