Horror in Space
Critical Essays on a Film Subgenre
Published on 21. November 2017
Book
Paperback/Softback
248 pages
978-1-4766-6405-7 (ISBN)
Description
In sharp contrast to many 1960s science fiction films, with idealized views of space exploration, Ridley Scott's Alien (1979) terrified audiences, depicting a harrowing and doomed deep-space mission. The Alien films launched a new generation of horror set in the great unknown, inspiring filmmakers to take Earth-bound franchises like Leprechaun and Friday the 13th into space.
This collection of new essays examines the space horror subgenre, with a focus on such films as Paul W.S. Anderson's Event Horizon, Duncan Jones' Moon, Mario Bava's Planet of the Vampires and John Carpenter's Ghosts of Mars.
Contributors discuss how filmmakers explored the concepts of the final girl/survivor, the uncanny valley, the isolationism of space travel, religion and supernatural phenomena.
This collection of new essays examines the space horror subgenre, with a focus on such films as Paul W.S. Anderson's Event Horizon, Duncan Jones' Moon, Mario Bava's Planet of the Vampires and John Carpenter's Ghosts of Mars.
Contributors discuss how filmmakers explored the concepts of the final girl/survivor, the uncanny valley, the isolationism of space travel, religion and supernatural phenomena.
Reviews / Votes
"I found it an extremely interesting and sometimes enlightening book that touches on themes that you had not yet thought of. Highly recommended to those who want to delve deeper!" - Out of this World MagazineMore details
Language
English
Place of publication
Jefferson, NC
United States
Target group
Professional and scholarly
Interest Age: From 18 years
Product notice
Paperback (trade)
Illustrations
notes, bibliography, index
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 15 mm
Weight
412 gr
ISBN-13
978-1-4766-6405-7 (9781476664057)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Michele Brittany is the book review editor for the Journal of Graphic Novels and Comics and is the co-chair of the Ann Radcliffe Conference held in conjunction with Horror Writers Association's annual Stokercon. She lives in Glendale, Arizona.
Content
Table of Contents
Acknowledgments
Introduction
Part One: Horror Made in America
John Carpenter of Mars: Space Horror in the Films
of John Carpenter (Ben Kooyman)
The Cold, White Reproduction of the Same: A New Hypothesis
About John Carpenter's The Thing (Dario Altobelli)
Meteor Madness: Lovecraftian Horror and Consumerism
in the Battle for Small Town USA (Nicholas Diak)
"It (never actually) came from outer space": -Earth-Origin
Threats in Space Horror Films (Kevin J. Wetmore, Jr.)
Part Two: Time and Space in a Sea of -Post-Modern Isolation
Nonknowledge and Inner Experience: A -Post-Modern Rhetoric
of Space Horror (Gavin F. Hurley)
Out of Space-Out of Time: Looking at the Factors of Time
in Space Horror Movies (Juliane Schlag)
We're All Alone, Out Here: Isolation and Its Contribution
to Space Horror in Film (Janet Joyce Holden)
That Moon Is Romantic: Duncan Jones's Dark Fairy Tale (Adam M. Crowley)
Part Three: The Uncanny Body
The Architecture of -Sci-Fi Body Horror: Mechanical
-Building-Bodies and Organic Invasion from Deep Space to the Anthropocene (Brenda S. Gardenour Walter)
Ghosts in the Machine: Emotion and Haunting in the Creation of the Irrational Robot (Casey Ratto)
Part Four: The Devil Made Me Betwixt and Between: Magic, Science and the Devil's Place in Outer Space (Andrew P. Williams)
Under the Influence: Undead Planets and Vampiric Dreamworlds in Outer Space (Simon Bacon)
Part Five: Play It Again or Rip It Off
A "family of displaced figures": Posthumanism and -Jean-Pierre Jeunet's Alien Resurrection (1997) (Charles W. Reick)
Galaxies of Terror in a -Knock-Off Universe: Atavism and the -Rip-Off Body Horror of "Aliensploitation" Films (Jason Davis)
Leprechaun 4 and Jason X: Camp, Paracinema and the Postmodern Sequel (Kevin Chabot)
About the Contributors
Index
Acknowledgments
Introduction
Part One: Horror Made in America
John Carpenter of Mars: Space Horror in the Films
of John Carpenter (Ben Kooyman)
The Cold, White Reproduction of the Same: A New Hypothesis
About John Carpenter's The Thing (Dario Altobelli)
Meteor Madness: Lovecraftian Horror and Consumerism
in the Battle for Small Town USA (Nicholas Diak)
"It (never actually) came from outer space": -Earth-Origin
Threats in Space Horror Films (Kevin J. Wetmore, Jr.)
Part Two: Time and Space in a Sea of -Post-Modern Isolation
Nonknowledge and Inner Experience: A -Post-Modern Rhetoric
of Space Horror (Gavin F. Hurley)
Out of Space-Out of Time: Looking at the Factors of Time
in Space Horror Movies (Juliane Schlag)
We're All Alone, Out Here: Isolation and Its Contribution
to Space Horror in Film (Janet Joyce Holden)
That Moon Is Romantic: Duncan Jones's Dark Fairy Tale (Adam M. Crowley)
Part Three: The Uncanny Body
The Architecture of -Sci-Fi Body Horror: Mechanical
-Building-Bodies and Organic Invasion from Deep Space to the Anthropocene (Brenda S. Gardenour Walter)
Ghosts in the Machine: Emotion and Haunting in the Creation of the Irrational Robot (Casey Ratto)
Part Four: The Devil Made Me Betwixt and Between: Magic, Science and the Devil's Place in Outer Space (Andrew P. Williams)
Under the Influence: Undead Planets and Vampiric Dreamworlds in Outer Space (Simon Bacon)
Part Five: Play It Again or Rip It Off
A "family of displaced figures": Posthumanism and -Jean-Pierre Jeunet's Alien Resurrection (1997) (Charles W. Reick)
Galaxies of Terror in a -Knock-Off Universe: Atavism and the -Rip-Off Body Horror of "Aliensploitation" Films (Jason Davis)
Leprechaun 4 and Jason X: Camp, Paracinema and the Postmodern Sequel (Kevin Chabot)
About the Contributors
Index