
Novelty Fair
British Visual Culture Between Chartism and the Great Exhibition
Jo Briggs(Author)
Manchester University Press
Published on 2. February 2016
Book
Hardback
192 pages
978-0-7190-8964-0 (ISBN)
Description
Novelty fair examines mid-nineteenth-century people, things and places generally understood to be discrete and unrelated: urban fairs and the Great Exhibition, daguerreotypes and ballads, satirical shilling books and government-backed design reform, blackface performers and middle-class paterfamilias. A range of new and neglected sources, drawn mainly from popular culture are used to inform the discussion. The pivotal years between Chartism and the Great Exhibition emerge as far more contested than has previously been recognised and bourgeois forms and strategies are revealed as being under stress in a period that has been seen as a triumphant one for that class.
Novelty fair will be of special interest to historians of Chartism, cultural historians interested in the Great Exhibition and design reform and those in the field of Victorian studies, cultural studies and visual culture more generally. -- .
Novelty fair will be of special interest to historians of Chartism, cultural historians interested in the Great Exhibition and design reform and those in the field of Victorian studies, cultural studies and visual culture more generally. -- .
More details
Language
English
Place of publication
Manchester
United Kingdom
Illustrations
Illustrations, black & white
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 15 mm
Weight
458 gr
ISBN-13
978-0-7190-8964-0 (9780719089640)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
03/2016
Manchester University Press
€129.99
Available for download
Person
Jo Briggs is Assistant Curator of 18th- and 19th-Century Art at the Walters Art Museum, Baltimore -- .
Content
Introduction: time's question
1. The 'offensive body': the politics of consumption in 1848
2. 'All that is solid melts into air': representing the Chartist crowd in 1848
3. 'The gutta percha staff': between respectable and risque satire in 1848
4. 'All that is sacred is profaned': balloons, fairs, ballads and the Great Exhibition
5. 'The pound and the shilling': romance and the cash nexus at the Great Exhibition
6. A 'chamber of horrors': class and consumption at mid-century
Conclusion: Novelty Fair, burlesquing history
Index -- .
1. The 'offensive body': the politics of consumption in 1848
2. 'All that is solid melts into air': representing the Chartist crowd in 1848
3. 'The gutta percha staff': between respectable and risque satire in 1848
4. 'All that is sacred is profaned': balloons, fairs, ballads and the Great Exhibition
5. 'The pound and the shilling': romance and the cash nexus at the Great Exhibition
6. A 'chamber of horrors': class and consumption at mid-century
Conclusion: Novelty Fair, burlesquing history
Index -- .