Queering the Pitch
2nd Edition
Published on 31. August 2006
Book
Paperback/Softback
418 pages
978-0-415-97884-2 (ISBN)
Description
When the first edition of Queering the Pitch was published in early 1994, it was immediately hailed as a landmark and defining work in the new field of Gay Musicology. In light of the explosion of Gay Musicology since 1994, a new edition of Queering the Pitch is timely and needed. In this new work, the editors are including a landmark essay by Philip Brett on Gay Musicology, its history and scope. The essay itself has become a cause celebre, and this will be its first full appearance in print. Along with this new historical essay, the editors are contributing a new introduction that outlines the changes that have occurred over the last decade as Gay Musicology has grown.
More details
Edition
2nd edition
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Illustrations
9 s/w Tabellen, 18 s/w Zeichnungen
9 Tables, black and white; 18 Line drawings, black and white
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 23 mm
Weight
605 gr
ISBN-13
978-0-415-97884-2 (9780415978842)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Philip Brett | Elizabeth Wood | Gary C. Thomas
Queering the Pitch
E-Book
02/2013
2nd Edition
Routledge
€53.79
Available for download
Philip Brett | Elizabeth Wood | Gary C. Thomas
Queering the Pitch
E-Book
02/2013
2nd Edition
Routledge
€78.99
Available for download
Philip Brett | Elizabeth Wood | Gary C. Thomas
Queering the Pitch
Book
08/2006
2nd Edition
Routledge
€208.90
Shipment within 15-20 days
Persons
Liz Wood has taught Gay and Lesbian Studies at Sarah Lawrence College and as a adjunct at other colleges and universities. Gary C. Thomas is Professor of Cultural Studies and Comparative Literature at the University of Minnesota.
Content
1. Queering the Pitch: A Posy of Definitions and Impersonations Part 1: Canons and Arias 2. Musicality, Essentialism, and the Closet 3. Sapphonics 4. On a Lesbian Relation with Music: A Serious Effort Not to Think Straight 5. A Conversation with Ned Rorem Part 2: Chronicles 6. Henry Lawes's Setting of Katherine Philips's Friendship Poetry in His Second Book of Ayres and Dialogues, 1655: A Musical Misreading? 7. Unveiled Voices: Sexual Difference and the Castrato Joke Dame 8. "Was George Frideric Handel Gay?": On Closet Questions and Cultural Politics 9. Constructions of Subjectivity in Schubert's Music 10: Eros and Orientalism in Britten's Operas 11. Queer Thoughts on Country Music and k.d. lang Part 3: Consorts 12. Lesbian Compositional Process: One Lover-Composer's Perspective 13. Growing up Female(s): Retrospective Thoughts on Musical Preferences and Meanings 14. Authority and Freedom: Toward a Sociology of the Gay Choruses Part 4: Coda Preface 15. Lesbian and Gay Music