
Bach
Chorale Harmonization and Instrumental Counterpoint
Malcolm Boyd(Author)
Kahn & Averill (Publisher)
Published on 20. November 2008
Book
Paperback/Softback
80 pages
978-1-871082-72-2 (ISBN)
Description
Following methods known to have been adopted by Bach himself, the exercises provided in chorale harmonization are graded in such a way as to encourage the student to develop both technique and imagination within a closely-defined framework. The instrumental counterpoint section is based on Bach's two-and three-part Inventions. By close analysis the author helps the reader to recognize the procedures Bach adopted in various musical situations. The exercises are taken largely from Bach's keyboard works.
Reviews / Votes
Malcolm Boyd's lucid text investigates how often various chords and progressions occur, in what contexts and (where possible) for what reasons. Following methods known to have been adopted by Bach himself, the exercises are graded in such a way as to encourage the student to develop both technique and imagination within a closely defined framework. Recommended for all music students.More details
Edition
New edition
Language
English
Place of publication
London
United Kingdom
Target group
College/higher education
Professional and scholarly
Edition type
New edition
Illustrations
Music examples and exercises
Dimensions
Height: 240 mm
Width: 185 mm
Thickness: 6 mm
Weight
395 gr
ISBN-13
978-1-871082-72-2 (9781871082722)
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Schweitzer Classification
Person
Malcom Boyd was educated at the Welsh College of Music and Drama before joining the University of Wales. His writings have included books on Palestrina, Bach, Domenico Scarlatti and the Welsh composers William Matthias and Grace Williams.
Content
Part One - Chorale Harmonization: Introduction, 1. Melodic Characteristics of the Chorale, 2. Cadences, 3. Harmonic Resource, 4..Unessential Notes, 5. Consecutives, 6. Textures, 7. Modal Chorales, 8. Exercises, Appendix, Part Two - Instrumental Counterpoint: 1. Introduction, 2. Melodic Characteristics, 3. Harmony, 4. Rhythm and Texture, 5. Musical Forms, 6. Exercises