Electronic Visualisation in Arts and Culture

Foreword.- Preface.- The EVA London Conference 1990-2012: Personal Reflections.- Part I - Imaging and Culture .- From Descriptions to Duplicates to Data.- Quantifying Culture: Four Types of Value in Visualisation.- Embodied Airborne Imagery: Low-Altitude Cinematic Urban Topography.- Back to Paper? An Alternative Approach to Conserving Digital Images into the 23rd Century.- Part II - New Art Practice .- Light Years: Jurassic Coast - An Immersive 3D Landscape Project.- Photography as a Tool of Alienation: Aura.- Fugue and Variations on some Themes in Art and Science.- Part III - Seeing Motion .- Motion Studies : The Art and Science of Bird Flight.- Game Catcher : Visualising and Preserving Ephemeral Movement for Research and Analysis.- mConduct : A Multi-Sensor Interface for the Capture and Analysis of Conducting Gesture.- Photocaligraphy: Writing Sign Language.- Part IV - Interaction and Interfaces .- Mobile Motion: Multimodal Device Augmentation for Musical Applications.- Legal Networks: Visualising the Violence of the Law.- Face, Portrait, Mask: Using a Parameterised System to Explore Synthetic Face Space.- Facebook as a Tool for Artistic Collaboration.- Part V - Visualising Heritage .- Just in Time: Defining Historical Chronographics.- Beckford's Ride : The Reconstruction of Historic Landscape.- Reconfiguring Experimental Archaeology Using 3D Reconstruction.