
Gothic Romanced
Consumption, Gender and Technology in Contemporary Fictions
Fred Botting(Author)
Routledge (Publisher)
Published on 23. June 2008
Book
Hardback
226 pages
978-0-415-45089-8 (ISBN)
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Description
The dark, destructive and monstrous elements of gothic fiction have traditionally been seen in opposition to the rose-tinted idealism of Romanticism. In this ground-breaking study, Fred Botting re-evaluates the relationship between the two genres in order to plot the shifting alignments of popular and literary fictions with cultural theories, consumption and representations of science.
Gothic Romanced traces the history of gothic and romantic writings from the eighteenth and nineteenth centuries to the present day. It examines the ways in which these genres were aligned with the historical process of modernity - with the Gothic representing the negative aspects of vice and barbarism that accompanied the changing parameters of civilisation, while Romance clung on to traditional values, manners and feelings. The book demonstrates how these genres have evolved together alongside cultural shifts and postmodern theories, blurring the binary between the sacred and the profane.
Botting considers Romance and the Gothic from Mary Shelley, Anne Rice and Alasdair Gray through to Alien and Star Trek. He manages a fluid and extensive exploration of generic boundaries, including gothic fiction, romantic poetry, literary pastiches, popular horror fiction, cyberpunk and science fiction.
Gothic Romanced traces the history of gothic and romantic writings from the eighteenth and nineteenth centuries to the present day. It examines the ways in which these genres were aligned with the historical process of modernity - with the Gothic representing the negative aspects of vice and barbarism that accompanied the changing parameters of civilisation, while Romance clung on to traditional values, manners and feelings. The book demonstrates how these genres have evolved together alongside cultural shifts and postmodern theories, blurring the binary between the sacred and the profane.
Botting considers Romance and the Gothic from Mary Shelley, Anne Rice and Alasdair Gray through to Alien and Star Trek. He manages a fluid and extensive exploration of generic boundaries, including gothic fiction, romantic poetry, literary pastiches, popular horror fiction, cyberpunk and science fiction.
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Dimensions
Height: 203 mm
Width: 138 mm
Weight
386 gr
ISBN-13
978-0-415-45089-8 (9780415450898)
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Schweitzer Classification
Other editions
Additional editions

Book
06/2008
1st Edition
Routledge
€63.20
Shipment within 15-20 days
Person
Fred Botting is Professor in the Institute for Cultural Research, Lancaster University. He has written extensively on Gothic fiction and Cultural Theory and his books include Gothic (Routledge 1996), Sex, Machines and Navels (Manchester University Press 1999) and, with Scott Wilson, Bataille (Palgrave, 2001) and The Tarantinian Ethics (Sage, 2001).
Content
Introduction: From Gothic to Romance 1. Romance, Ruins and the Thing: from the romantic sublime to cybergothic 2. Romance Consumed: death, simulation and the vampire 3. Poor Things as They Are: Political Romance from Gray to Godwin 4. Flight of the Heroine: from Female Gothic to Postfeminism 5. Monsters of the Imagination: Science, Fiction, Romance 6. Resistance is Futile: Romance and the Machine Bibliography