Music, Sound and Space
Transformations of Public and Private Experience
Published on 17. January 2013
Book
Hardback
376 pages
978-0-521-76424-7 (ISBN)
Description
Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience.
More details
Language
English
Place of publication
Cambridge
United Kingdom
Target group
College/higher education
Professional and scholarly
Illustrations
14 Halftones, unspecified; 2 Line drawings, unspecified
Dimensions
Height: 250 mm
Width: 175 mm
Thickness: 25 mm
Weight
827 gr
ISBN-13
978-0-521-76424-7 (9780521764247)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
03/2015
Cambridge University Press
€55.40
Shipment within 15-20 days
E-Book
01/2013
Cambridge University Press
€27.99
Available for download
E-Book
01/2013
Cambridge University Press
€24.49
Available for download
Person
Georgina Born is Professor of Music and Anthropology at the University of Oxford. Formerly Professor of Sociology, Anthropology and Music at the University of Cambridge, she is currently directing the international research programme 'Music, Digitisation, Mediation: Towards Interdisciplinary Music Studies', funded by The European Research Council. Her publications include Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde (1995), Western Music and Its Others: Difference, Representation and Appropriation in Music (edited with D. Hesmondhalgh, 2000), Uncertain Vision: Birt, Dyke and the Reinvention of the BBC (2005) and the forthcoming Interdisciplinarity: Reconfigurations of the Social and Natural Sciences (edited with A. Barry).
Content
1. Introduction - music, sound and space: transformations of public and private experience Georgina Born; Part I. The Design of Mediated Music and Sound: 2. Sound installation art: from spatial poetics to politics, aesthetics to ethics Gascia Ouzounian; 3. Music, space and subjectivity Eric F. Clarke; 4. What the mind's ear doesn't hear Jonathan Sterne; 5. Tuning the human race: athletic capitalism and the Nike+ sport kit Sumanth Gopinath and Jason Stanyek; Part II. Space, Sound and Affect in Everyday Lifeworlds: 6. Music and the construction of space in office-based work settings Nicola Dibben and Anneli B. Haake; 7. Broadcasting the body: the 'private' made 'public' in hospital soundscapes Tom Rice; 8. Islam, sound, and space: acoustemology and Muslim citizenship on the Kenyan coast Andrew J. Eisenberg; Part III. Music, Identity, Alterity and the Politics of Space: 9. Music inside out - sounding public religion in a post-secular Europe Philip V. Bohlman; 10. Classical music and the politics of space Nicholas Cook; 11. Civil twilight: country music, alcohol, and the spaces of Manitoban Aboriginal sociability Byron Dueck; Part IV. Music and Sound: Torture, Healing and Love: 12. Music space as healing space: community music therapy and the negotiation of identity in a mental health centre Tia DeNora; 13. Towards an acoustemology of detention in the 'global war on terror' Suzanne G. Cusick; 14. Faith, hope, and the hope of love: on the fidelity of the phonographic voice Richard Middleton.