A World in Common
Contemporary African Photography
Published on 6. July 2023
Book
Paperback/Softback
240 pages
978-1-84976-851-1 (ISBN)
Description
Since the invention of photography in the nineteenth century, Africa has been defined largely by Western images of its cultures and traditions. From the colonial carte de visite and ethnographic archive to the rise of studio portraiture and social documents of racial surveillance, the fraught relationship between Africa and the photographic lens has become inseparable from the discourses of post-colonialism.
Challenging these historical images of exoticism and otherness, this book illustrates how artists have used photography and video art to reimagine history and expand our understanding of contemporary realities.
Bringing together a diverse range of artists and thinkers to present perspectives on issues such as spirituality, urbanism and climate change, this book reveals the many ways images travel across time and geography, and how artists are redefining perceptions of the world we inhabit.
Challenging these historical images of exoticism and otherness, this book illustrates how artists have used photography and video art to reimagine history and expand our understanding of contemporary realities.
Bringing together a diverse range of artists and thinkers to present perspectives on issues such as spirituality, urbanism and climate change, this book reveals the many ways images travel across time and geography, and how artists are redefining perceptions of the world we inhabit.
More details
Language
English
Place of publication
London
United Kingdom
Product notice
sewn/stitched
Laminated cover
Illustrations
Images all in copyright. Please check copyright status with editor (Emma P) and picture researcher (Emma O'N). We have cleared for WEL up to 10,000 copies only
Dimensions
Height: 246 mm
Width: 190 mm
Thickness: 19 mm
Weight
1022 gr
ISBN-13
978-1-84976-851-1 (9781849768511)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Osei Bonsu is Curator of International Art at Tate Modern, where he is responsible for organising exhibitions, developing the museum's collection and broadening the representation of artists from Africa and the African diaspora. Nomusa Makhubu is an art historian, artist and associate professor of art history and visual culture at the University of Cape Town's Michaelis School of Fine Art. In 2020, she featured on Apollo Magazine's '40 under 40 Africa'.
Jennifer Bajorek is a scholar and curator working at the intersection of literature, art, and media, with a geographic focus on contemporary Africa. She is currently Associate Professor of Comparative Literature and Visual Studies at Hampshire College.
Emmanuel Iduma is a Nigerian writer, editor, and photographer. Iduma is author of the novel The Sound of Things to Come (2016) and the non-fiction work A Stranger's Pose (2018). In 2020, he was listed in Apollo International Art Magazine's 40 under 40 Africa for the broad social impact of his work. He received a Windham-Campbell Prize for Literature (Non-fiction) in 2022.
Sandrine Colard is Assistant Professor of Art History at Rutgers University-Newark, a writer and an independent curator. She specialises in modern and contemporary African arts and photography, with a focus on Central Africa.
Jennifer Bajorek is a scholar and curator working at the intersection of literature, art, and media, with a geographic focus on contemporary Africa. She is currently Associate Professor of Comparative Literature and Visual Studies at Hampshire College.
Emmanuel Iduma is a Nigerian writer, editor, and photographer. Iduma is author of the novel The Sound of Things to Come (2016) and the non-fiction work A Stranger's Pose (2018). In 2020, he was listed in Apollo International Art Magazine's 40 under 40 Africa for the broad social impact of his work. He received a Windham-Campbell Prize for Literature (Non-fiction) in 2022.
Sandrine Colard is Assistant Professor of Art History at Rutgers University-Newark, a writer and an independent curator. She specialises in modern and contemporary African arts and photography, with a focus on Central Africa.