
Proletarian Performance in Weimar Berlin
Agitprop, Chorus, and Brecht
Richard Bodek(Author)
Camden House Inc (Publisher)
Published on 22. January 1998
Book
Hardback
198 pages
978-1-57113-126-3 (ISBN)
Description
New study of the revolutionary theatre of the Weimar republic, examining its interplay with socialist and communist politics.
The late years of the Weimar republic were a time of disillusionment and economic disintegration, and nowhere were the forces competing for the political allegiances of the working class more active than in Berlin. This book examines the interplay of socialist and communist politics with the world of the working class and particularly its younger people. Drawing on sources such as newspaper articles, the text of agitprop plays, festival and concert programmes, and police reports, Professor Bodek provides a new angle on the forces at work in the proletarian sphere during the period, and highlights the different aesthetics and political theories of Social Democratic workers' chorusesand Communist agitprop theatre. Particular attention is given to the latter, whose troupes wrote and performed their own material, thus acting as a medium for communication of the Communist Party's political line: to understand the troupes, the life of working-class youth of the time is investigated, describing and analysing unemployment, housing, education, and leisure activities, and examining its relationship to the Weimar state through its members' own eyes.
The late years of the Weimar republic were a time of disillusionment and economic disintegration, and nowhere were the forces competing for the political allegiances of the working class more active than in Berlin. This book examines the interplay of socialist and communist politics with the world of the working class and particularly its younger people. Drawing on sources such as newspaper articles, the text of agitprop plays, festival and concert programmes, and police reports, Professor Bodek provides a new angle on the forces at work in the proletarian sphere during the period, and highlights the different aesthetics and political theories of Social Democratic workers' chorusesand Communist agitprop theatre. Particular attention is given to the latter, whose troupes wrote and performed their own material, thus acting as a medium for communication of the Communist Party's political line: to understand the troupes, the life of working-class youth of the time is investigated, describing and analysing unemployment, housing, education, and leisure activities, and examining its relationship to the Weimar state through its members' own eyes.
Reviews / Votes
Taking a new historical approach to cultural economics, Bodek focuses on the socioeconomic milieu of the working class. * CHOICE * Creates a rich image of working-class living conditions and the cultural politics of late Weimar Berlin. * THE BRECHT YEARBOOK * Informative and fascinating from beginning to end. * GERMAN STUDIES REVIEW * The centerpiece of this pithy book is a path-breaking examination of Communist agitprop theater in late Weimar Berlin. * JOURNAL OF SOCIAL HISTORY * Gives an excellent background of the conditions of the working class in Weimar Berlin. MODERN DRAMA 'Bodek breaks new ground by demonstrating through an exhaustive programme analysis how the DASB became more militant... useful remarks on the links between Hanns Eisler and both the DASB and the agitprop groups.' MLR '[The] study makes an important contribution to the study of Weimar culture. * GERMAN HISTORY *More details
Series
Language
English
Place of publication
Columbia, MD
United States
Publishing group
Boydell & Brewer Ltd
Target group
Professional and scholarly
Product notice
Cloth over boards
Illustrations
11 s/w Abbildungen
11 b/w illus.
Dimensions
Height: 579 mm
Width: 386 mm
Weight
1 gr
ISBN-13
978-1-57113-126-3 (9781571131263)
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Schweitzer Classification