
Elegy
E.D. Blodgett(Author)
University of Alberta Press
Published on 4. August 2005
Book
Paperback/Softback
90 pages
978-0-88864-450-3 (ISBN)
Description
A lament in light. A breath-taking memorial. Poetry and photography that compose the landscapes of remembrance. Once I saw your breath suspended in the air then I understood how fire could be white when I exhaled my breath followed yours into the sky that holds us both "Rich, profound, engaging, and written with an emotional depth rarely seen in much of contemporary poetry. There's a meditative virtuosity throughout this work, original and perceptive, alive with intelligence and compassion." Don Domanski
Reviews / Votes
"[Readers] will find it easy to immerse themselves in the meditation that is Elegy. Nineteen black and white landscape photographs by Yukiko Onley ("portraits of nature," according to Blodgett) further illuminate the poems and ensure the book will remain open in readers' hands long after they have finished reading." Mark Wells, The St. Albert Gazette, August 31, 2005 "The resulting book-weaving long poem and photographs-is a beautiful, vibrant exploration of loss and growing understanding...For her part, Onley's photographs often have the diffused haunting qualities of her husband's watercolours." Chris Wiebe, VUE Weekly, October 13-19, 2005 "Elegy is a unique collaboration of the poetry of E.D. Blodgett and the black and white photography of Yukiko Onley, to create a wistful remembrance of loss, death, and transition. The gentle, reflective poetry quietly muses about the unknown, while the still images of natural beauty evoke a picturesque mood that complements the verses perfectly. Elegy is not subdivided into separate poems per se; it is rather one long poem of memory, wonder, longing, and healing." The Wisconsin Bookwatch, February, 2006. "...Blodgett has crafted Elegy with a compassionate and meditative hand....[T]his is a shared lament, a prayerful journey through loss." Eric Barstad, poetryreviews.ca, February 16, 2006. "I am increasingly impressed with how versatile E.D. Blodgett can be. In last year's review I spoke of how different were his 'broad, page-wide paragraphs (in a square-format book) threaded with long, sinewy, wistful sentences' in apostrophes (2004) from the diminutive riddle pieces of 2003. Now we have something in between, not the prolix revolvings of last year's volume or the sly encryptions of the one before. Elegy is the title and subject of this year's crop..I had the sense with this book, as I often do with Blodgett's work, of a raffle-ticket barrel being turned and turned, the same words falling over one another in myriad arrangements.and the poet going in deep each time and coming up with a poem. I found the accompanying photographs quite suggestive, if a little on the sentimental side (nudging this volume in the direction of the coffee-table book), but a nice account of the project's genesis concludes the book." University of Toronto Quarterly, Vol. 76, No. 1, Winter 2007 "In Elegy, E.D. Blodgett does not focus on specific landscapes; rather, he draws his inspiration from a more abstract, elemental landscape of rain, sea, rivers, earth and trees. Blodgett's is a landscape of memory and grief, physical surroundings appropriated to make a sense of loss and cling to remembrance." - Laura Knowles, Oxford Brookes University, British Journal of Canadian Studies, 19.2More details
Series
Language
English
Place of publication
Edmonton
Canada
Target group
Professional and scholarly
Product notice
Paperback (trade)
Dimensions
Height: 178 mm
Width: 178 mm
Thickness: 6 mm
Weight
110 gr
ISBN-13
978-0-88864-450-3 (9780888644503)
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Schweitzer Classification
Persons
E.D. Blodgett (1935-2018) published numerous books of poetry as well as diverse criticism and literary translations. He was Distinguished University Professor Emeritus of Comparative Literature at the University of Alberta. He won the Governor General's Award twice, for poetry and translation. From 2007 to 2009 he was Edmonton's Poet Laureate. Yukiko Onley is a professional photographer in Vancouver, BC. This collaboration was inspired in memory of her former husband, acclaimed landscape watercolourist Toni Onley.
Content
A Bend in the River to 1700; The Meeting Place 1700 to 1869; The Manitou Stone 1870 to 1891; Newcomers 1892 to 1913; The Emerging City 1914 to 1946; The New City 1947 to 2004; Index.