This Dark Country
Women Artists, Still Life and Intimacy in the Early Twentieth Century
Published on 18. August 2022
Book
Paperback/Softback
384 pages
978-1-5266-0403-3 (ISBN)
Description
Shortlisted for the PEN Hessell-Tiltman Prize 2022
Longlisted for the William M B Berger Prize for British Art History 2022
Guardian Art Book of the Year 2021
A dazzling, boldly original work that tells the powerful and passionate stories of a group of extraordinary women as glimpsed through their still life paintings
What is contained in a still life - and what falls out of the frame? For women artists in the early twentieth century, such as Dora Carrington, Vanessa Bell and Gwen John, this art form was a conduit for their lives, their rebellions, their quietly subversive loves for men and women.
But for every artist whom we remember, there are those whose work is almost forgotten. In This Dark Country, Rebecca Birrell conducts a dazzling fusion of group biography and art criticism, exploring, from the celebrated to the overlooked, the structures of intimacy that make - and dismantle - our worlds.
'A brilliant book ... A truly radical aesthetics fit for the twenty-first century at last!' - Therese Oulton
'[A] wonderful book. I am impressed and fascinated. It is beautifully written' - Celia Paul
Longlisted for the William M B Berger Prize for British Art History 2022
Guardian Art Book of the Year 2021
A dazzling, boldly original work that tells the powerful and passionate stories of a group of extraordinary women as glimpsed through their still life paintings
What is contained in a still life - and what falls out of the frame? For women artists in the early twentieth century, such as Dora Carrington, Vanessa Bell and Gwen John, this art form was a conduit for their lives, their rebellions, their quietly subversive loves for men and women.
But for every artist whom we remember, there are those whose work is almost forgotten. In This Dark Country, Rebecca Birrell conducts a dazzling fusion of group biography and art criticism, exploring, from the celebrated to the overlooked, the structures of intimacy that make - and dismantle - our worlds.
'A brilliant book ... A truly radical aesthetics fit for the twenty-first century at last!' - Therese Oulton
'[A] wonderful book. I am impressed and fascinated. It is beautifully written' - Celia Paul
Reviews / Votes
Blending flights of poetic rhapsody with more traditional critical language, This Dark Country is as seductive as it is scholarly ... Riveting * Financial Times * [A] wonderful book. I am impressed and fascinated. It is beautifully written. Each woman artist, in this superb book, addresses the need to transform the confines she inhabits into a space of empowerment. These artists all lived and worked in the first part of the twentieth century yet their legacy continues to be relevant -- Celia Paul A brilliant book ... A truly radical aesthetics fit for the twenty-first century at last! -- Therese Oulton A beautifully written and important art historical work, This Dark Country is a magnificent debut by one of Britain's most electrifying new talents. I cannot wait to read what she writes next! -- Camilla Grudova, author of THE DOLL's ALPHABET [An] unusual and refreshing group biography of artists ... I loved Birrell's brilliant re-apprehension of Rodin's The Thinker through the experience of Gwen John. And her explanation of the magnitude of rooms and importance of room, in these women's lives -- Leanne Shapton [A] beautiful, bold new book ... explores the desires and ambitions of women artists, moving beyond the frame to reflect lives that rarely fit convention -- Chloee Ashby * Elephant * Birrell's blend of art criticism and biography works best when it is tethered to real-world calculation. She is particularly good at teasing out the stubborn material facts that underpin the most serene of still lifes -- Kathryn Hughes * Guardian * Rebecca Birrell urges us to ask new questions about gender and genre, domesticity and work ... At its heart is the challenge of understanding the lives and works of women whose desires and ambitions often demanded secrecy, evasion and ambiguity -- Norma Clarke * Literary Review * [I was] captivated by this extraordinary book - stayed up way too late scribbling my astonishment on all the pages -- Doireann Ni Ghriofa, author of 'A Ghost in the Throat' This is a bold, unusual book, filled with archival research, exuberant ideas and a determination to counter misogyny -- Diana Souhami * RA Magazine * We have not generally thought of the still life as a radical feminist genre - until now. In This Dark Country, Rebecca Birrell gives a sensitive, deeply researched look at the lives behind the still lives, showing us how for a group of early twentieth-century women artists the home became a radical feminist space in which to redefine domesticity and their relationships to the world outside. There is a calm and companionable stillness to Birrell's prose, too; I loved seeing these paintings through Birrell's eyes. -- Lauren ElkinMore details
Language
English
Place of publication
London
United Kingdom
Dimensions
Height: 195 mm
Width: 128 mm
Thickness: 26 mm
Weight
310 gr
ISBN-13
978-1-5266-0403-3 (9781526604033)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Rebecca Birrell
This Dark Country
Women Artists, Still Life and Intimacy in the Early Twentieth Century
E-Book
08/2021
1st Edition
Bloomsbury Publishing PLC
€12.49
Available for download
Rebecca Birrell
This Dark Country
Women Artists, Still Life and Intimacy in the Early Twentieth Century
E-Book
08/2021
1st Edition
Bloomsbury Publishing PLC
€12.49
Available for download
Person
Rebecca Birrell grew up in Southport, and lives in Cambridge. She studied English Literature at UCL, followed by Women's Studies at the University of Oxford. She has occupied curatorial positions at the Jewish Museum London, the Department of Prints and Drawing at the British Museum and at the Charleston Trust. In 2018 she undertook a fellowship at the Yale Centre for British Art. She completed her PhD at the Edinburgh College of Art. She is a curator in the Department of Paintings, Drawings and Prints at the Fitzwilliam Museum, University of Cambridge.