Handbook of Management and Creativity
Edward Elgar Publishing
Published on 25. July 2014
Book
Paperback/Softback
424 pages
978-1-78347-527-8 (ISBN)
Description
This Handbook draws on current research and case studies to consider how managers can become more creative across four aspects of their business: innovation, entrepreneurship, leadership and organization - and does so in an accessible, engaging and user-friendly format.That managers need to be 'more creative' has become something of a mantra, but little has been written about what this actually means and how it might be achieved. The Handbook of Management and Creativity presents a coherent collection of original chapters from leaders in multiple disciplines, combining current research pre-occupations with practical solutions and strategies in the field. Each chapter combines new research, practical examples and tools, case studies, visual aids, and questions for discussion, designed to stimulate debate and reflection in the workplace or in the seminar room.
The book is thematically organized, making it easy to navigate for the general reader and allowing managers, university course directors and students to extract readings relevant to their individual requirements. It is suitable for managers across all industries and advanced students of management and creativity, as well as researchers interested in applying creativity research to industry.
Contributors include: N. Beech, C. Bilton, R. Bridgstock, S. Cummings, D. Eikhof, D. Grant, G. Greig, E. Gulledge, R. Hall, G. Hearn, L. Heracleous, V. Heywood, C. Jacobs, L. Keung, L. Lim, M. Malle Petty, K. Oakley, D. Oliver, S. Oyama, S. Proctor-Thomson, G. Schiuma, F. Sorensen, C. Steyaert, J. Sundbo, T. Thanem, S. Vaerlander, B. Walker, S. Wilson, Z. Zhu
The book is thematically organized, making it easy to navigate for the general reader and allowing managers, university course directors and students to extract readings relevant to their individual requirements. It is suitable for managers across all industries and advanced students of management and creativity, as well as researchers interested in applying creativity research to industry.
Contributors include: N. Beech, C. Bilton, R. Bridgstock, S. Cummings, D. Eikhof, D. Grant, G. Greig, E. Gulledge, R. Hall, G. Hearn, L. Heracleous, V. Heywood, C. Jacobs, L. Keung, L. Lim, M. Malle Petty, K. Oakley, D. Oliver, S. Oyama, S. Proctor-Thomson, G. Schiuma, F. Sorensen, C. Steyaert, J. Sundbo, T. Thanem, S. Vaerlander, B. Walker, S. Wilson, Z. Zhu
Reviews / Votes
Chris Bilton's and Stephen Cummings' Handbook of Management and Creativity collects some of the very best research on creativity and why and how it matters to companies and their management. It is an important addition to our understanding of the management of creativity and talented and creative people. --- Richard Florida, University of Toronto, Canada, New York University, US and author, Rise of the Creative Class
More details
Series
Language
English
Place of publication
Cheltenham
United Kingdom
Target group
Professional and scholarly
Dimensions
Height: 234 mm
Width: 156 mm
ISBN-13
978-1-78347-527-8 (9781783475278)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Persons
Edited by Chris Bilton, Reader in Creative Industries, Centre for Cultural & Media Policy Studies, University of Warwick, UK and Stephen Cummings, Professor of Strategy and Co-Director of The Atom Innovation Space, Victoria University of Wellington, New Zealand
Content
Contents:
1. A Framework for Creative Management and Managing Creativity
Chris Bilton and Stephen Cummings
PART I: CREATIVE INNOVATION
Introduction to Part I; Creative Innovation
Chris Bilton and Stephen Cummings
2. Improvisational Practice and Innovation: Shock, Horror and Confounding Expectations in Film Making
Elizabeth Gulledge, Gail Greig and Nic Beech
3. The Curious Case of the Embedded Creative: Creative Cultural Occupations Outside the Creative Industries
Greg Hearn and Ruth Bridgstock
4. The Lab is Back - Towards a New Model of Innovation in Services
Jon Sundbo and Flemming Sorensen
5. Beyond Western Views of Creativity and Innovation
Lorraine Lim and Shinji Oyama
PART II: CREATIVE ENTREPRENEURSHIP
Introduction to PART II: Creative Entrepreneurship
Chris Bilton and Stephen Cummings
6. Innovation is not the only thing
Stephen Cummings, Margaret Maile Petty and Ben Walker
7. Learning to Fail: Lessons from Happenstance
Chris Bilton
8. Good Work: Rethinking Cultural Entrepreneurship
Kate Oakley
9. Going all the Way: The Creativity of Entrepreneuring in the Full Monty
Chris Steyaert
PART III: CREATIVE LEADERSHIP
Introduction to Part III: Creative Leadership
Chris Bilton and Stephen Cummings
10. Leading for Creativity in Turbulent Times
Lucy K Kueng
11. Unleashed? Developing Creativity Friendly Leadership Theory
Suze Wilson and Sarah Proctor-Thomson
12. Creativity in Leadership Development
Richard Hall and David Grant
13. Promoting Ensemble: Creative Leadership in Practice at the Royal Shakespeare Company
Vikki Heywood, Chris Bilton and Stephen Cummings
PART IV: CREATIVE ORGANISATION
Introduction to Part IV: Creative Organisation
Chris Bilton and Stephen Cummings
14. Transorganisational Work and Production in the Creative Industries
Doris Eikhof
15. Fun-parks or parkour? The ambiguities and paradox of planning pro-creative office design.
Torkild Thanem and Sara Winterstorm Vaerlander
16. Balancing Divergence and Convergence: Stimulating Creativity through Hybrid Thinking
David Oliver, Loizos Heracleous, Claus Jacobs
17. Shaping Creative Organization through Arts-Based Interventions
Giovanni Schiuma
PART V: AROUND THE CREATIVE CYCLE
17. Creative Management in Practice: Bisociation with 'Timely Balance'
Zhichang Zhu, Chris Bilton and Stephen Cummings
1. A Framework for Creative Management and Managing Creativity
Chris Bilton and Stephen Cummings
PART I: CREATIVE INNOVATION
Introduction to Part I; Creative Innovation
Chris Bilton and Stephen Cummings
2. Improvisational Practice and Innovation: Shock, Horror and Confounding Expectations in Film Making
Elizabeth Gulledge, Gail Greig and Nic Beech
3. The Curious Case of the Embedded Creative: Creative Cultural Occupations Outside the Creative Industries
Greg Hearn and Ruth Bridgstock
4. The Lab is Back - Towards a New Model of Innovation in Services
Jon Sundbo and Flemming Sorensen
5. Beyond Western Views of Creativity and Innovation
Lorraine Lim and Shinji Oyama
PART II: CREATIVE ENTREPRENEURSHIP
Introduction to PART II: Creative Entrepreneurship
Chris Bilton and Stephen Cummings
6. Innovation is not the only thing
Stephen Cummings, Margaret Maile Petty and Ben Walker
7. Learning to Fail: Lessons from Happenstance
Chris Bilton
8. Good Work: Rethinking Cultural Entrepreneurship
Kate Oakley
9. Going all the Way: The Creativity of Entrepreneuring in the Full Monty
Chris Steyaert
PART III: CREATIVE LEADERSHIP
Introduction to Part III: Creative Leadership
Chris Bilton and Stephen Cummings
10. Leading for Creativity in Turbulent Times
Lucy K Kueng
11. Unleashed? Developing Creativity Friendly Leadership Theory
Suze Wilson and Sarah Proctor-Thomson
12. Creativity in Leadership Development
Richard Hall and David Grant
13. Promoting Ensemble: Creative Leadership in Practice at the Royal Shakespeare Company
Vikki Heywood, Chris Bilton and Stephen Cummings
PART IV: CREATIVE ORGANISATION
Introduction to Part IV: Creative Organisation
Chris Bilton and Stephen Cummings
14. Transorganisational Work and Production in the Creative Industries
Doris Eikhof
15. Fun-parks or parkour? The ambiguities and paradox of planning pro-creative office design.
Torkild Thanem and Sara Winterstorm Vaerlander
16. Balancing Divergence and Convergence: Stimulating Creativity through Hybrid Thinking
David Oliver, Loizos Heracleous, Claus Jacobs
17. Shaping Creative Organization through Arts-Based Interventions
Giovanni Schiuma
PART V: AROUND THE CREATIVE CYCLE
17. Creative Management in Practice: Bisociation with 'Timely Balance'
Zhichang Zhu, Chris Bilton and Stephen Cummings