
Passing Judgement
The Politics and Poetics of Sovereignty in French Tragedy from Hardy to Racine
Helene E. Bilis(Author)
University of Toronto Press
Published on 6. October 2016
Book
Hardback
272 pages
978-1-4875-0026-9 (ISBN)
Description
The royal judge was an archetypal character in French tragedy during the 17th century. This figure impersonated the king by asserting his judicial authority and bringing order to an otherwise chaotic world.
In Passing Judgement, Helene Bilis examines how an overlooked character-type-the royal judge-remained a constant of the tragic genre throughout the 17th century, although the specifics of his role and position fluctuated as playwrights experimented with changing models of sovereignty onstage. Her readings analyze how this royal decision-maker stood at the intersection of political and theatrical debates, and evolved through a process of trial and error in which certain portrayals of kingship were deemed obsolete and were discarded, while others were promoted as culturally allowable and resonant. In tracing the royal judge's persistent presence and transformation, Bilis argues that we can better grasp the weighty political stakes of theatrical representations under the ancien regime.
In Passing Judgement, Helene Bilis examines how an overlooked character-type-the royal judge-remained a constant of the tragic genre throughout the 17th century, although the specifics of his role and position fluctuated as playwrights experimented with changing models of sovereignty onstage. Her readings analyze how this royal decision-maker stood at the intersection of political and theatrical debates, and evolved through a process of trial and error in which certain portrayals of kingship were deemed obsolete and were discarded, while others were promoted as culturally allowable and resonant. In tracing the royal judge's persistent presence and transformation, Bilis argues that we can better grasp the weighty political stakes of theatrical representations under the ancien regime.
Reviews / Votes
"This book is an excellent addition to scholarship on both humanist and classical French theater."- Brian Moots, Pittsburgh State University (Renaissance Quarterly)
More details
Language
English
Place of publication
Toronto
Canada
Target group
College/higher education
Product notice
sewn/stitched
Cloth over boards
With dust jacket
Dimensions
Height: 234 mm
Width: 163 mm
Thickness: 23 mm
Weight
544 gr
ISBN-13
978-1-4875-0026-9 (9781487500269)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
HElEne E. Bilis is an assistant professor in the Department of French at Wellesley College.
Content
PREFACE
INTRODUCTION
CHAPTER 1: The Critique of Le Cid: Richelieu, Royal Judgement, and the Rules
CHAPTER 2: Failed Judgements, Thwarted Justice: Alexandre Hardy's Scedase ou l'hospitalite violee
CHAPTER 3: The Ceremony Unravels: Tragedy's Comedic Turn
CHAPTER 4: Learning From Experience: On Corneille and Coherence
CHAPTER 5: Corneille's Cinna and Rotrou's Crisante: A Search for the Emperor's Judgement
CHAPTER 6: Racine and Royal Fathers of Injustice-Mithridate and Phedre
CONCLUSION
Note
Bibliography
Index
INTRODUCTION
CHAPTER 1: The Critique of Le Cid: Richelieu, Royal Judgement, and the Rules
CHAPTER 2: Failed Judgements, Thwarted Justice: Alexandre Hardy's Scedase ou l'hospitalite violee
CHAPTER 3: The Ceremony Unravels: Tragedy's Comedic Turn
CHAPTER 4: Learning From Experience: On Corneille and Coherence
CHAPTER 5: Corneille's Cinna and Rotrou's Crisante: A Search for the Emperor's Judgement
CHAPTER 6: Racine and Royal Fathers of Injustice-Mithridate and Phedre
CONCLUSION
Note
Bibliography
Index