
A Gift That Cannot Be Refused
The Writing and Publishing of Contemporary American Poetry
Mary Biggs(Author)
Praeger Publishers Inc
Published on 22. January 1990
Book
Hardback
282 pages
978-0-313-26673-7 (ISBN)
Description
This unique work is the first book to bring systematically gathered and analyzed data to bear on the question of how contemporary poetry reaches the American public. It explores the publishing patterns, experiences, methods, motivations, and rewards of 203 living American poets from 1950 through 1980. Although all the poets have published quite widely, including at least one poetry book, they range from the little-known to the famous, from the well-established to the relatively young, from those who write in more or less traditional forms to the highly experimental. Among the many poets who cooperated in the study are Philip Levine, Gary Snyder, Allen Ginsberg, Theodore Enslin, Maxine Kumin, May Swenson, Donald Justice, William Stafford, Mona Van Duyn, Robert Hass, and Robert Pinsky. The book also explores the roles played by the major categories of periodicals that publish poetry-general interest magazines, academic literary journals, and independent little magazines. Commercial book presses, university presses, and small presses are also tracked and analyzed.
Information for this study was obtained from various sources, including the many hundreds of little magazines and academic literary journals published throughout the thirty years; published interviews, with articles and statements by the 203 poets; and an extensive questionnaire survey sent to the poets, as well as many expansive letters that accommodate their returned questionnaires. Two chapters frame the findings. Chapter 1 surveys the publishing of American poetry from approximately 1900 through the 1940s, highlighting important tendencies and trends that continued through 1980. Chapter 8 surveys American poetry publishing since 1980, paying special attention to the major change during this decade: the dramatic decline in public funding for nonprofit literary enterprises. This volume should appeal to those interested in the sociology of publishing, American literature, or creative writing.
Information for this study was obtained from various sources, including the many hundreds of little magazines and academic literary journals published throughout the thirty years; published interviews, with articles and statements by the 203 poets; and an extensive questionnaire survey sent to the poets, as well as many expansive letters that accommodate their returned questionnaires. Two chapters frame the findings. Chapter 1 surveys the publishing of American poetry from approximately 1900 through the 1940s, highlighting important tendencies and trends that continued through 1980. Chapter 8 surveys American poetry publishing since 1980, paying special attention to the major change during this decade: the dramatic decline in public funding for nonprofit literary enterprises. This volume should appeal to those interested in the sociology of publishing, American literature, or creative writing.
More details
Language
English
Place of publication
United States
Publishing group
Bloomsbury Publishing Plc
Target group
College/higher education
Professional and scholarly
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 20 mm
Weight
596 gr
ISBN-13
978-0-313-26673-7 (9780313266737)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
MARY BIGGS is Director of Libraries at Mercy College in Westchester County, New York and an Adjunct Professor at the Columbia University School of Library Service. Dr. Biggs has served as an Editor or Co-editor for a number of titles, including Editor's Choice II: Poetry, Fiction, and Art from the U.S. Small Press, 1978-1983, Men & Women: Together & Alone and Publishers and Librarians: A Foundation for Dialogue.
Content
Introduction: 203 Poets, 1950-1980: How their Publishing Histories Were Studied The Publishing of Poetry Before 1950 Who Was Published, and When Where the Poets Published Poetry and the Academy The Small Press and Poetry How the Poets Published Why the Poets Published From the End of the Eighties Appendix Bibliography Index