
Claire Denis
Martine Beugnet(Author)
Manchester University Press
Published on 24. June 2004
Book
Paperback/Softback
224 pages
978-0-7190-6481-4 (ISBN)
Description
Claire Denis is one of France's most acclaimed and original filmmakers. Since her remarkable debut success with 'Chocolat' (1986), she has produced an impressive series of features which have been intriguing, visually striking, and often highly controversial (including 'Beau Travail' (2000) and 'Trouble Every Day' (2001)).
Beugnet provides a thematic and stylistic framework within which to consider Denis' work, as well as a comprehensive analysis of individual films. She highlights the resonance of Denis' films in relation to ongoing debates about French national identity and culture, and issues of postcolonial identity, alienation and transgression, as well as examining their exploration of the interface between sexuality, desire and sensuality. This is an essential introduction to Denis, and a sophisticated and illuminating study of her work to date. -- .
Beugnet provides a thematic and stylistic framework within which to consider Denis' work, as well as a comprehensive analysis of individual films. She highlights the resonance of Denis' films in relation to ongoing debates about French national identity and culture, and issues of postcolonial identity, alienation and transgression, as well as examining their exploration of the interface between sexuality, desire and sensuality. This is an essential introduction to Denis, and a sophisticated and illuminating study of her work to date. -- .
More details
Series
Language
English
Place of publication
Manchester
United Kingdom
Illustrations
Illustrations, black & white
Dimensions
Height: 198 mm
Width: 129 mm
Thickness: 12 mm
Weight
241 gr
ISBN-13
978-0-7190-6481-4 (9780719064814)
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Claire Denis
E-Book
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1st Edition
Manchester University Press
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Martine Beugnet
Claire Denis
E-Book
01/2019
1st Edition
Manchester University Press
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Person
Martine Beugnet is Lecturer in European Film Studies at Edinburgh University -- .
Content
Introduction
1. Foreignness and the aesthetics of the unsaid
2. Screening exile
3. The mise en scene of desire: Towards a cinema of the senses
Conclusion
Filmography
Select bibliography -- .
1. Foreignness and the aesthetics of the unsaid
2. Screening exile
3. The mise en scene of desire: Towards a cinema of the senses
Conclusion
Filmography
Select bibliography -- .