Finding Voice

Reviews / Votes

"Berman offers a fresh take on the ecosystem of the democratic arts through a powerful story of how printmakers and papermakers advanced social change in post-apartheid South Africa. Her account of the HIV/AIDS crisis shows the adaptability of visual arts programs as they respond to stigma, disempowerment, and policy failures. Throughout, she vigorously scrutinizes the politics of knowledge at work in processes of organizational change at the interface between arts centers and universities."
-Julie Ellison, University of Michigan ??"This timely book is a treasure of gathered wisdom from Berman's extensive experience as an artist, activist, and social innovator. Grounded in decades of creative engagement toward transformative change in South Africa, it offers diverse and original ways to work ethically and meaningfully with community members. Finding Voice deserves to be read internationally by scholars, practitioners, elected and informal leaders, change-makers and everyone working to create a better world."
-Michelle LeBaron, University of British Columbia "A must read for those seeking to understand the creative potential of the visual arts, participatory pedagogy, and collaborative research praxis in developing community and taking action for change. Berman demonstrates how South Africans' creativity, agency and resilience are contributing to redressing inequities of longstanding and entrenched systems of racism and extreme poverty."
-M. Brinton Lykes, Boston College

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"Kim Berman's pioneering work, Finding Voice, is transgressive in the best sense, crossing boundaries that separate disciplines, communities, academics, policy-makers, and funders. She challenges fashionable fatalism. She shows how cooperative artistic production, bringing poor communities together with scholars and artists, can be a wellspring of agency and hope."
-Harry Boyte, Augsburg University "Berman offers fresh pathways for applying arts education to political discourse throughout the Global South. With expansive goals, Berman examines the remarkable resilience of South African women artists as a telling example of engaging broader debates on the role of local arts in advancing critical theory."
-- Africa Today -- Andrew Kettler, University of Toronto * Africa Today *