Concise Cadence Compendium
A Systematic Overview of Cadence Types and Terminology for 18th-Century Music
Published on 28. February 2015
Book
Paperback/Softback
250 pages
978-90-5867-948-2 (ISBN)
Description
Indispensable pocket guide for music theorists and students of 18th-century music. This compendium provides a systematic list and description of cadence types in 18th-century music. It includes Latin, Italian, French, German and English terminology, both from historical and contemporary sources. For each cadence type, the compendium presents a short definition, a textbook example, and some basic information on its historical context. As such, it is indispensable for music theorists and students of 18th-century music.
Reviews / Votes
'The [Leuven Cadence Compendium] project represents the first systematic attempt to provide a comprehensive compendium of concepts and terminology associated with cadence, a project from which the scholarly community should benefit enormously.'David Sears in Eighteenth-Century Music
More details
Language
English
Place of publication
Leuven
Belgium
Target group
College/higher education
Dimensions
Height: 150 mm
Width: 100 mm
ISBN-13
978-90-5867-948-2 (9789058679482)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Pieter Berge is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond.
Pieter Berge is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.
Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule fuer Musik Freiburg, and Yale. He received his PhD from McGill University's Schulich School of Music in 2009. Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.
David Lodewyckx is a doctoral researcher at the University of Leuven.
Pieter Herregodts is a postdoctoral researcher at the University of Leuven.
Pieter Berge is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.
Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule fuer Musik Freiburg, and Yale. He received his PhD from McGill University's Schulich School of Music in 2009. Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.
David Lodewyckx is a doctoral researcher at the University of Leuven.
Pieter Herregodts is a postdoctoral researcher at the University of Leuven.