
Music in Theory and Practice, Volume 2 with Audio CD
McGraw-Hill Professional (Publisher)
8th Edition
Published on 1. May 2008
Book
371 pages
978-0-07-725495-7 (ISBN)
Description
This best-selling text gives music majors and minors a solid foundation in the theory of music. It strengthens their musical intuition, builds technical skills, and helps them gain interpretive insights. The goal of the text is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire.
The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I serves as a general introduction to music theory while volume II offers a survey of the theoretical underpinnings of musical styles and forms from Gregorian Chant through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded textbook that integrates the various components of musical structure and makes them accessible to students at the undergraduate level.
The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I serves as a general introduction to music theory while volume II offers a survey of the theoretical underpinnings of musical styles and forms from Gregorian Chant through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded textbook that integrates the various components of musical structure and makes them accessible to students at the undergraduate level.
More details
Edition
8th edition
Language
English
Place of publication
United States
Publishing group
McGraw-Hill Education - Europe
Target group
College/higher education
Dimensions
Height: 274 mm
Width: 229 mm
Thickness: 20 mm
Weight
805 gr
ISBN-13
978-0-07-725495-7 (9780077254957)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Bruce Benward has been widely regarded as one of the most gifted music theory pedagogues since his textbooks first appeared in the 1960s, and has exerted a wide influence on the teaching of music theory both through his writings and through the generation of teachers that he taught. He recently retired from the University of Wisconsin at Madison.
Content
PrefacePart A: The Renaissance And Baroque PeriodsChp. 1: Late Renaissance PolyphonyChp. 2: Two-Voice Eighteenth Century CounterpointChp. 3: The FuguePart B: Chromatic HarmonyChp. 4: Borrowed ChordsChp. 5: Neapolitan 6th ChordsChp. 6: Augmented 6th ChordsPart C: The Classical Period (1750-1825)Chp. 7: Variation TechniqueChp. 8: Sonata FormChp. 9: Rondo FormsPart D: Extended And Chromatic HarmonyChp. 10: 9th,11th, and 13th ChordsChp. 11: Altered DominantsChp. 12: Chromatic MediantsPart E: The Nineteenth And Twentieth CenturiesChp. 13: The Romantic Period (1825-1900)Chp. 14: The Post-Romantic Impressionistic, and Related StylesChp. 15: The Contemporary Period (1910-1945)Chp. 16: Twelve-Tone TechniquePostlude: Music Since 1945AppendixesGlossaryIndex