Music for Analysis
Examples from the Common Practice Period and the Twentieth Century
7th Edition
Published on 9. November 2009
Book
Spiral bound
592 pages
978-0-19-537983-9 (ISBN)
Description
Offering 470 pieces of music from the Baroque period to the present, Music for Analysis: Examples from the Common Practice Period and the Twentieth Century, Seventh Edition, is the most comprehensive anthology of its kind. FEATURES* Provides 363 excerpts organized logically by harmonic content and 107 complete pieces; ideal for traditional form and analysis
courses as well as tonal harmony courses* Includes an audio CD of 145 examples from the text, played on the piano, harpsichord, or organ* Integrates ten Model Analyses showing the detail expected at each level of study and reinforcing the goal
of comprehensive analysis* Guides study both within and outside of class, offering Suggestions for Discussion and Questions for Analysis throughout * Features a detailed Index of Composers and Their Compositions and an Index of Complete PiecesNEW TO THE SEVENTH EDITION* Seven new Model Analyses (four chromatic tonal excerpts and
three from the twentieth century)* Two additional complete pieces (a four-movement Beethoven sonata and the prelude to Act I of Tristan und Isolde)* A CD icon with track numbers appearing next to the 145 musical examples that can be found on the accompanying audio CD
courses as well as tonal harmony courses* Includes an audio CD of 145 examples from the text, played on the piano, harpsichord, or organ* Integrates ten Model Analyses showing the detail expected at each level of study and reinforcing the goal
of comprehensive analysis* Guides study both within and outside of class, offering Suggestions for Discussion and Questions for Analysis throughout * Features a detailed Index of Composers and Their Compositions and an Index of Complete PiecesNEW TO THE SEVENTH EDITION* Seven new Model Analyses (four chromatic tonal excerpts and
three from the twentieth century)* Two additional complete pieces (a four-movement Beethoven sonata and the prelude to Act I of Tristan und Isolde)* A CD icon with track numbers appearing next to the 145 musical examples that can be found on the accompanying audio CD
Reviews / Votes
"Outstanding features include the number and variety of examples (in style, genre, and performance medium), their organization by topic, the CD, the Model Analyses, the complete pieces, and the analytical guidelines and questions. The new Model Analyses add more depth to the text and enable it to be used in a wider variety of class offerings. As an anthology that can be used for both harmony and form classes (or a combination thereof), this text can't bebeat."--Ellon Carpenter, Arizona State University
"I have never seen an anthology that comes close to this one for extensiveness, playability, variety, and practicality for theory classes."--Robert Young McMahan, The College of New Jersey
More details
Edition
7th edition
Language
English
Place of publication
New York
United States
Target group
College/higher education
ISBN-13
978-0-19-537983-9 (9780195379839)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Thomas Benjamin is Professor of Music Theory and Composition at the Peabody Conservatory of the Johns Hopkins University.
Michael Horvit is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music.
Robert Nelson is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music.
Michael Horvit is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music.
Robert Nelson is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music.
Content
* = Indicates new to this edition
DR = Indicates inclusion on CD
Each Part opens with Suggestions for Discussion
CD Track List
Preface
Suggestions for Using This Book
PART I: DIATONIC MATERIALS
1) TONIC TRIAD
Questions for Analysis
1. HAYDN, Sonatina in G major, Hob. XVI: 8
DR 2. CZERNY, Sonatina, op. 792, no. 8
3. RIMSKY-KORSAKOV, Le Coq d'Or: Hymn to the Sun
4. BEETHOVEN, Leonora Overture No. 2, op. 72
5. BEETHOVEN, Trio, op. 70, no. 2
6. CHOPIN, Polens Grabgesang, op. 74
DR 7. CHOPIN, Valse (Posthumous)
8. BEETHOVEN, Symphony No. 5, op. 67
9. COUPERIN, Carnival
2) DOMINANT TRIAD IN ROOT POSITION
Questions for Analysis
DR 10. MOZART, Rondo
DR 11. KUHNAU, Biblical Sonata No. 1: Victory Dance and Festival
DR 12. BEETHOVEN, Fuer Elise
13. SCHUMANN, Album for the Young, op. 68: Reiterstueck
14. WEBER, Euryanthe, op. 81: Overture
15. BEETHOVEN, Symphony No. 5, op. 67
3) DOMINANT SEVENTH AND NINTH IN ROOT POSITION
Questions for Analysis
Model Analysis
DR 16. WEBER, German Dance
DR 17. MOZART, Sonata, K. 332
18. SCHUBERT, Wiegenlied, op. 98, no. 2
19. VERDI, Rigoletto, Act I, no. 2
DR 20. HAYDN, Sonata in E major, Hob. XVI: 13
21. BEETHOVEN, Symphony No. 4, op. 60
22. WEBER, Oberon: Overture
DR 23. SCHUBERT, Laendler
DR 24. SCHUBERT, Valses Nobles, op. 77
25. MOZART, Valse
4) SUBDOMINANT TRIAD IN ROOT POSITION
Questions for Analysis
DR 26. SCHEIDT, Bergamasca
DR 27. SCHUMANN, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino
DR 28. CHOPIN, Mazurka, op. 17, no. 1
29. BEETHOVEN, Egmont Overture, op. 84
30. VERDI, Rigoletto, Act I, no. 7
DR 31. SCHUBERT, Impromptu, op. 90, no. 4, D. 899
32. KERN, Look for the Silver Lining
DR 33. BEETHOVEN, Seven Country Dances, no. 7
DR 34. SCHUBERT, Laendler
5) CADENTIAL TONIC SIX-FOUR CHORD
Questions for Analysis
DR 35. SCHUBERT, Valses Sentimentales, op. 50, no. 18
36. CHOPIN, Mazurka, op. 24, no. 3
37. DONIZETTI, Lucia di Lammermoor, Act II, no. 6
38. BEETHOVEN, Trio, op. 97
6) TONIC, SUBDOMINANT, AND DOMINANT TRIADS IN FIRST INVERSION
Questions for Analysis
Model Analysis
DR 39. BACH, Lobt Gott, ihr Christen, allzugleich
40. MOZART, Bastien und Bastienne, K. 46B, no. 9
DR 41. MOZART, Sonata, K. 332
DR 42. HAYDN, Sonata in D major, Hob. XVI:37
43. MOZART, Abendempfindung, K. 523
44. BEETHOVEN, Symphony No. 5, op. 67
45. BEETHOVEN, Fidelio, Act I, no. 9
DR 46. MOZART, Sonata, K. 570
47. MENDELSSOHN, Elijah, op. 70, no. 29
DR 48. COUPERIN, Le Petit Rien
49. DANDRIEU, Les Fifres
7) SUPERTONIC TRIAD
Questions for Analysis
DR 50. ANONYMOUS, Dir, dir, Jehovah, will ich singen
DR 51. SCHUBERT, Waltz, op. 9, no. 3, D. 365
DR 52. BEETHOVEN, Six Variations on "Nel cor piu non mi sento"
53. MOZART, Die Zauberfloete, K. 620, Act II, no. 21
54. CHOPIN, Zwei Leichen
55. BEETHOVEN, Trio, op. 121A
56. VERDI, Rigoletto, Act II, no. 14
DR 57. CHOPIN, Mazurka, op. 33, no. 2
58. HAYDN, Sonata in E minor, Hob. XVI: 34
8) INVERSIONS OF THE DOMINANT SEVENTH CHORD
Questions for Analysis
DR 59. J. C. F. BACH, Nun danket alle Gott
DR 60. HAYDN, Sonata in C major, Hob. XVI: 35
61. PAISIELLO, Le donne sur balcone
62. MOZART, Quartet, K. 464
DR 63. BEETHOVEN, Sonata, op. 31, no. 3
64. RAMEAU, Sarabande I, vol. I
65. HAYDN, Trio in C major, Hob. XV: 3
DR 66. KUHLAU, Sonatina, op. 20, no. 1
67. BEETHOVEN, Symphony No. 2, op. 36
DR 68. BEETHOVEN, Minuet in C
9) LINEAR (EMBELLISHING) SIX-FOUR CHORDS
Questions for Analysis
69. BEETHOVEN, Concerto No. 1 for Piano, op. 15
DR 70. SCHUBERT, Valses Sentimentales, op. 50, no. 1, D. 779
DR 71. MOZART, Rondo, K. 485
72. HAYDN, Quartet, op. 3, no. 5
DR 73. SCHUBERT, Waltz, op. 9, no. 1, D. 365
DR 74. KUHLAU, Sonatina, op. 88, no. 3
75. MOZART, Symphony No. 35, K. 385
DR 76. BEETHOVEN, Sonatina in G major
77. BEETHOVEN, Symphony No. 7, op. 92
78. MOZART, Symphony No. 41, K. 551
DR 79. HAYDN, Sonata in D major, Hob. XVI: 37
DR 80. BEETHOVEN, Contradanse
81. BUXTEHUDE, Passacaglia
82. BEETHOVEN, Symphony No. 3, op. 55
83. GOUNOD, Faust, Act I, no. 6
84. SULLIVAN, H.M.S. Pinafore, "
121. MOZART, Sonata for Violin and Piano, K. 306
DR 122. HAYDN, Sonatina in C major, Hob. XVI: 7
123. SCHUBERT, Aufenthalt
124. SCHUBERT, Der Wanderer
125. BRAHMS, Symphony No. 3, op. 90
126. VERDI, Il Trovatore, Act II, no. 11
127. BEETHOVEN, Symphony No. 5, op. 67
128. BRAHMS, Symphony No. 4, op. 98
13) SUPERTONIC SEVENTH CHORD
Questions for Analysis
DR 129. ANONYMOUS, Herr, wie du willst, so schick's mit mir
130. BACH, Straf' mich nicht in deinem Zorn
131. HAYDN, Sonata in A major, Hob. XVI: 46
DR 132. GRIEG, Voegtersang
133. BEETHOVEN, Symphony No. 6, op. 68
134. SCHUBERT, Quartet, op. 168, D. 112
DR 135. MOZART, Sonata, K. 310
136. SCHUBERT, Staendchen
137. BEETHOVEN, Symphony No. 2, op. 36
DR 138. BEETHOVEN, Sonata, op. 14, no. 2
139. BEETHOVEN, Symphony No. 6, op. 68
140. BIZET, Carmen, Act II: Entr'acte
141. RODGERS, Blue Moon
14) LEADING TONE SEVENTH CHORD
Questions for Analysis
142. DVORAK, Quartet, op. 96
DR 143. MOZART, Sonata, K. 457
DR 144. SCHUMANN, Carnaval, op. 9: Chiarina
DR 145. BRAHMS, Ballade, op. 10, no. 4
146. HANDEL, Sonata for Flute and Continuo
DR 147. HAYDN (?), Allegro
148. HAYDN, Trio in G major, Hob. XV: 25
149. MOZART, Requiem, K. 626: Offertorium
DR 150. HAYDN, Sonatina in G major, Hob. XVI: 11
151. HANDEL, Judas Maccabaeus, Part III: no. 53, Introduction
152. WAGNER, Das Rheinghold, Scene 1
153. GLUCK, Orphee, Act I, no. 1
154. HANDEL, Aria con Variazioni, Lecon No. 1 98 155. TELEMANN, Fantasia, 1er Dozzina, no. 5
156. MOZART, Sonata for Violin and Piano, K. 306
15) OTHER DIATONIC SEVENTH CHORDS
Questions for Analysis
DR 157. BACH, O Ewigkeit, du Donnerwort
158. MOZART, Rondo. K. 494
DR 159. MENDELSSOHN, Kinderstueck, op. 72, no. 1
160. PACHELBEL, Fantasie
161. HANDEL, Sonata for Flute and Continuo
162. HANDEL, Lecon No. 2, Menuet
163. TCHAIKOVSKY, Symphony No. 4, op. 36
DR 164. BACH, French Suite in D minor
16) COMPLETE PIECES FOR ANALYSIS I
Questions for Analysis
DR 165. BEETHOVEN, Minuet
DR 166. SCHUBERT, Dance
DR 167. SCHUBERT, German Dance, op. 33, no. 12
DR 168. BEETHOVEN, Scottish Dance
169. PURCELL, Rigadoon
170. RAMEAU, Minuet
DR 171. WITT, Passacaglia
172. GRIEG, Norsk
PART II: CHROMATIC MATERIALS
17) SECONDARY (APPLIED, BORROWED) DOMINANTS
Questions for Analysis
Model Analysis
173. BEETHOVEN, Trio, op. 1, no. 1
174. MOZART, Sonata, K. 281
DR 175. SCHUBERT, Impromptu, op. 142, no. 3
176. HAYDN, Trio in D major
DR 177. BEETHOVEN, Sonatina in G major
178. WEBER, Oberon: Overture
179. BEETHOVEN, Trio, op. 1, no. 1
DR 180. SCHUMANN, Sonata, op. 118c., Andante
181. BEETHOVEN, Symphony No. 1, op. 21
DR 182. HANDEL, Suite XI
183. SCHUMANN, Arabeske, op. 18
184. BEETHOVEN, Symphony No. 4, op. 60
185. SCHUMANN, Widmung, op. 25, no. 1
186. SCHUBERT, Symphony No. 8 ("Unfinished")
187. SCHUMANN, Sonata, op. 118c126 ., Puppenwiegenlied
188. SCHUBERT, Quintet ("Die Forelle"), op. 114, D. 667
189. BEETHOVEN, Quintet, op. 29
190. BEETHOVEN, Trio, op. 11
191. VERDI, Rigoletto, Act II, no. 7
192. HANDEL, Suite XVI
DR 193. BEETHOVEN, Sonata, op. 53
194. SCHUBERT, Symphony in C major (
DR = Indicates inclusion on CD
Each Part opens with Suggestions for Discussion
CD Track List
Preface
Suggestions for Using This Book
PART I: DIATONIC MATERIALS
1) TONIC TRIAD
Questions for Analysis
1. HAYDN, Sonatina in G major, Hob. XVI: 8
DR 2. CZERNY, Sonatina, op. 792, no. 8
3. RIMSKY-KORSAKOV, Le Coq d'Or: Hymn to the Sun
4. BEETHOVEN, Leonora Overture No. 2, op. 72
5. BEETHOVEN, Trio, op. 70, no. 2
6. CHOPIN, Polens Grabgesang, op. 74
DR 7. CHOPIN, Valse (Posthumous)
8. BEETHOVEN, Symphony No. 5, op. 67
9. COUPERIN, Carnival
2) DOMINANT TRIAD IN ROOT POSITION
Questions for Analysis
DR 10. MOZART, Rondo
DR 11. KUHNAU, Biblical Sonata No. 1: Victory Dance and Festival
DR 12. BEETHOVEN, Fuer Elise
13. SCHUMANN, Album for the Young, op. 68: Reiterstueck
14. WEBER, Euryanthe, op. 81: Overture
15. BEETHOVEN, Symphony No. 5, op. 67
3) DOMINANT SEVENTH AND NINTH IN ROOT POSITION
Questions for Analysis
Model Analysis
DR 16. WEBER, German Dance
DR 17. MOZART, Sonata, K. 332
18. SCHUBERT, Wiegenlied, op. 98, no. 2
19. VERDI, Rigoletto, Act I, no. 2
DR 20. HAYDN, Sonata in E major, Hob. XVI: 13
21. BEETHOVEN, Symphony No. 4, op. 60
22. WEBER, Oberon: Overture
DR 23. SCHUBERT, Laendler
DR 24. SCHUBERT, Valses Nobles, op. 77
25. MOZART, Valse
4) SUBDOMINANT TRIAD IN ROOT POSITION
Questions for Analysis
DR 26. SCHEIDT, Bergamasca
DR 27. SCHUMANN, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino
DR 28. CHOPIN, Mazurka, op. 17, no. 1
29. BEETHOVEN, Egmont Overture, op. 84
30. VERDI, Rigoletto, Act I, no. 7
DR 31. SCHUBERT, Impromptu, op. 90, no. 4, D. 899
32. KERN, Look for the Silver Lining
DR 33. BEETHOVEN, Seven Country Dances, no. 7
DR 34. SCHUBERT, Laendler
5) CADENTIAL TONIC SIX-FOUR CHORD
Questions for Analysis
DR 35. SCHUBERT, Valses Sentimentales, op. 50, no. 18
36. CHOPIN, Mazurka, op. 24, no. 3
37. DONIZETTI, Lucia di Lammermoor, Act II, no. 6
38. BEETHOVEN, Trio, op. 97
6) TONIC, SUBDOMINANT, AND DOMINANT TRIADS IN FIRST INVERSION
Questions for Analysis
Model Analysis
DR 39. BACH, Lobt Gott, ihr Christen, allzugleich
40. MOZART, Bastien und Bastienne, K. 46B, no. 9
DR 41. MOZART, Sonata, K. 332
DR 42. HAYDN, Sonata in D major, Hob. XVI:37
43. MOZART, Abendempfindung, K. 523
44. BEETHOVEN, Symphony No. 5, op. 67
45. BEETHOVEN, Fidelio, Act I, no. 9
DR 46. MOZART, Sonata, K. 570
47. MENDELSSOHN, Elijah, op. 70, no. 29
DR 48. COUPERIN, Le Petit Rien
49. DANDRIEU, Les Fifres
7) SUPERTONIC TRIAD
Questions for Analysis
DR 50. ANONYMOUS, Dir, dir, Jehovah, will ich singen
DR 51. SCHUBERT, Waltz, op. 9, no. 3, D. 365
DR 52. BEETHOVEN, Six Variations on "Nel cor piu non mi sento"
53. MOZART, Die Zauberfloete, K. 620, Act II, no. 21
54. CHOPIN, Zwei Leichen
55. BEETHOVEN, Trio, op. 121A
56. VERDI, Rigoletto, Act II, no. 14
DR 57. CHOPIN, Mazurka, op. 33, no. 2
58. HAYDN, Sonata in E minor, Hob. XVI: 34
8) INVERSIONS OF THE DOMINANT SEVENTH CHORD
Questions for Analysis
DR 59. J. C. F. BACH, Nun danket alle Gott
DR 60. HAYDN, Sonata in C major, Hob. XVI: 35
61. PAISIELLO, Le donne sur balcone
62. MOZART, Quartet, K. 464
DR 63. BEETHOVEN, Sonata, op. 31, no. 3
64. RAMEAU, Sarabande I, vol. I
65. HAYDN, Trio in C major, Hob. XV: 3
DR 66. KUHLAU, Sonatina, op. 20, no. 1
67. BEETHOVEN, Symphony No. 2, op. 36
DR 68. BEETHOVEN, Minuet in C
9) LINEAR (EMBELLISHING) SIX-FOUR CHORDS
Questions for Analysis
69. BEETHOVEN, Concerto No. 1 for Piano, op. 15
DR 70. SCHUBERT, Valses Sentimentales, op. 50, no. 1, D. 779
DR 71. MOZART, Rondo, K. 485
72. HAYDN, Quartet, op. 3, no. 5
DR 73. SCHUBERT, Waltz, op. 9, no. 1, D. 365
DR 74. KUHLAU, Sonatina, op. 88, no. 3
75. MOZART, Symphony No. 35, K. 385
DR 76. BEETHOVEN, Sonatina in G major
77. BEETHOVEN, Symphony No. 7, op. 92
78. MOZART, Symphony No. 41, K. 551
DR 79. HAYDN, Sonata in D major, Hob. XVI: 37
DR 80. BEETHOVEN, Contradanse
81. BUXTEHUDE, Passacaglia
82. BEETHOVEN, Symphony No. 3, op. 55
83. GOUNOD, Faust, Act I, no. 6
84. SULLIVAN, H.M.S. Pinafore, "
121. MOZART, Sonata for Violin and Piano, K. 306
DR 122. HAYDN, Sonatina in C major, Hob. XVI: 7
123. SCHUBERT, Aufenthalt
124. SCHUBERT, Der Wanderer
125. BRAHMS, Symphony No. 3, op. 90
126. VERDI, Il Trovatore, Act II, no. 11
127. BEETHOVEN, Symphony No. 5, op. 67
128. BRAHMS, Symphony No. 4, op. 98
13) SUPERTONIC SEVENTH CHORD
Questions for Analysis
DR 129. ANONYMOUS, Herr, wie du willst, so schick's mit mir
130. BACH, Straf' mich nicht in deinem Zorn
131. HAYDN, Sonata in A major, Hob. XVI: 46
DR 132. GRIEG, Voegtersang
133. BEETHOVEN, Symphony No. 6, op. 68
134. SCHUBERT, Quartet, op. 168, D. 112
DR 135. MOZART, Sonata, K. 310
136. SCHUBERT, Staendchen
137. BEETHOVEN, Symphony No. 2, op. 36
DR 138. BEETHOVEN, Sonata, op. 14, no. 2
139. BEETHOVEN, Symphony No. 6, op. 68
140. BIZET, Carmen, Act II: Entr'acte
141. RODGERS, Blue Moon
14) LEADING TONE SEVENTH CHORD
Questions for Analysis
142. DVORAK, Quartet, op. 96
DR 143. MOZART, Sonata, K. 457
DR 144. SCHUMANN, Carnaval, op. 9: Chiarina
DR 145. BRAHMS, Ballade, op. 10, no. 4
146. HANDEL, Sonata for Flute and Continuo
DR 147. HAYDN (?), Allegro
148. HAYDN, Trio in G major, Hob. XV: 25
149. MOZART, Requiem, K. 626: Offertorium
DR 150. HAYDN, Sonatina in G major, Hob. XVI: 11
151. HANDEL, Judas Maccabaeus, Part III: no. 53, Introduction
152. WAGNER, Das Rheinghold, Scene 1
153. GLUCK, Orphee, Act I, no. 1
154. HANDEL, Aria con Variazioni, Lecon No. 1 98 155. TELEMANN, Fantasia, 1er Dozzina, no. 5
156. MOZART, Sonata for Violin and Piano, K. 306
15) OTHER DIATONIC SEVENTH CHORDS
Questions for Analysis
DR 157. BACH, O Ewigkeit, du Donnerwort
158. MOZART, Rondo. K. 494
DR 159. MENDELSSOHN, Kinderstueck, op. 72, no. 1
160. PACHELBEL, Fantasie
161. HANDEL, Sonata for Flute and Continuo
162. HANDEL, Lecon No. 2, Menuet
163. TCHAIKOVSKY, Symphony No. 4, op. 36
DR 164. BACH, French Suite in D minor
16) COMPLETE PIECES FOR ANALYSIS I
Questions for Analysis
DR 165. BEETHOVEN, Minuet
DR 166. SCHUBERT, Dance
DR 167. SCHUBERT, German Dance, op. 33, no. 12
DR 168. BEETHOVEN, Scottish Dance
169. PURCELL, Rigadoon
170. RAMEAU, Minuet
DR 171. WITT, Passacaglia
172. GRIEG, Norsk
PART II: CHROMATIC MATERIALS
17) SECONDARY (APPLIED, BORROWED) DOMINANTS
Questions for Analysis
Model Analysis
173. BEETHOVEN, Trio, op. 1, no. 1
174. MOZART, Sonata, K. 281
DR 175. SCHUBERT, Impromptu, op. 142, no. 3
176. HAYDN, Trio in D major
DR 177. BEETHOVEN, Sonatina in G major
178. WEBER, Oberon: Overture
179. BEETHOVEN, Trio, op. 1, no. 1
DR 180. SCHUMANN, Sonata, op. 118c., Andante
181. BEETHOVEN, Symphony No. 1, op. 21
DR 182. HANDEL, Suite XI
183. SCHUMANN, Arabeske, op. 18
184. BEETHOVEN, Symphony No. 4, op. 60
185. SCHUMANN, Widmung, op. 25, no. 1
186. SCHUBERT, Symphony No. 8 ("Unfinished")
187. SCHUMANN, Sonata, op. 118c126 ., Puppenwiegenlied
188. SCHUBERT, Quintet ("Die Forelle"), op. 114, D. 667
189. BEETHOVEN, Quintet, op. 29
190. BEETHOVEN, Trio, op. 11
191. VERDI, Rigoletto, Act II, no. 7
192. HANDEL, Suite XVI
DR 193. BEETHOVEN, Sonata, op. 53
194. SCHUBERT, Symphony in C major (