Music for Analysis
Examples from the Common Practice Period and the Twentieth Century
8th Edition
Published on 16. January 2018
Book
Spiral bound
608 pages
978-0-19-062075-2 (ISBN)
Description
Offering 477 pieces of music from the Baroque period to the present, Music for Analysis, Eighth Edition, is the most comprehensive anthology of its kind. The book is organized by music theory concept, so it can easily be linked to any introductory theory course. The authors do not prescribe any system of analysis, allowing individual instructors to follow their own preferences with their students. Ample room for student work eliminates the need for a
separate workbook or to purchase score paper.
separate workbook or to purchase score paper.
Reviews / Votes
"I really like this book's brief examples, the brevity of the chapters, and the variety of genres." --Leslie M. Sabina, St. Bonaventure University"For those of us who choose not to use a standard tonal harmony textbook in our courses, Music for Analysis, Eighth Edition, provides organized musical examples in a single source." --Susan Piagentini, Bienen School of Music, Northwestern University
More details
Edition
8th edition
Language
English
Place of publication
New York
United States
Target group
College/higher education
ISBN-13
978-0-19-062075-2 (9780190620752)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Thomas Benjamin taught at the Peabody Conservatory of Johns Hopkins University, where he was Chair of the Department of Music for several years. Michael Horvit, Timothy Koozin, and Robert Nelson all teach at Moores School of Music at the University of Houston.
Content
PREFACE SUGGESTIONS FOR USING THIS BOOK PART I DIATONIC MATERIALS
Suggestions for Discussion 1. TONIC TRIAD
Questions for Analysis
1. HAYDN, Sonatina in G major, Hob. XVI: 8 2. CZERNY, Sonatina, op. 792, no. 8 3. RIMSKY-KORSAKOV, Le Coq d'Or: Hymn to the Sun 4. BEETHOVEN, Leonora Overture No. 2, op. 72 5. BEETHOVEN, Trio, op. 70, no. 2 6. CHOPIN, Polens Grabgesang, op. 74 7. CHOPIN, Valse (Posthumous) 8. BEETHOVEN, Symphony No. 5, op. 67 9. COUPERIN, Carnival 2. DOMINANT TRIAD IN ROOT POSITION
Questions for Analysis
10. MOZART, Rondo 11. KUHNAU, Biblical Sonata No. 1: Victory Dance and Festival 12. BEETHOVEN, Fuer Elise 13. SCHUMANN, Album for the Young, op. 68: Reiterstueck 14. WEBER, Euryanthe, op. 81: Overture 15. BEETHOVEN, Symphony No. 5, op. 67 3. DOMINANT SEVENTH AND NINTH IN ROOT POSITION
Questions for Analysis
Model Analysis
16. WEBER, German Dance 17. MOZART, Sonata, K. 332 18. SCHUBERT, Wiegenlied, op. 98, no. 2 19. VERDI, Rigoletto, Act I, no. 2 20. HAYDN, Sonata in E major, Hob. XVI: 13 21. BEETHOVEN, Symphony No. 4, op. 60 22. WEBER, Oberon: Overture 23. SCHUBERT, Laendler 24. SCHUBERT, Valses Nobles, op. 77 25. MOZART, Valse 4. SUBDOMINANT TRIAD IN ROOT POSITION
Questions for Analysis
26. SCHEIDT, Bergamasca 27. SCHUMANN, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino 28. CHOPIN, Mazurka, op. 17, no. 1 29. BEETHOVEN, Egmont Overture, op. 84 30. VERDI, Rigoletto, Act I, no. 7 31. SCHUBERT, Impromptu, op. 90, no. 4, D. 899 32. KERN, Look for the Silver Lining 33. BEETHOVEN, Seven Country Dances, no. 7 34. SCHUBERT, Laendler 5. CADENTIAL TONIC SIX-FOUR CHORD
Questions for Analysis
35. SCHUBERT, Valses Sentimentales, op. 50, no. 18 36. CHOPIN, Mazurka, op. 24, no. 3 37. DONIZETTI, Lucia di Lammermoor, Act II, no. 6 38. BEETHOVEN, Trio, op. 97 6. TONIC, SUBDOMINANT, AND DOMINANT TRIADS IN FIRST INVERSION
Questions for Analysis
Model Analysis
39. BACH, Lobt Gott, ihr Christen, allzugleich 40. MOZART, Bastien und Bastienne, K. 46B, no. 9 41. MOZART, Sonata, K. 332 42. HAYDN, Sonata in D major, Hob. XVI:37 43. MOZART, Abendempfindung, K. 523 44. BEETHOVEN, Symphony No. 5, op. 67 45. BEETHOVEN, Fidelio, Act I, no. 9 46. MOZART, Sonata, K. 570 47. MENDELSSOHN, Elijah, op. 70, no. 29 48. COUPERIN, Le Petit Rien 49. DANDRIEU, Les Fifres 7. SUPERTONIC TRIAD
Questions for Analysis
50. ANONYMOUS, Dir, dir, Jehovah, will ich singen 51. SCHUBERT, Waltz, op. 9, no. 3, D. 365 52. BEETHOVEN, Six Variations on "Nel cor piu non mi sento" 53. MOZART, Die Zauberfloete, K. 620, Act II, no. 21 54. CHOPIN, Zwei Leichen 55. BEETHOVEN, Trio, op. 121A 56. VERDI, Rigoletto, Act II, no. 14 57. CHOPIN, Mazurka, op. 33, no. 2 58. HAYDN, Sonata in E minor, Hob. XVI: 34 8. INVERSIONS OF THE DOMINANT SEVENTH CHORD
Questions for Analysis
59. J. C. F. BACH, Nun danket alle Gott 60. HAYDN, Sonata in C major, Hob. XVI: 35 61. PAISIELLO, Le donne sur balcone 62. MOZART, Quartet, K. 464 63. BEETHOVEN, Sonata, op. 31, no. 3 64. RAMEAU, Sarabande I, vol. I 65. HAYDN, Trio in C major, Hob. XV: 3 66. KUHLAU, Sonatina, op. 20, no. 1 67. BEETHOVEN, Symphony No. 2, op. 36 68. BEETHOVEN, Minuet in C 9. LINEAR (EMBELLISHING) SIX-FOUR CHORDS
Questions for Analysis
69. BEETHOVEN, Concerto No. 1 for Piano, op. 15 70. SCHUBERT, Valses Sentimentales, op. 50, no. 1, D. 779 71. MOZART, Rondo, K. 485 72. HAYDN, Quartet, op. 3, no. 5 73. SCHUBERT, Waltz, op. 9, no. 1, D. 365 74. KUHLAU, Sonatina, op. 88, no. 3 75. MOZART, Symphony No. 35, K. 385 76. BEETHOVEN, Sonatina in G major 77. BEETHOVEN, Symphony No. 7, op. 92 78. MOZART, Symphony No. 41, K. 551 79. HAYDN, Sonata in D major, Hob. XVI: 37 80. BEETHOVEN, Contradanse 81. BUXTEHUDE, Passacaglia 82. BEETHOVEN, Symphony No. 3, op. 55 83. GOUNOD, Faust, Act I, no. 6 84. SULLIVAN, H.M.S. Pinafore, "I'm Called Little Buttercup" 10. SUBMEDIANT AND MEDIANT TRIADS
Questions for Analysis
85. CRUEGER, Herzliebster Jesu, was hast du verbrochen 86. ANONYMOUS, Dir, dir, Jehovah, will ich singen 87. BACH, Schmuecke dich, o liebe Seele 88. MOZART, Bastien und Bastienne, K. 46b, no. 1 89. MOZART, Sonata, K. 545 90. HANDEL, Sonata in F for Flute and Continuo 91. VERDI, Rigoletto, Act I, no. 1 92. BRAHMS, Symphony No. 4, op. 98 93. CORELLI, Sonata for Violin and Continuo, op. 5, no. 9 94. SCHUBERT, Quartet in D major, D. 74 95. BEETHOVEN, Trio, op. 1, no. 3 96. MOZART, Sonata, K. 283 97. J. C. F. BACH, Menuet 98. TESSIER, Au joli bois je m'en vais 99. STRAUSS, Der Rosenkavalier, Act III 100. BRAHMS, Romance, op. 118, no. 5 101. SCHUMANN, Phantasiestuecke, op. 12, no. 4, Grillen 102. SCHUBERT, Im Abendroth (Posthumous) 103. SCHUBERT, Symphony in C major ("The Great") 11. LEADING TONE TRIAD
Questions for Analysis
104. TESCHNER, Schatz ueber alle Schaetze 105. BACH, Aus meines Herzens Grunde 106. SCHUMANN, Album for the Young, op. 68: Soldatenmarsch 107. HANDEL, Courante 108. HAYDN, Sonata in E major, Hob. XVI: 49 109. HAYDN, Sonatina in D major, Hob. XVI: 4 110. MOZART, Sonata, K. 280 111. DAQUIN, La Joyeuse 12. VARIANT QUALITIES OF DIATONIC TRIADS
Questions for Analysis
Scalar Variants in Minor
112. Bach, Herr, ich habe missgehandelt 113. Pachelbel, Chaconne 114. Telemann, Fantasie No. 8 115. Byrd, Pavana "The Earle of Salisbury" 116. A. Scarlatti, Folia 117. Mattheson, Minuet 118. Mozart, Sonata, K. 310
Modal Borrowing
119. VERDI, La Traviata, Act I, no. 4 120. DONIZETTI, Linda di Chamounix, "O luce di quest'anima"
121. MOZART, Sonata for Violin and Piano, K. 306 122. HAYDN, Sonatina in C major, Hob. XVI: 7 123. SCHUBERT, Aufenthalt 124. SCHUBERT, Der Wanderer 125. BRAHMS, Symphony No. 3, op. 90 126. VERDI, Il Trovatore, Act II, no. 11 127. BEETHOVEN, Symphony No. 5, op. 67 128. BRAHMS, Symphony No. 4, op. 98 13. SUPERTONIC SEVENTH CHORD
Questions for Analysis
129. ANONYMOUS, Herr, wie du willst, so schick's mit mir 130. BACH, Straf' mich nicht in deinem Zorn 131. HAYDN, Sonata in A? major, Hob. XVI: 46 132. GRIEG, Lyric Pieces, op. 12, no. 3: Voegtersang 133. BEETHOVEN, Symphony No. 6, op. 68 134. SCHUBERT, Quartet, op. 168, D. 112 135. MOZART, Sonata, K. 310 136. SCHUBERT, Staendchen 137. BEETHOVEN, Symphony No. 2, op. 36 138. BEETHOVEN, Sonata, op. 14, no. 2 139. BEETHOVEN, Symphony No. 6, op. 68 140. BIZET, Carmen, Act II: Entr'acte 141. RODGERS, Blue Moon 14. LEADING TONE SEVENTH CHORD
Questions for Analysis
142. DVORAK, Quartet, op. 96
143. MOZART, Sonata, K. 457 144. SCHUMANN, Carnaval, op. 9: Chiarina 145. BRAHMS, Ballade, op. 10, no. 4 146. HANDEL, Sonata for Flute and Basso Continuo, HWV 362 147. HAYDN (?), Allegro 148. HAYDN, Trio in G major, Hob. XV: 25 149. MOZART, Requiem, K. 626: Offertorium 150. HAYDN, Sonatina in G major, Hob. XVI: 11 151. HANDEL, Judas Maccabaeus, Part III: no. 53, Introduction 152. WAGNER, Das Rheinghold, Scene 1 153. GLUCK, Orphee, Act I, no. 1 154. HANDEL, Aria con Variazioni, Lecon No. 1 155. TELEMANN, Fantasia, Dozzina 1, no. 5
156. MOZART, Sonata for Violin and Piano, K. 306 15. OTHER DIATONIC SEVENTH CHORDS
Questions for Analysis
157. BACH, O Ewigkeit, du Donnerwort 158. MOZART, Rondo. K. 494 159. MENDELSSOHN, Kinderstueck, op. 72, no. 1 160. PACHELBEL, Fantasie 161. HANDEL, Sonata for Flute and Continuo 162. HANDEL, Lecon No. 2, Menuet 163. TCHAIKOVSKY, Symphony No. 4, op. 36 164. BACH, French Suite in D minor, Menuet 16. COMPLETE PIECES FOR ANALYSIS I
Checklist for Analysis
165. BEETHOVEN, Minuet 166. SCHUBERT, Dance 167. SCHUBERT, German Dance, op. 33, no. 12 168. BEETHOVEN, Scottish Dance 169. PURCELL, Rigadoon 170. RAMEAU, Minuet 171. WITT, Passacaglia 172. GRIEG, Lyric Pieces, op. 12, no. 6: Norsk PART II CHROMATIC MATERIALS
Suggestions for Discussion 17. SECONDARY (APPLIED, BORROWED) DOMINANTS
Questions for Analysis
Model Analysis
173. BEETHOVEN, Trio, op. 1, no. 1 174. MOZART, Sonata, K. 281 175. SCHUBERT, Impromptu, op. 142, no. 3 176. HAYDN, Trio in D major 177. BEETHOVEN, Sonatina in G major 178. WEBER, Oberon: Overture 179. BEETHOVEN, Trio, op. 1, no. 1 180. SCHUMANN, Sonata, op. 118c., Andante 181. BEETHOVEN, Symphony No. 1, op. 21 182. HANDEL, Suite XI 183. SCHUMANN, Arabeske, op. 18 184. BEETHOVEN, Symphony No. 4, op. 60 185. SCHUMANN, Widmung, op. 25, no. 1 186. SCHUBERT, Symphony No. 8 ("Unfinished") 187. SCHUMANN, Sonata, op. 118c., Puppenwiegenlied 188. SCHUBERT, Quintet ("Die Forelle"), op. 114, D. 667 189. BEETHOVEN, Quintet, op. 29 190. BEETHOVEN, Trio, op. 11 191. VERDI, Rigoletto, Act II, no. 7 192. HANDEL, Suite XVI 193. BEETHOVEN, Sonata, op. 53 194. SCHUBERT, Symphony in C major ("The Great")
195. BEETHOVEN, Trio, op. 1, no. 3 196. SCHUBERT, Mass in E major: Benedictus 197. MENDELSSOHN, Midsummer Night's Dream, op. 61: Wedding March 198. VERDI, Rigoletto, Act II, no. 14 199. BACH, Christmas Oratorio, Part I, no. 4: Bereite dich, Zion 200. HANDEL, Sonata VII for Flute and Continuo 201. CHOPIN, Mazurka, op. 67, no. 2 202. CHOPIN, Valse, op. 69, no. 1 203. CHOPIN, Valse Brillante, op. 34, no. 3 204. GERSHWIN, Someone to Watch Over Me 205. TCHAIKOVSKY, Children's Album, op. 39, no. 1.: Morning Prayer 18. MODULATION TO CLOSELY RELATED KEYS
Questions for Analysis
Modulation to Dominant
206. MOZART, Symphony No. 39, K. 543 207. MOZART, Sonata, K. 331 208. BEETHOVEN, Symphony No. 2, op. 36 209. HAYDN, Minuet 210. SCHUBERT, Quartet, D. 173 211. HAYDN, Sonata in C minor, Hob. XVI: 36 212. MOZART, Symphony No. 41, K. 551 213. CHOPIN, Mazurka, op. 7, no. 2 214. HAYDN, Sonata in G major, Hob. XVI: 39 215. MOZART, Sonata, K. 282, Menuet I 216. SCHUBERT, Quartet, D. 173 Modulation to Relative Major
217. HAYDN, Trio in F minor, Hob. XV: 26 218. HAYDN, Sonata in E minor, Hob. XVI: 34 219. MOZART, Sonata, K. 330 220. DONIZETTI, Lucia di Lammermoor, Act I, Cavatina 221. BRAHMS, Quintet, op. 115 222. BEETHOVEN, Symphony No. 7, op. 92 223. HAYDN, Symphony No. 104, Hob. I: 104 Modulation to Other Closely Related Keys
224. HAYDN, Sonatina, Hob. XVI: 1 225. BONONCINI, Deh piu a me non vascondete 226. SAINT-SAENS, Carneval des Animaux: Le Cygne 227. BRAHMS, Waltz, op. 39, no. 15 228. BEETHOVEN, Quartet, op. 18, no. 2 229. PURCELL, Dido and Aeneas, Act I, scene I 230. BACH, French Suite in C Minor 19. COMPLETE PIECES FOR ANALYSIS II
Checklist for Analysis
231. BACH, Wachet auf, ruft uns die Stimme 232. BACH, In dulci jubilo 233. BACH, Christ lag in Todesbanden 234. HANDEL, Menuet 235. BEETHOVEN, Sonata, op. 26 236. SCHUMANN, Sonata, op. 118b., Abendlied 237. BRAHMS, Waltz, op. 39 238. HANDEL, Prelude 239. BEETHOVEN, Sonatina in F major 240. HAYDN, Sonata in G major, Hob. XVI: 27 241. GERSHWIN, I Got Rhythm 20. LINEAR (EMBELLISHING) DIMINISHED SEVENTH CHORDS
Questions for Analysis
242. HAYDN, Symphony No. 104, Hob. I: 104, Menuet 243. BEETHOVEN, Symphony No. 7, op. 92 244. LISZT, Les Preludes 245. BEETHOVEN, Contradanse 246. TCHAIKOVSKY, Symphony No. 6, op. 74 247. BEETHOVEN, Quartet, op. 18, no. 3 248. SCHUBERT, Sonata, op. 53 249. GOUNOD, Faust, Act IV, no. 18 250. SCHUMANN, Carnaval, op. 9: Arlequin 251. MOZART, Waltz, K. 567 252. WAGNER, Rienzi: Overture 253. BELLINI, I Puritani, Act II, scene 3 254. HAYDN, Symphony No. 104, Hob. I: 104 255. RODGERS, The Girl Friend 256. BRAHMS, Liebeslieder Walzer, op. 52, no. 4 21. NEAPOLITAN TRIAD
Questions for Analysis
257. MOZART, Concerto in A major, K. 488 258. SCHUBERT, Die schoene Muellerin, Op. 25: Der Mueller und der Bach 259. BACH, Ach Gott, vom Himmel sieh' darein 260. BACH, Invention No. 13 261. VERDI, Il Trovatore, Act II, no. 8 262. BRAHMS, Intermezzo in A major, op. 118, no. 2 263. CHOPIN, Prelude, op. 28, no. 20 264. BEETHOVEN, String Quartet, op. 59, no. 2 265. BRAHMS, Wie Melodien zieht es mir, op. 105 266. BEETHOVEN, Quartet, op. 18, no. 3 267. SCHUBERT, Mass in E major: Credo 268. BACH, The Well-Tempered Clavier, Vol. II, Fugue 17 269. CHOPIN, Prelude, op. 28, no. 6 22. AUGMENTED SIXTH CHORDS, SUBMEDIANT DEGREE AS LOWEST NOTE
Model Analysis
Questions for Analysis
Italian
270. BACH, Ich hab' mein' Sach' Gott heimgestellt 271. BEETHOVEN, Bagatelle, op. 119, no. 1 272. BEETHOVEN, Coriolan Overture, op. 62 273. TCHAIKOVSKY, Children's Album, op. 39, no. 10: Mazurka 274. SCHUBERT, Quartet, op. 168, D. 112 275. BEETHOVEN, Symphony No. 1, op. 21 German
276. MOZART, Sonata, K. 457 277. BEETHOVEN, Sonata, op. 109 278. HAYDN, Trio, Hob. XV: 25 279. BEETHOVEN, Thirty-Two Variations, WoO 80, Var. 30 280. SIBELIUS, Chanson Sans Paroles, op. 40, no. 2 281. STRAUSS, Der Rosenkavalier, Act I French
282. MENDELSSOHN, Elijah, op. 70, no. 1 283. SCHUBERT, Mass in G major: Kyrie 284. BACH, Wer nur den lieben Gott lae t walten 285. SCHUBERT, Sonata, op. 42 286. VERDI, La Traviata, Act III: Prelude 287. SCHUBERT, Symphony in C major ("The Great") 288. GRIEG, Alfedans, op. 12
289. HERBERT, Gypsy Love Song Enharmonic German
290. SCHUMANN, Dichterliebe, op. 48, no. 12: "Am leuchtenden Sommermorgen" 23. AUGMENTED SIXTH CHORDS, OTHER SCALE DEGREES AS LOWEST NOTE
Questions for Analysis
291. MOZART (?), Adagio 292. GRANADOS, Valses Poeticos 293. SCHUBERT, Symphony No. 8 ("Unfinished") 294. MOUSSORGSKY, Songs and Dances of Death, no. 4 295. GLUCK, Orphee, Act I, nos. 6 and 7 24. AUMENTED SIXTH CHORDS, OTHER USES
Question for Analysis
Linear
296. VERDI, Rigoletto, Act I: Prelude 297. TCHAIKOVSKY, Song Without Words, op. 40, no. 6 298. TCHAIKOVSKY, Romeo and Juliet 299. SCHUBERT, Waltz 300. BRAHMS, Intermezzo, op. 76, no. 4 301. TCHAIKOVSKY, Children's Album, op. 39, no. 20: The Witch
Secondary
302. CHOPIN, Prelude, op. 28, no. 22 303. SCHUBERT, Mass in G major: Benedictus 304. SCHUBERT, Die Allmacht, op. 79, no. 2 Altered Dominants 305. SCHUBERT, Quintet, op. 163 306. LISZT, Liebestraum, no. 3 307. RIMSKY-KORSAKOV, Snowmaiden, Chanson du Bonhomme Hiver 308. GRIEG, Solvejg's Lied 25. OTHER MEANS OF MODULATION
Model Analysis
Question for Analysis
309. SCHUBERT, Mass in G major: Gloria 310. BRAHMS, Wenn du nur zuweilen laechelst, op. 57, no. 2 311. BEETHOVEN, Symphony No. 5, op. 67 312. SCHUBERT, Waltz, op. 9, no. 14, D. 365 313. MOZART, Die Entfuehrung aus dem Serail, K. 384, Act III, no. 18 314. SCHUMANN, Symphony No. 2, op. 61 315. BEETHOVEN, Symphony No. 7, op. 92 316. HAYDN, String Quartet, op. 76, no. 6 317. BEETHOVEN, Sonata, op. 13 318. BEETHOVEN, Trio, op. 70, no. 1 319. SCRIABIN, Prelude, op. 13, no. 3 320. J. STRAUSS, Die Fledermaus: Overture 321. BRAHMS, Wie bist du meine Koenigen, op. 32, no. 9 322. SCHUBERT, Mass in A major: Agnus Dei 323. BEETHOVEN, Trio, op. 11 324. RACHMANINOFF, Melodie, op. 3, no. 3 325. SCHUBERT, Symphony No. 8 ("Unfinished") 26. NINTH CHORDS
Questions for Analysis
Dominant Ninths
326. J. STRAUSS, Artist's Life Waltzes, op. 316, no. 3 327. FRANCK, Sonata for Violin and Piano 328. BEETHOVEN, Theme from Six Easy Variations, WoO 77 329. CHOPIN, Valse Brillante, op. 34, no. 1 330. SCHUMANN, Waldesgespraech, op. 39, no. 3 331. CHOPIN, Prelude, op. 28, no. 15 Secondary Dominant Ninths
332. BACH, St. Matthew Passion, no. 78 333. SCHUMANN, Genoveva, op. 81: Overture 334. GRIEG, Grandmother's Minuet, op. 68, no. 2 335. SCHUMANN, Kinderszenen, op. 15, no. 7: Traeumerei Nondominant Ninths
336. GRIEG, Wedding Day at Troldhaugen, op. 65, no. 6 337. MENDELSSOHN, Midsummer Night's Dream, op. 21: Overture 338. FAUR?E, Apres un Reve 27. EXTENDED LINEAR USAGES
Questions for Analysis
Model Analysis
339. CHOPIN, Mazurka, op. 6, no. 1 340. BRAHMS, "Der Tod, das ist die kuehle Nacht," op. 96, no. 1 341. WEBER, Euryanthe: Overture 342. BRAHMS, Variations on a Theme by Handel, var. 20 343. FRANCK, Symphony in D minor 344. WAGNER, Lohengrin, Act I, scene 2 345. WAGNER, Wotan's Farewell, Die Walkuere, Act III 346. CHOPIN, Prelude, op. 28, no. 9 347. BEETHOVEN, Quartet, op. 18, no. 6 28. COMPLETE PIECES FOR ANALYSIS III
Checklist for Analysis
348. BACH, Ein' feste Burg ist unser Gott 349. BACH, Es ist genug, so nimm, Herr 350. MOZART, Minuet, K. 355 351. SCHUMANN, C., Myrthen, op. 25, no. 24 352. SCHUMANN, R., Drei Lieder, op. 12, no. 2
353. MENDELSSOHN, Lieder ohne Woerte, op. 30, no. 3 354. CHOPIN, Mazurka, Op. posth. 67, no. 2 355. SCHUMANN, Phantasiestuecke, op. 12, no. 3: Warum? 356. GRIEG, Lyric Pieces: op. 43, no. 5: Erotikon 357. LISZT, Il pensieroso, from Annees de Pelerinage
358: COLERIDGE-TAYLOR, Cameos for piano, op. 56, no. 3
359. R. STRAUSS, Morgen, op. 27, no. 4 360. WAGNER, Wesendonck Lieder, no. 1: Der Engel
361. BEETHOVEN, Sieben Variationen ueber das Volkslied: "God Save the King", WoO 78
362. MOZART, Symphony No. 40, K. 550 363. BEACH, Sketches, op. 15: Phantoms 364. JOPLIN, A Breeze from Alabama: March and Two-Step 365. WAGNER, Tristan und Isolde, Act I: Prelude
366. MOZART, Sonata, K. 309 I. Allegro con spirito II. Andante, un poco Adagio III. Allegretto grazioso 367. BEETHOVEN, Sonata, op. 2, no. 3 I. Allegro con brio II. Adagio III. Scherzo, Allegro IV. Allegro assai 29. EXAMPLES OF COUNTERPOINT
Questions for Analysis
368. BACH, Cantata No. 4: Sinfonia 369. BACH, Chorale Prelude on "In Dulci Jubilo"
370. BACH, Chorale Prelude on "Christ lag in Todesbanden" 371. BRAHMS, Chorale Prelude on "O Wie selig seid ihr doch, ihr Frommen" 372. PURCELL, "Thy hand Belinda", from Dido and Aeneas 373. BACH, Invention No. 4, BWV 775 374. BACH, Invention No. 13, BWV 775 375. BACH, Sinfonia 3, BWV 789 376. BACH, The Well-Tempered Clavier, Vol. I, Fugue 2 377. BACH, The Well-Tempered Clavier, Vol. II, Fugue 9 378. MENDELSSOHN, Fugue No. 2, op. 35 Additional Examples for the Study of Contrapuntual Techniques PART III CONTEMPORARY MATERIALS
Suggestions for Discussion
Model Analysis 30. EXTENDED AND ALTERED TERTIAN HARMONY
Questions for Analysis
379. HANSON, Symphony No. 2, op. 30 380. KABALEVSKY, Sonatina, op. 13 381. HOVHANESS, Mysterious Mountain 382. SHOSTAKOVICH, Prelude, op. 34, no. 24 383. DEBUSSY, Pelleas et Melisande, Act I, scene 1 384. SCRIABIN, Poem, op. 32, no. 2 385. RAVEL, Valses Nobles et Sentimentales 386. RODGERS, Slaughter on Tenth Avenue 387. ELLINGTON, Prelude to a Kiss 388. DUKE JORDAN, Jordu 389. PARKER, Anthropology 390. BERG, Four Songs, op. 2, no. 3 391. RAKSIN, Laura 31. DIATONIC (CHURCH) MODES
Model Analysis
Questions for Analysis
392. BARTO?K, Little Pieces for Children, no. III 393. CHA?VEZ, Ten Preludes, no. 1 394. POULENC, Valse 395. DEBUSSY, Trois Chansons, no. 1 396. KABALEVSKY, Toccatina 397. BRITTEN, Ceremony of Carols, no. 8 398. DEBUSSY, Suite bergamasque, Passepied 399. FLOYD, Susannah, Act II, scene 3 400. STRAVINSKY, Five Fingers: Lento 401. BARTO?K, Fourteen Bagatelles, op. 6, no. 4 402. CASELLA, Siciliana 403. ADDERLEY, Work Song 32. PANDIATONICISM AND ADDITIVE HARMONY
Questions for Analysis
404. RAVEL, Mother Goose Suite: The Magic Garden 405. MILHAUD, Touches Blanches 406. COWELL, The Irishman Dances 407. COPLAND, The Young Pioneers 408. BARBER, Excursions, III 409. STRAVINSKY, Petroushka, Danse Russe 410. POULENC, Gloria, Laudamus te 33. EXOTIC (ARTIFICIAL, SYNTHETIC) SCALES
Questions for Analysis
411. MILHAUD, Touches Noires 412. BARTO?K, Mikrokosmos, no. 78: Five Tone Scale 413. KODA?LY, Valsette 414. VAUGHAN WILLIAMS, London Symphony 415. DEBUSSY, Preludes, II: Voiles 416. BARTO?K, Mikrokosmos, no. 136: Whole Tone Scale 417. DEBUSSY, Pelleas et Melisande, Act II, scene 1 418. BARTO?K, Fourteen Bagatelles, op. 6, no. 10 419. LUTOSLAWSKI, Bucolic, no. 3 420. BARTO?K, Mikrokosmos, no. 101: Diminished Fifth 421. BARTO?K, Sketches, op. 9, no. 6 422. BARTO?K, Fourteen Bagatelles, op. 6, no. 6 34. QUARTIAL AND SECUNDAL HARMONY
Questions for Analysis
423. HINDEMITH, Mathis der Maler: Grablegung 424. IVES, Majority 425. KRENEK, Piano Piece, op. 39, no. 5 426. HINDEMITH, Ludus Tonalis, Fuga secunda in G 427. BARTO?K, Concerto for Orchestra 428. BERG, Wozzeck, Act II 429. BARTO?K, Mikrokosmos, no. 107: Melody in the Mist 430. BERG, Wozzeck, Act II 431. COWELL, Tiger 432. IVES, Majority 433. BRUBECK, Blue Rondo a la Turk 35. POLYHARMONY AND POLYTONALITY
Questions for Analysis
434. HONEGGER, Symphony No. 5 435. SCHUMAN, A Three-Score Set, II 436. KRAFT, Allegro Giocoso 437. STRAVINSKY, The Rake's Progress: Prelude 438. STRAVINSKY, Petroushka, Scene 2 439. MILHAUD, Saudades do Brazil, no 7: Corcovado 440. BARTO?K, Forty-Four Violin Duets, no. 33 441. BRUBECK, Strange Meadowlark 36. FREE ATONALITY
Questions for Analysis
442. SCHOENBERG, Drei Klavierstuecke, op. 11, no. 1 443. SCHOENBERG, Klavierstuecke, op. 19, no. 2 444. SCHOENBERG, Pierrot Lunaire, op. 21, no. 1: Mondestrunken 445. WEBERN, Five Movements for String Quartet, op. 5, no. 4 446. BARTO?K, Mikrokosmos, no. 144: Minor Seconds, Major Sevenths 447. BARTO?K, Fourth String Quartet 448. BERGER, Two Episodes, I 37. TWELVE-TONE SERIALISM
Model Analysis
Questions for Analysis
449. KRENEK, Dancing Toys, op. 83, no. 1 450. SCHOENBERG, Suite fuer Klavier, op. 25: Gavotte 451. DALLAPICCOLA, Cinque Frammenti di Saffo 452. WEBERN, Drei Lieder, op. 25, no. 1 38. MUSIC SINCE 1945
Questions for Analysis
453. Stockhausen, Klavierstuecke, no. 2 454. Lutoslawski, String Quartet (1965) 455. Penderecki, String Quartet, no. 2 456. Crumb, Madrigals, Book IV 457. Druckman, Valentine, for solo contrabass 458. Rouse, Valentine 459. Horne, Six Short Studies, Sixteenth Notes 39. COMPLETE PIECES FOR ANALYSIS IV
Suggestion for Analysis
460. Ravel, Sonatine, Mouvt II 461. Debussy, Pour le Piano: Sarabande 462. Debussy, Preludes, X: La Cathedrale engloutie 463. Boulanger, Trois Morceaux, no. 1: "D''un vieux jardin" 464. Milhaud, Saudades do Brazil, No. 6: Gavea 465. Tailleferre, Berceuse
466. Tailleferre, Impromptu 467. Prokofiev, Classical Symphony, op. 25 468. Prokofiev, The Love of Three Oranges: March 469. Hindemith, Ludus Tonalis: Fuga undecima in B (Canon) 470. Ruggles, Evocations, no. 1 471. Schoenberg, Suite fuer Klavier, op. 25: Menuett 472. Porter, Night and Day 473. Gershwin, Porgy and Bess: "Summertime" 474. Rodgers and Hart, Blue Moon. Arranged by Andre Previn 475. Stravinsky, Sonata for Two Pianos, II: Theme with Variations 476. Hindemith, Piano Sonata No. 2 477. Macmillan, Piano Sonata, I APPENDIX A. CHECKLIST FOR ANALYSIS AND SAMPLE ANALYSIS APPENDIX B. FOR FURTHER REFERENCE APPENDIX C. TEXTBOOK CORRELATION CHART ACKNOWLEDGMENTS INDEX OF COMPOSERS AND THEIR COMPOSITIONS INDEX OF COMPLETE PIECES
Suggestions for Discussion 1. TONIC TRIAD
Questions for Analysis
1. HAYDN, Sonatina in G major, Hob. XVI: 8 2. CZERNY, Sonatina, op. 792, no. 8 3. RIMSKY-KORSAKOV, Le Coq d'Or: Hymn to the Sun 4. BEETHOVEN, Leonora Overture No. 2, op. 72 5. BEETHOVEN, Trio, op. 70, no. 2 6. CHOPIN, Polens Grabgesang, op. 74 7. CHOPIN, Valse (Posthumous) 8. BEETHOVEN, Symphony No. 5, op. 67 9. COUPERIN, Carnival 2. DOMINANT TRIAD IN ROOT POSITION
Questions for Analysis
10. MOZART, Rondo 11. KUHNAU, Biblical Sonata No. 1: Victory Dance and Festival 12. BEETHOVEN, Fuer Elise 13. SCHUMANN, Album for the Young, op. 68: Reiterstueck 14. WEBER, Euryanthe, op. 81: Overture 15. BEETHOVEN, Symphony No. 5, op. 67 3. DOMINANT SEVENTH AND NINTH IN ROOT POSITION
Questions for Analysis
Model Analysis
16. WEBER, German Dance 17. MOZART, Sonata, K. 332 18. SCHUBERT, Wiegenlied, op. 98, no. 2 19. VERDI, Rigoletto, Act I, no. 2 20. HAYDN, Sonata in E major, Hob. XVI: 13 21. BEETHOVEN, Symphony No. 4, op. 60 22. WEBER, Oberon: Overture 23. SCHUBERT, Laendler 24. SCHUBERT, Valses Nobles, op. 77 25. MOZART, Valse 4. SUBDOMINANT TRIAD IN ROOT POSITION
Questions for Analysis
26. SCHEIDT, Bergamasca 27. SCHUMANN, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino 28. CHOPIN, Mazurka, op. 17, no. 1 29. BEETHOVEN, Egmont Overture, op. 84 30. VERDI, Rigoletto, Act I, no. 7 31. SCHUBERT, Impromptu, op. 90, no. 4, D. 899 32. KERN, Look for the Silver Lining 33. BEETHOVEN, Seven Country Dances, no. 7 34. SCHUBERT, Laendler 5. CADENTIAL TONIC SIX-FOUR CHORD
Questions for Analysis
35. SCHUBERT, Valses Sentimentales, op. 50, no. 18 36. CHOPIN, Mazurka, op. 24, no. 3 37. DONIZETTI, Lucia di Lammermoor, Act II, no. 6 38. BEETHOVEN, Trio, op. 97 6. TONIC, SUBDOMINANT, AND DOMINANT TRIADS IN FIRST INVERSION
Questions for Analysis
Model Analysis
39. BACH, Lobt Gott, ihr Christen, allzugleich 40. MOZART, Bastien und Bastienne, K. 46B, no. 9 41. MOZART, Sonata, K. 332 42. HAYDN, Sonata in D major, Hob. XVI:37 43. MOZART, Abendempfindung, K. 523 44. BEETHOVEN, Symphony No. 5, op. 67 45. BEETHOVEN, Fidelio, Act I, no. 9 46. MOZART, Sonata, K. 570 47. MENDELSSOHN, Elijah, op. 70, no. 29 48. COUPERIN, Le Petit Rien 49. DANDRIEU, Les Fifres 7. SUPERTONIC TRIAD
Questions for Analysis
50. ANONYMOUS, Dir, dir, Jehovah, will ich singen 51. SCHUBERT, Waltz, op. 9, no. 3, D. 365 52. BEETHOVEN, Six Variations on "Nel cor piu non mi sento" 53. MOZART, Die Zauberfloete, K. 620, Act II, no. 21 54. CHOPIN, Zwei Leichen 55. BEETHOVEN, Trio, op. 121A 56. VERDI, Rigoletto, Act II, no. 14 57. CHOPIN, Mazurka, op. 33, no. 2 58. HAYDN, Sonata in E minor, Hob. XVI: 34 8. INVERSIONS OF THE DOMINANT SEVENTH CHORD
Questions for Analysis
59. J. C. F. BACH, Nun danket alle Gott 60. HAYDN, Sonata in C major, Hob. XVI: 35 61. PAISIELLO, Le donne sur balcone 62. MOZART, Quartet, K. 464 63. BEETHOVEN, Sonata, op. 31, no. 3 64. RAMEAU, Sarabande I, vol. I 65. HAYDN, Trio in C major, Hob. XV: 3 66. KUHLAU, Sonatina, op. 20, no. 1 67. BEETHOVEN, Symphony No. 2, op. 36 68. BEETHOVEN, Minuet in C 9. LINEAR (EMBELLISHING) SIX-FOUR CHORDS
Questions for Analysis
69. BEETHOVEN, Concerto No. 1 for Piano, op. 15 70. SCHUBERT, Valses Sentimentales, op. 50, no. 1, D. 779 71. MOZART, Rondo, K. 485 72. HAYDN, Quartet, op. 3, no. 5 73. SCHUBERT, Waltz, op. 9, no. 1, D. 365 74. KUHLAU, Sonatina, op. 88, no. 3 75. MOZART, Symphony No. 35, K. 385 76. BEETHOVEN, Sonatina in G major 77. BEETHOVEN, Symphony No. 7, op. 92 78. MOZART, Symphony No. 41, K. 551 79. HAYDN, Sonata in D major, Hob. XVI: 37 80. BEETHOVEN, Contradanse 81. BUXTEHUDE, Passacaglia 82. BEETHOVEN, Symphony No. 3, op. 55 83. GOUNOD, Faust, Act I, no. 6 84. SULLIVAN, H.M.S. Pinafore, "I'm Called Little Buttercup" 10. SUBMEDIANT AND MEDIANT TRIADS
Questions for Analysis
85. CRUEGER, Herzliebster Jesu, was hast du verbrochen 86. ANONYMOUS, Dir, dir, Jehovah, will ich singen 87. BACH, Schmuecke dich, o liebe Seele 88. MOZART, Bastien und Bastienne, K. 46b, no. 1 89. MOZART, Sonata, K. 545 90. HANDEL, Sonata in F for Flute and Continuo 91. VERDI, Rigoletto, Act I, no. 1 92. BRAHMS, Symphony No. 4, op. 98 93. CORELLI, Sonata for Violin and Continuo, op. 5, no. 9 94. SCHUBERT, Quartet in D major, D. 74 95. BEETHOVEN, Trio, op. 1, no. 3 96. MOZART, Sonata, K. 283 97. J. C. F. BACH, Menuet 98. TESSIER, Au joli bois je m'en vais 99. STRAUSS, Der Rosenkavalier, Act III 100. BRAHMS, Romance, op. 118, no. 5 101. SCHUMANN, Phantasiestuecke, op. 12, no. 4, Grillen 102. SCHUBERT, Im Abendroth (Posthumous) 103. SCHUBERT, Symphony in C major ("The Great") 11. LEADING TONE TRIAD
Questions for Analysis
104. TESCHNER, Schatz ueber alle Schaetze 105. BACH, Aus meines Herzens Grunde 106. SCHUMANN, Album for the Young, op. 68: Soldatenmarsch 107. HANDEL, Courante 108. HAYDN, Sonata in E major, Hob. XVI: 49 109. HAYDN, Sonatina in D major, Hob. XVI: 4 110. MOZART, Sonata, K. 280 111. DAQUIN, La Joyeuse 12. VARIANT QUALITIES OF DIATONIC TRIADS
Questions for Analysis
Scalar Variants in Minor
112. Bach, Herr, ich habe missgehandelt 113. Pachelbel, Chaconne 114. Telemann, Fantasie No. 8 115. Byrd, Pavana "The Earle of Salisbury" 116. A. Scarlatti, Folia 117. Mattheson, Minuet 118. Mozart, Sonata, K. 310
Modal Borrowing
119. VERDI, La Traviata, Act I, no. 4 120. DONIZETTI, Linda di Chamounix, "O luce di quest'anima"
121. MOZART, Sonata for Violin and Piano, K. 306 122. HAYDN, Sonatina in C major, Hob. XVI: 7 123. SCHUBERT, Aufenthalt 124. SCHUBERT, Der Wanderer 125. BRAHMS, Symphony No. 3, op. 90 126. VERDI, Il Trovatore, Act II, no. 11 127. BEETHOVEN, Symphony No. 5, op. 67 128. BRAHMS, Symphony No. 4, op. 98 13. SUPERTONIC SEVENTH CHORD
Questions for Analysis
129. ANONYMOUS, Herr, wie du willst, so schick's mit mir 130. BACH, Straf' mich nicht in deinem Zorn 131. HAYDN, Sonata in A? major, Hob. XVI: 46 132. GRIEG, Lyric Pieces, op. 12, no. 3: Voegtersang 133. BEETHOVEN, Symphony No. 6, op. 68 134. SCHUBERT, Quartet, op. 168, D. 112 135. MOZART, Sonata, K. 310 136. SCHUBERT, Staendchen 137. BEETHOVEN, Symphony No. 2, op. 36 138. BEETHOVEN, Sonata, op. 14, no. 2 139. BEETHOVEN, Symphony No. 6, op. 68 140. BIZET, Carmen, Act II: Entr'acte 141. RODGERS, Blue Moon 14. LEADING TONE SEVENTH CHORD
Questions for Analysis
142. DVORAK, Quartet, op. 96
143. MOZART, Sonata, K. 457 144. SCHUMANN, Carnaval, op. 9: Chiarina 145. BRAHMS, Ballade, op. 10, no. 4 146. HANDEL, Sonata for Flute and Basso Continuo, HWV 362 147. HAYDN (?), Allegro 148. HAYDN, Trio in G major, Hob. XV: 25 149. MOZART, Requiem, K. 626: Offertorium 150. HAYDN, Sonatina in G major, Hob. XVI: 11 151. HANDEL, Judas Maccabaeus, Part III: no. 53, Introduction 152. WAGNER, Das Rheinghold, Scene 1 153. GLUCK, Orphee, Act I, no. 1 154. HANDEL, Aria con Variazioni, Lecon No. 1 155. TELEMANN, Fantasia, Dozzina 1, no. 5
156. MOZART, Sonata for Violin and Piano, K. 306 15. OTHER DIATONIC SEVENTH CHORDS
Questions for Analysis
157. BACH, O Ewigkeit, du Donnerwort 158. MOZART, Rondo. K. 494 159. MENDELSSOHN, Kinderstueck, op. 72, no. 1 160. PACHELBEL, Fantasie 161. HANDEL, Sonata for Flute and Continuo 162. HANDEL, Lecon No. 2, Menuet 163. TCHAIKOVSKY, Symphony No. 4, op. 36 164. BACH, French Suite in D minor, Menuet 16. COMPLETE PIECES FOR ANALYSIS I
Checklist for Analysis
165. BEETHOVEN, Minuet 166. SCHUBERT, Dance 167. SCHUBERT, German Dance, op. 33, no. 12 168. BEETHOVEN, Scottish Dance 169. PURCELL, Rigadoon 170. RAMEAU, Minuet 171. WITT, Passacaglia 172. GRIEG, Lyric Pieces, op. 12, no. 6: Norsk PART II CHROMATIC MATERIALS
Suggestions for Discussion 17. SECONDARY (APPLIED, BORROWED) DOMINANTS
Questions for Analysis
Model Analysis
173. BEETHOVEN, Trio, op. 1, no. 1 174. MOZART, Sonata, K. 281 175. SCHUBERT, Impromptu, op. 142, no. 3 176. HAYDN, Trio in D major 177. BEETHOVEN, Sonatina in G major 178. WEBER, Oberon: Overture 179. BEETHOVEN, Trio, op. 1, no. 1 180. SCHUMANN, Sonata, op. 118c., Andante 181. BEETHOVEN, Symphony No. 1, op. 21 182. HANDEL, Suite XI 183. SCHUMANN, Arabeske, op. 18 184. BEETHOVEN, Symphony No. 4, op. 60 185. SCHUMANN, Widmung, op. 25, no. 1 186. SCHUBERT, Symphony No. 8 ("Unfinished") 187. SCHUMANN, Sonata, op. 118c., Puppenwiegenlied 188. SCHUBERT, Quintet ("Die Forelle"), op. 114, D. 667 189. BEETHOVEN, Quintet, op. 29 190. BEETHOVEN, Trio, op. 11 191. VERDI, Rigoletto, Act II, no. 7 192. HANDEL, Suite XVI 193. BEETHOVEN, Sonata, op. 53 194. SCHUBERT, Symphony in C major ("The Great")
195. BEETHOVEN, Trio, op. 1, no. 3 196. SCHUBERT, Mass in E major: Benedictus 197. MENDELSSOHN, Midsummer Night's Dream, op. 61: Wedding March 198. VERDI, Rigoletto, Act II, no. 14 199. BACH, Christmas Oratorio, Part I, no. 4: Bereite dich, Zion 200. HANDEL, Sonata VII for Flute and Continuo 201. CHOPIN, Mazurka, op. 67, no. 2 202. CHOPIN, Valse, op. 69, no. 1 203. CHOPIN, Valse Brillante, op. 34, no. 3 204. GERSHWIN, Someone to Watch Over Me 205. TCHAIKOVSKY, Children's Album, op. 39, no. 1.: Morning Prayer 18. MODULATION TO CLOSELY RELATED KEYS
Questions for Analysis
Modulation to Dominant
206. MOZART, Symphony No. 39, K. 543 207. MOZART, Sonata, K. 331 208. BEETHOVEN, Symphony No. 2, op. 36 209. HAYDN, Minuet 210. SCHUBERT, Quartet, D. 173 211. HAYDN, Sonata in C minor, Hob. XVI: 36 212. MOZART, Symphony No. 41, K. 551 213. CHOPIN, Mazurka, op. 7, no. 2 214. HAYDN, Sonata in G major, Hob. XVI: 39 215. MOZART, Sonata, K. 282, Menuet I 216. SCHUBERT, Quartet, D. 173 Modulation to Relative Major
217. HAYDN, Trio in F minor, Hob. XV: 26 218. HAYDN, Sonata in E minor, Hob. XVI: 34 219. MOZART, Sonata, K. 330 220. DONIZETTI, Lucia di Lammermoor, Act I, Cavatina 221. BRAHMS, Quintet, op. 115 222. BEETHOVEN, Symphony No. 7, op. 92 223. HAYDN, Symphony No. 104, Hob. I: 104 Modulation to Other Closely Related Keys
224. HAYDN, Sonatina, Hob. XVI: 1 225. BONONCINI, Deh piu a me non vascondete 226. SAINT-SAENS, Carneval des Animaux: Le Cygne 227. BRAHMS, Waltz, op. 39, no. 15 228. BEETHOVEN, Quartet, op. 18, no. 2 229. PURCELL, Dido and Aeneas, Act I, scene I 230. BACH, French Suite in C Minor 19. COMPLETE PIECES FOR ANALYSIS II
Checklist for Analysis
231. BACH, Wachet auf, ruft uns die Stimme 232. BACH, In dulci jubilo 233. BACH, Christ lag in Todesbanden 234. HANDEL, Menuet 235. BEETHOVEN, Sonata, op. 26 236. SCHUMANN, Sonata, op. 118b., Abendlied 237. BRAHMS, Waltz, op. 39 238. HANDEL, Prelude 239. BEETHOVEN, Sonatina in F major 240. HAYDN, Sonata in G major, Hob. XVI: 27 241. GERSHWIN, I Got Rhythm 20. LINEAR (EMBELLISHING) DIMINISHED SEVENTH CHORDS
Questions for Analysis
242. HAYDN, Symphony No. 104, Hob. I: 104, Menuet 243. BEETHOVEN, Symphony No. 7, op. 92 244. LISZT, Les Preludes 245. BEETHOVEN, Contradanse 246. TCHAIKOVSKY, Symphony No. 6, op. 74 247. BEETHOVEN, Quartet, op. 18, no. 3 248. SCHUBERT, Sonata, op. 53 249. GOUNOD, Faust, Act IV, no. 18 250. SCHUMANN, Carnaval, op. 9: Arlequin 251. MOZART, Waltz, K. 567 252. WAGNER, Rienzi: Overture 253. BELLINI, I Puritani, Act II, scene 3 254. HAYDN, Symphony No. 104, Hob. I: 104 255. RODGERS, The Girl Friend 256. BRAHMS, Liebeslieder Walzer, op. 52, no. 4 21. NEAPOLITAN TRIAD
Questions for Analysis
257. MOZART, Concerto in A major, K. 488 258. SCHUBERT, Die schoene Muellerin, Op. 25: Der Mueller und der Bach 259. BACH, Ach Gott, vom Himmel sieh' darein 260. BACH, Invention No. 13 261. VERDI, Il Trovatore, Act II, no. 8 262. BRAHMS, Intermezzo in A major, op. 118, no. 2 263. CHOPIN, Prelude, op. 28, no. 20 264. BEETHOVEN, String Quartet, op. 59, no. 2 265. BRAHMS, Wie Melodien zieht es mir, op. 105 266. BEETHOVEN, Quartet, op. 18, no. 3 267. SCHUBERT, Mass in E major: Credo 268. BACH, The Well-Tempered Clavier, Vol. II, Fugue 17 269. CHOPIN, Prelude, op. 28, no. 6 22. AUGMENTED SIXTH CHORDS, SUBMEDIANT DEGREE AS LOWEST NOTE
Model Analysis
Questions for Analysis
Italian
270. BACH, Ich hab' mein' Sach' Gott heimgestellt 271. BEETHOVEN, Bagatelle, op. 119, no. 1 272. BEETHOVEN, Coriolan Overture, op. 62 273. TCHAIKOVSKY, Children's Album, op. 39, no. 10: Mazurka 274. SCHUBERT, Quartet, op. 168, D. 112 275. BEETHOVEN, Symphony No. 1, op. 21 German
276. MOZART, Sonata, K. 457 277. BEETHOVEN, Sonata, op. 109 278. HAYDN, Trio, Hob. XV: 25 279. BEETHOVEN, Thirty-Two Variations, WoO 80, Var. 30 280. SIBELIUS, Chanson Sans Paroles, op. 40, no. 2 281. STRAUSS, Der Rosenkavalier, Act I French
282. MENDELSSOHN, Elijah, op. 70, no. 1 283. SCHUBERT, Mass in G major: Kyrie 284. BACH, Wer nur den lieben Gott lae t walten 285. SCHUBERT, Sonata, op. 42 286. VERDI, La Traviata, Act III: Prelude 287. SCHUBERT, Symphony in C major ("The Great") 288. GRIEG, Alfedans, op. 12
289. HERBERT, Gypsy Love Song Enharmonic German
290. SCHUMANN, Dichterliebe, op. 48, no. 12: "Am leuchtenden Sommermorgen" 23. AUGMENTED SIXTH CHORDS, OTHER SCALE DEGREES AS LOWEST NOTE
Questions for Analysis
291. MOZART (?), Adagio 292. GRANADOS, Valses Poeticos 293. SCHUBERT, Symphony No. 8 ("Unfinished") 294. MOUSSORGSKY, Songs and Dances of Death, no. 4 295. GLUCK, Orphee, Act I, nos. 6 and 7 24. AUMENTED SIXTH CHORDS, OTHER USES
Question for Analysis
Linear
296. VERDI, Rigoletto, Act I: Prelude 297. TCHAIKOVSKY, Song Without Words, op. 40, no. 6 298. TCHAIKOVSKY, Romeo and Juliet 299. SCHUBERT, Waltz 300. BRAHMS, Intermezzo, op. 76, no. 4 301. TCHAIKOVSKY, Children's Album, op. 39, no. 20: The Witch
Secondary
302. CHOPIN, Prelude, op. 28, no. 22 303. SCHUBERT, Mass in G major: Benedictus 304. SCHUBERT, Die Allmacht, op. 79, no. 2 Altered Dominants 305. SCHUBERT, Quintet, op. 163 306. LISZT, Liebestraum, no. 3 307. RIMSKY-KORSAKOV, Snowmaiden, Chanson du Bonhomme Hiver 308. GRIEG, Solvejg's Lied 25. OTHER MEANS OF MODULATION
Model Analysis
Question for Analysis
309. SCHUBERT, Mass in G major: Gloria 310. BRAHMS, Wenn du nur zuweilen laechelst, op. 57, no. 2 311. BEETHOVEN, Symphony No. 5, op. 67 312. SCHUBERT, Waltz, op. 9, no. 14, D. 365 313. MOZART, Die Entfuehrung aus dem Serail, K. 384, Act III, no. 18 314. SCHUMANN, Symphony No. 2, op. 61 315. BEETHOVEN, Symphony No. 7, op. 92 316. HAYDN, String Quartet, op. 76, no. 6 317. BEETHOVEN, Sonata, op. 13 318. BEETHOVEN, Trio, op. 70, no. 1 319. SCRIABIN, Prelude, op. 13, no. 3 320. J. STRAUSS, Die Fledermaus: Overture 321. BRAHMS, Wie bist du meine Koenigen, op. 32, no. 9 322. SCHUBERT, Mass in A major: Agnus Dei 323. BEETHOVEN, Trio, op. 11 324. RACHMANINOFF, Melodie, op. 3, no. 3 325. SCHUBERT, Symphony No. 8 ("Unfinished") 26. NINTH CHORDS
Questions for Analysis
Dominant Ninths
326. J. STRAUSS, Artist's Life Waltzes, op. 316, no. 3 327. FRANCK, Sonata for Violin and Piano 328. BEETHOVEN, Theme from Six Easy Variations, WoO 77 329. CHOPIN, Valse Brillante, op. 34, no. 1 330. SCHUMANN, Waldesgespraech, op. 39, no. 3 331. CHOPIN, Prelude, op. 28, no. 15 Secondary Dominant Ninths
332. BACH, St. Matthew Passion, no. 78 333. SCHUMANN, Genoveva, op. 81: Overture 334. GRIEG, Grandmother's Minuet, op. 68, no. 2 335. SCHUMANN, Kinderszenen, op. 15, no. 7: Traeumerei Nondominant Ninths
336. GRIEG, Wedding Day at Troldhaugen, op. 65, no. 6 337. MENDELSSOHN, Midsummer Night's Dream, op. 21: Overture 338. FAUR?E, Apres un Reve 27. EXTENDED LINEAR USAGES
Questions for Analysis
Model Analysis
339. CHOPIN, Mazurka, op. 6, no. 1 340. BRAHMS, "Der Tod, das ist die kuehle Nacht," op. 96, no. 1 341. WEBER, Euryanthe: Overture 342. BRAHMS, Variations on a Theme by Handel, var. 20 343. FRANCK, Symphony in D minor 344. WAGNER, Lohengrin, Act I, scene 2 345. WAGNER, Wotan's Farewell, Die Walkuere, Act III 346. CHOPIN, Prelude, op. 28, no. 9 347. BEETHOVEN, Quartet, op. 18, no. 6 28. COMPLETE PIECES FOR ANALYSIS III
Checklist for Analysis
348. BACH, Ein' feste Burg ist unser Gott 349. BACH, Es ist genug, so nimm, Herr 350. MOZART, Minuet, K. 355 351. SCHUMANN, C., Myrthen, op. 25, no. 24 352. SCHUMANN, R., Drei Lieder, op. 12, no. 2
353. MENDELSSOHN, Lieder ohne Woerte, op. 30, no. 3 354. CHOPIN, Mazurka, Op. posth. 67, no. 2 355. SCHUMANN, Phantasiestuecke, op. 12, no. 3: Warum? 356. GRIEG, Lyric Pieces: op. 43, no. 5: Erotikon 357. LISZT, Il pensieroso, from Annees de Pelerinage
358: COLERIDGE-TAYLOR, Cameos for piano, op. 56, no. 3
359. R. STRAUSS, Morgen, op. 27, no. 4 360. WAGNER, Wesendonck Lieder, no. 1: Der Engel
361. BEETHOVEN, Sieben Variationen ueber das Volkslied: "God Save the King", WoO 78
362. MOZART, Symphony No. 40, K. 550 363. BEACH, Sketches, op. 15: Phantoms 364. JOPLIN, A Breeze from Alabama: March and Two-Step 365. WAGNER, Tristan und Isolde, Act I: Prelude
366. MOZART, Sonata, K. 309 I. Allegro con spirito II. Andante, un poco Adagio III. Allegretto grazioso 367. BEETHOVEN, Sonata, op. 2, no. 3 I. Allegro con brio II. Adagio III. Scherzo, Allegro IV. Allegro assai 29. EXAMPLES OF COUNTERPOINT
Questions for Analysis
368. BACH, Cantata No. 4: Sinfonia 369. BACH, Chorale Prelude on "In Dulci Jubilo"
370. BACH, Chorale Prelude on "Christ lag in Todesbanden" 371. BRAHMS, Chorale Prelude on "O Wie selig seid ihr doch, ihr Frommen" 372. PURCELL, "Thy hand Belinda", from Dido and Aeneas 373. BACH, Invention No. 4, BWV 775 374. BACH, Invention No. 13, BWV 775 375. BACH, Sinfonia 3, BWV 789 376. BACH, The Well-Tempered Clavier, Vol. I, Fugue 2 377. BACH, The Well-Tempered Clavier, Vol. II, Fugue 9 378. MENDELSSOHN, Fugue No. 2, op. 35 Additional Examples for the Study of Contrapuntual Techniques PART III CONTEMPORARY MATERIALS
Suggestions for Discussion
Model Analysis 30. EXTENDED AND ALTERED TERTIAN HARMONY
Questions for Analysis
379. HANSON, Symphony No. 2, op. 30 380. KABALEVSKY, Sonatina, op. 13 381. HOVHANESS, Mysterious Mountain 382. SHOSTAKOVICH, Prelude, op. 34, no. 24 383. DEBUSSY, Pelleas et Melisande, Act I, scene 1 384. SCRIABIN, Poem, op. 32, no. 2 385. RAVEL, Valses Nobles et Sentimentales 386. RODGERS, Slaughter on Tenth Avenue 387. ELLINGTON, Prelude to a Kiss 388. DUKE JORDAN, Jordu 389. PARKER, Anthropology 390. BERG, Four Songs, op. 2, no. 3 391. RAKSIN, Laura 31. DIATONIC (CHURCH) MODES
Model Analysis
Questions for Analysis
392. BARTO?K, Little Pieces for Children, no. III 393. CHA?VEZ, Ten Preludes, no. 1 394. POULENC, Valse 395. DEBUSSY, Trois Chansons, no. 1 396. KABALEVSKY, Toccatina 397. BRITTEN, Ceremony of Carols, no. 8 398. DEBUSSY, Suite bergamasque, Passepied 399. FLOYD, Susannah, Act II, scene 3 400. STRAVINSKY, Five Fingers: Lento 401. BARTO?K, Fourteen Bagatelles, op. 6, no. 4 402. CASELLA, Siciliana 403. ADDERLEY, Work Song 32. PANDIATONICISM AND ADDITIVE HARMONY
Questions for Analysis
404. RAVEL, Mother Goose Suite: The Magic Garden 405. MILHAUD, Touches Blanches 406. COWELL, The Irishman Dances 407. COPLAND, The Young Pioneers 408. BARBER, Excursions, III 409. STRAVINSKY, Petroushka, Danse Russe 410. POULENC, Gloria, Laudamus te 33. EXOTIC (ARTIFICIAL, SYNTHETIC) SCALES
Questions for Analysis
411. MILHAUD, Touches Noires 412. BARTO?K, Mikrokosmos, no. 78: Five Tone Scale 413. KODA?LY, Valsette 414. VAUGHAN WILLIAMS, London Symphony 415. DEBUSSY, Preludes, II: Voiles 416. BARTO?K, Mikrokosmos, no. 136: Whole Tone Scale 417. DEBUSSY, Pelleas et Melisande, Act II, scene 1 418. BARTO?K, Fourteen Bagatelles, op. 6, no. 10 419. LUTOSLAWSKI, Bucolic, no. 3 420. BARTO?K, Mikrokosmos, no. 101: Diminished Fifth 421. BARTO?K, Sketches, op. 9, no. 6 422. BARTO?K, Fourteen Bagatelles, op. 6, no. 6 34. QUARTIAL AND SECUNDAL HARMONY
Questions for Analysis
423. HINDEMITH, Mathis der Maler: Grablegung 424. IVES, Majority 425. KRENEK, Piano Piece, op. 39, no. 5 426. HINDEMITH, Ludus Tonalis, Fuga secunda in G 427. BARTO?K, Concerto for Orchestra 428. BERG, Wozzeck, Act II 429. BARTO?K, Mikrokosmos, no. 107: Melody in the Mist 430. BERG, Wozzeck, Act II 431. COWELL, Tiger 432. IVES, Majority 433. BRUBECK, Blue Rondo a la Turk 35. POLYHARMONY AND POLYTONALITY
Questions for Analysis
434. HONEGGER, Symphony No. 5 435. SCHUMAN, A Three-Score Set, II 436. KRAFT, Allegro Giocoso 437. STRAVINSKY, The Rake's Progress: Prelude 438. STRAVINSKY, Petroushka, Scene 2 439. MILHAUD, Saudades do Brazil, no 7: Corcovado 440. BARTO?K, Forty-Four Violin Duets, no. 33 441. BRUBECK, Strange Meadowlark 36. FREE ATONALITY
Questions for Analysis
442. SCHOENBERG, Drei Klavierstuecke, op. 11, no. 1 443. SCHOENBERG, Klavierstuecke, op. 19, no. 2 444. SCHOENBERG, Pierrot Lunaire, op. 21, no. 1: Mondestrunken 445. WEBERN, Five Movements for String Quartet, op. 5, no. 4 446. BARTO?K, Mikrokosmos, no. 144: Minor Seconds, Major Sevenths 447. BARTO?K, Fourth String Quartet 448. BERGER, Two Episodes, I 37. TWELVE-TONE SERIALISM
Model Analysis
Questions for Analysis
449. KRENEK, Dancing Toys, op. 83, no. 1 450. SCHOENBERG, Suite fuer Klavier, op. 25: Gavotte 451. DALLAPICCOLA, Cinque Frammenti di Saffo 452. WEBERN, Drei Lieder, op. 25, no. 1 38. MUSIC SINCE 1945
Questions for Analysis
453. Stockhausen, Klavierstuecke, no. 2 454. Lutoslawski, String Quartet (1965) 455. Penderecki, String Quartet, no. 2 456. Crumb, Madrigals, Book IV 457. Druckman, Valentine, for solo contrabass 458. Rouse, Valentine 459. Horne, Six Short Studies, Sixteenth Notes 39. COMPLETE PIECES FOR ANALYSIS IV
Suggestion for Analysis
460. Ravel, Sonatine, Mouvt II 461. Debussy, Pour le Piano: Sarabande 462. Debussy, Preludes, X: La Cathedrale engloutie 463. Boulanger, Trois Morceaux, no. 1: "D''un vieux jardin" 464. Milhaud, Saudades do Brazil, No. 6: Gavea 465. Tailleferre, Berceuse
466. Tailleferre, Impromptu 467. Prokofiev, Classical Symphony, op. 25 468. Prokofiev, The Love of Three Oranges: March 469. Hindemith, Ludus Tonalis: Fuga undecima in B (Canon) 470. Ruggles, Evocations, no. 1 471. Schoenberg, Suite fuer Klavier, op. 25: Menuett 472. Porter, Night and Day 473. Gershwin, Porgy and Bess: "Summertime" 474. Rodgers and Hart, Blue Moon. Arranged by Andre Previn 475. Stravinsky, Sonata for Two Pianos, II: Theme with Variations 476. Hindemith, Piano Sonata No. 2 477. Macmillan, Piano Sonata, I APPENDIX A. CHECKLIST FOR ANALYSIS AND SAMPLE ANALYSIS APPENDIX B. FOR FURTHER REFERENCE APPENDIX C. TEXTBOOK CORRELATION CHART ACKNOWLEDGMENTS INDEX OF COMPOSERS AND THEIR COMPOSITIONS INDEX OF COMPLETE PIECES