Televising History
Mediating the Past in Postwar Europe
Published on 19. May 2010
Book
Hardback
XII, 269 pages
978-0-230-22208-3 (ISBN)
Description
This volume brings together scholars from across Europe to critically examine TV history programming in a period of political, economic and cultural change. They look at links between programming and national identity, consider the representation of minorities, and explore a range of televisual genres and techniques.
Reviews / Votes
'This valuable collection explores the resurgence of history in televisual form in the latter part of the 20th century...the chapters provide not only a range of evidence and analysis, but also some powerful areas of ongoing discussion for historians, broadcasters and producers.' -Justin Champion, Royal Holloway, University of London, Historical Journal of Film, Radio and Television
'...provides a good sense of the serious work being done on historical presentation across the Continent.' - Journalism & Mass Communication Quarterly
More details
Edition
2010 edition
Language
English
Place of publication
London
United Kingdom
Target group
Professional and scholarly
Product notice
sewn/stitched
Paper over boards
Illustrations
XII, 269 p.
Dimensions
Height: 223 mm
Width: 148 mm
Thickness: 25 mm
Weight
468 gr
ISBN-13
978-0-230-22208-3 (9780230222083)
DOI
10.1057/9780230277205
Schweitzer Classification
Other editions
Additional editions
E-Book
05/2010
1st Edition
Palgrave Macmillan
€53.49
Available for download
Persons
AILEEN BLANEY is a postdoctoral scholar in Film Studies at Chung-Ang University, Seoul, South Korea
LUISA CIGOGNETTI is an independent scholar
JOHN CORNER is Visiting Professor in Communication Studies at the University of Leeds and Emeritus Professor at the University of Liverpool, UK
JEROME DE GROOT is Lecturer in English and American Studies at the University of Manchester, UK
SONJA DE LEEUW is Professor of Media and Culture Studies at Utrecht University, The Netherlands
ALEXANDER DHOEST is Lecturer in Media Studies at the University of Antwerp, Belgium
TOBIAS EBBRECHT is Professor of Media History at the Film and Television Academy (HFF 'Konrad Wolf'), Potsdam-Babelsberg, Germany
EMMA HANNA is Senior Lecturer in History at the University of Greenwich, UK
SIRA HERNÁNDEZ CORCHETE is Assistant Lecturer in the School of Communication at the University of Navarra, Spain
AMY HOLDSWORTH is Lecturer in the Department of Theatre, Film and Television at the University of Glasgow, UK
IRIS KLEINECKE-BATES is Lecturer in Film Studies at the University of Hull, UK
MARGIT ROHRINGER is a Lecturer at the University of Vienna, Austria
PIERRE SORLIN is Emeritus Professor of Sociology in Audiovisual Media, University of Paris III, France
ISABELLE VEYRAT-MASSON is Director of Research at the Centre National de la Recherche Scientifique, Paris, France
BRIAN WINSTON is the first Lincoln Chair of Communication at the University of Lincoln, UK, and was formerly Pro-Vice Chancellor
Content
Introduction: History on Television in Europe: The Past Two Decades; E.Bell & A.Gray PART I: PERSPECTIVES 'Once Upon A Time...': Visual Design and Documentary Openings; J.Corner History on Television: The Problem of Sources; P.Sorlin & L.Cigognetti Combating 'A Message Without a Code': Writing the 'History' Documentary; B.Winston Contexts of Production: Commissioning History; A.Gray Beyond The Witness: The Layering of Historical Testimonies on British Television; E.Bell PART II: TELEVISED HISTORY AND NATIONAL IDENTITY Staging Historical Leaders on French Television: The Example of Napoleon Bonaparte; I.Veyrat-Masson Landscape and Memory: British Television Documentaries about the First World War; E.Hanna Mediated Collective Memory and the Political Process Towards Democracy in Spain: An Analysis of the Spanish TV Historical Documentary Series La Transición ; S.Hernandez Corchete PART III: TELEVISED HISTORY, MEMORY AND IDENTITY Television Fiction, A Domain of Memory: Retelling the Past on Dutch Television; S.de Leeuw Facing the Truth, Pain, and Reconciliation; A.Blaney Women and War: M.Rohringer History in Popular Television Drama: The Flemish Past in Wij , Heren van Zichem ; A.Dhoest PART IV: HISTORY PROGRAMMING: FORM, GENRE, TECHNIQUE 'I Feel Completely Beautiful For the First Time In My Life': Bodily Re-Enactment and Reality Documentary; J.de Groot (Re)Constructing Biographies: German Television Docudrama and the Historical Biography; T.Ebbrecht Flog It!: Nostalgia and Lifestyle on British Daytime Television; I.Kleinecke Who Do You Think You Are? Family History and Memory on British Television; A.Holdsworth Conclusion: Broader Themes and Televisualisation; E.Bell & A.Gray Notes Bibliography Index