Andrea Levy
Contemporary Critical Perspectives
Published on 13. March 2014
Book
Paperback/Softback
176 pages
978-1-4411-1360-3 (ISBN)
Description
Andrea Levy has emerged as one of the most significant and popular voices in contemporary black British writing both in the UK and abroad. Drawing on a familial history of emigration, her critically-acclaimed novels - including the multiple award-winning Small Island - attempt to bring a variety of voices to the representation of black experience in post-war Britain.
This book is the first of its kind to be devoted to Levy's work. Combining historical, theoretical and textual perspectives, the volume hosts a wide range of current critical approaches to Levy's fiction. With chapters written by leading established and emerging scholars, the book explores issues of literary form, diasporic literature and cultural value, the BBC TV adaptation of Small Island, while also shedding fresh light on Levy's critically neglected early works. The book also includes a new interview with Levy herself, a timeline of her life, chapter summaries, as well as guides to further reading and online resources, making this an essential companion to the writings of one of the most exciting voices in contemporary fiction.
This book is the first of its kind to be devoted to Levy's work. Combining historical, theoretical and textual perspectives, the volume hosts a wide range of current critical approaches to Levy's fiction. With chapters written by leading established and emerging scholars, the book explores issues of literary form, diasporic literature and cultural value, the BBC TV adaptation of Small Island, while also shedding fresh light on Levy's critically neglected early works. The book also includes a new interview with Levy herself, a timeline of her life, chapter summaries, as well as guides to further reading and online resources, making this an essential companion to the writings of one of the most exciting voices in contemporary fiction.
Reviews / Votes
A rich and judiciously edited collection offering (it's hard to believe) the first book-length assessment of this major contemporary novelist. The chapters are beautifully balanced, exposing readers to a wide range of critical perspectives, from meticulous close readings of the novels to questions of literary form, reception, and adaptation. The collection concludes with a revealing, previously unpublished interview with Andrea Levy. * James Procter, Reader in Modern English & Postcolonial Literature, Newcastle University, UK *More details
Series
Language
English
Place of publication
New York
United States
Publishing group
Bloomsbury Publishing Plc
Target group
College/higher education
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 10 mm
Weight
278 gr
ISBN-13
978-1-4411-1360-3 (9781441113603)
DOI
CBID166340
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
03/2014
1st Edition
Bloomsbury Academic USA
€30.99
Available for download
E-Book
03/2014
1st Edition
Bloomsbury Academic USA
€30.99
Available for download
Persons
Jeannette Baxter, Senior Lecturer in English Literature, Anglia Ruskin University, UK. She is the author of J. G. Ballard's Surrealist Imagination, and her recent co-edited collections include J. G. Ballard: Visions and Revisions (2012) and A Literature of Restitution: Critical Essays on W. G. Sebald (2013).
David James, Lecturer in Modern and Contemporary Literature, Queen Mary, University of London, UK. Editor of several collections, including The Legacies of Modernism (2011), he is author of Contemporary British Fiction and the Artistry of Space (2008) and Modernist Futures (2012).
David James, Lecturer in Modern and Contemporary Literature, Queen Mary, University of London, UK. Editor of several collections, including The Legacies of Modernism (2011), he is author of Contemporary British Fiction and the Artistry of Space (2008) and Modernist Futures (2012).
Content
Contributors
Foreword by Lawrence Scott
Series Editors' Preface
Acknowledgements
Chronology of Andrea Levy's Life
INTRODUCTION
'Towards Serious Work'
Jeannette Baxter (Anglia Ruskin University, Cambridge) and David James (Queen Mary University, London)
CHAPTER ONE
Unhappy Bildungsromane
Dave Gunning (University of Birmingham)
CHAPTER TWO
Council Housing and the Politics of the Welfare State in Never Far From
Matthew Taunton (University of East Anglia)
CHAPTER THREE
Existing in More than One Plane of Time: Memory and Narrative Form in Every Light in the House Michael Perfect (University of Cambridge)
CHAPTER FOUR
The Immediacy of Small Island
David James (Queen Mary University, London)
CHAPTER FIVE
Small Island, Small Screen: Adapting Black British
Rachel Carroll (University of Teeside)
CHAPTER SIX
Exquisite Corpse: Un/dressing History in Fruit of the Lemon/The Long Song
Jeannette Baxter (Anglia Ruskin University, Cambridge)
CHAPTER SEVEN
'I am the narrator of this work': Narrative Authority in Andrea Levy's The Long
Fiona Tolan (Liverpool John Moores University)
CHAPTER EIGHT
At the Centre of the Picture: Andrea Levy's The Long
Susan Alice Fischer (City University of New York)
'Andrea Levy in Conversation with Susan Alice Fischer'
References
Index
Foreword by Lawrence Scott
Series Editors' Preface
Acknowledgements
Chronology of Andrea Levy's Life
INTRODUCTION
'Towards Serious Work'
Jeannette Baxter (Anglia Ruskin University, Cambridge) and David James (Queen Mary University, London)
CHAPTER ONE
Unhappy Bildungsromane
Dave Gunning (University of Birmingham)
CHAPTER TWO
Council Housing and the Politics of the Welfare State in Never Far From
Matthew Taunton (University of East Anglia)
CHAPTER THREE
Existing in More than One Plane of Time: Memory and Narrative Form in Every Light in the House Michael Perfect (University of Cambridge)
CHAPTER FOUR
The Immediacy of Small Island
David James (Queen Mary University, London)
CHAPTER FIVE
Small Island, Small Screen: Adapting Black British
Rachel Carroll (University of Teeside)
CHAPTER SIX
Exquisite Corpse: Un/dressing History in Fruit of the Lemon/The Long Song
Jeannette Baxter (Anglia Ruskin University, Cambridge)
CHAPTER SEVEN
'I am the narrator of this work': Narrative Authority in Andrea Levy's The Long
Fiona Tolan (Liverpool John Moores University)
CHAPTER EIGHT
At the Centre of the Picture: Andrea Levy's The Long
Susan Alice Fischer (City University of New York)
'Andrea Levy in Conversation with Susan Alice Fischer'
References
Index