Bright with Invisible History gathers a selection of poetry, short stories, journal entries, book reviews, and other prose by a remarkable man. William Bauer's writings are full of affection for the puzzling and often humorous behaviour of human beings. He catches both the strangeness and the pathos of our lives.
Memorable voices and characters, along with lyrical reflections and autobiographical musings, flow from Bauer's imagination. His language ranges from the playfulness and rich diction of 18th-century British prose-writers (his teaching specialty) to the vernacular spark of 20th-century Maritime and New England speech. He had a special skill for using humour to explore life's questions and quandaries. Suspicious of high seriousness, Bauer wrote some of the zestiest poetry and fiction of his time.
With the publication of Bright with Invisible History we now have the full range of William Bauer's storytelling, inventiveness, and original mind brought together in the pages of one book.
Language
Place of publication
Product notice
Paperback (trade)
Unsewn / adhesive bound
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 13 mm
Weight
ISBN-13
978-1-988299-34-1 (9781988299341)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
William Bauer (1932-2010), born and raised in Maine, completed degrees in Massachusetts, Connecticut, and North Carolina. In 1965 when the University of New Brunswick hired him to teach, he and his writer wife, Nancy, moved to Canada. Over the next thirty years Bauer taught many fields of Literature at UNB, with a specialization in 18th-century British Prose. Also a teacher of Creative Writing, he worked as both Poetry and Fiction editor for The Fiddlehead, and - with Nancy, a fiction-writer - belonged to a long-lasting writing workshop known under several names: The Ice House, McCord Hall, Tuesday Night. Bauer published two poetry chapbooks, Cornet Music for Plupy Shute and Everett Coogler; two full-length collections of poetry, The Terrible Word and Unsnarling String; and a selection of short stories, A Family Album. Much of his family-centred life revolved around his and Nancy's children Ernie, Grace and John. His fascination with creativity in its many forms prompted him to experiment with pursuits such as painting, rug-hooking, papier-mache art, and gourd-painting.
